Paolo Prato
Biographic Data
| ID | 212648 |
|---|---|
| NAME | Paolo Prato |
| GIVEN NAMES | Paolo |
| FAMILY NAME | Prato |
| SIGNATURE | PRATO P |
| AFFILIATIONS | Fatebenefratelli Hospital |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1984 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Tempo d’estate. La canzone balneare nell’Italia degli anni Sessanta
All’apice del miracolo economico (1961-62) prende forza un filone della canzone di largo consumo che ha per tema le vacanze al mare: pompate dai juke-box onnipresenti negli stabilimenti balneari, le canzoni dell’estate inaugurano la voga dei “tormentoni” e sono un fenomeno tipicamente italiano, che non ha riscontri altrove. Alle sue radici vi sono ragioni sociali (più denaro per il tempo libero), culturali (il boom delle vacanze) e di mercato (nu…
Pop goes the Pope: Religion and popular music in Italy
Music has maintained a long relationship with cult since ancient times, contributing to its efficacy and strengthening a communitarian identity. The advent of Christianity marked a sensible change in the way music was used, pioneering the very idea of listening as absolute, later extended to Western art music. The spread of popular music in the twentieth century impacted on religion too and the Christian world was particularly affected from the S…
Selling Italy by the sound: Cross-Cultural Interchanges Through Cover Records
Since the beginning of modern canzone, cover versions have represented a shortcut to importing and exporting songs across national borders. By breaking language barriers, these records have played the role of ambassadors of Italian music abroad and, vice-versa, of Anglo-American music at home. Although cover records mania boomed especially in the 1960s, the history of Italian popular music is disseminated by such examples, including exchanges wit…
Music Periodicals in Europe: A Data Bank and a Liaison Office
Music in the streets: The example of Washington Square Park in New York City
Music has always been part of street life. Taking it off the streets and bringing it into enclosed spaces is a relatively recent experience but it has profoundly changed the way music is perceived and evaluated. 'After art music moved indoors, street music has become an object of increasing scorn' (Schafer 1980, p. 66). However, although discouraged by the new sonorities that appeared with the Industrial Revolution and the new comfort of home-rep…
Music in the streets: The example of Washington Square Park in New York City
Music has always been part of street life. Taking it off the streets and bringing it into enclosed spaces is a relatively recent experience but it has profoundly changed the way music is perceived and evaluated. 'After art music moved indoors, street music has become an object of increasing scorn' (Schafer 1980, p. 66). However, although discouraged by the new sonorities that appeared with the Industrial Revolution and the new comfort of home-rep…
Selling Italy by the sound: Cross-Cultural Interchanges Through Cover Records
Since the beginning of modern canzone, cover versions have represented a shortcut to importing and exporting songs across national borders. By breaking language barriers, these records have played the role of ambassadors of Italian music abroad and, vice-versa, of Anglo-American music at home. Although cover records mania boomed especially in the 1960s, the history of Italian popular music is disseminated by such examples, including exchanges wit…
Music in the streets: The example of Washington Square Park in New York City
Music has always been part of street life. Taking it off the streets and bringing it into enclosed spaces is a relatively recent experience but it has profoundly changed the way music is perceived and evaluated. 'After art music moved indoors, street music has become an object of increasing scorn' (Schafer 1980, p. 66). However, although discouraged by the new sonorities that appeared with the Industrial Revolution and the new comfort of home-rep…
Music Periodicals in Europe: A Data Bank and a Liaison Office
Selling Italy by the sound: Cross-Cultural Interchanges Through Cover Records
Since the beginning of modern canzone, cover versions have represented a shortcut to importing and exporting songs across national borders. By breaking language barriers, these records have played the role of ambassadors of Italian music abroad and, vice-versa, of Anglo-American music at home. Although cover records mania boomed especially in the 1960s, the history of Italian popular music is disseminated by such examples, including exchanges wit…
Pop goes the Pope: Religion and popular music in Italy
Music has maintained a long relationship with cult since ancient times, contributing to its efficacy and strengthening a communitarian identity. The advent of Christianity marked a sensible change in the way music was used, pioneering the very idea of listening as absolute, later extended to Western art music. The spread of popular music in the twentieth century impacted on religion too and the Christian world was particularly affected from the S…
Tempo d’estate. La canzone balneare nell’Italia degli anni Sessanta
All’apice del miracolo economico (1961-62) prende forza un filone della canzone di largo consumo che ha per tema le vacanze al mare: pompate dai juke-box onnipresenti negli stabilimenti balneari, le canzoni dell’estate inaugurano la voga dei “tormentoni” e sono un fenomeno tipicamente italiano, che non ha riscontri altrove. Alle sue radici vi sono ragioni sociali (più denaro per il tempo libero), culturali (il boom delle vacanze) e di mercato (nu…
Diverse Musicological Studies (3 works) · History (3 works) · Music History and Culture (3 works) · Aesthetics (2 works) · Art (2 works) · History (2 works) · Italian Fascism and Post-war Society (2 works) · Art history (1 works) · Boom (1 works) · Call and response (1 works)