Farzaneh Hemmasi
Dados Biográficos
| ID | 212935 |
|---|---|
| NOME | Farzaneh Hemmasi |
| PRENOMES | Farzaneh |
| SOBRENOME | Hemmasi |
| ASSINATURA | HEMMASI F |
| AFILIAÇÕES | University of Toronto |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAÇÕES | 9 |
| TOTAL COMO AUTOR | 8 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2011 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 2 |
Digital Ethnomusicological Research Data and the Institutional Repository
As governments and funding agencies increasingly embrace Open Science and FAIR data principles, both qualitative and quantitative researchers are encouraged to deposit and share their data via institutional repositories. How suitable are repositories and data sharing for ethnomusicologists? This article chronicles a pilot project using the Canadian institutional data repository Borealis focused on digital ethnomusicological research data related …
Vamping the Stage
Googoosh’s Voice
One Can Veil and Be a Singer!”
This article explores the media controversy surrounding the victory of Ermia, a veiled female vocalist, on the 2013 expatriate Iranian talent competition Googoosh Music Academy (GMA). A historically and ethnographically informed “ethnotextual” analysis of a selection of Persian-language television programs, articles and news reports, weblogs, and Facebook posts responding to Ermia reveals how a reality television contestant came to disturb simpli…
Rebuilding the homeland in poetry and song
This article traces the transformation of an Iranian nationalist poem by Simin Behbahani entitled “I Will Rebuild You, Homeland” (1981) into an expatriate national anthem, and the poem-song’s subsequent incorporation into protests and political speeches by individuals and groups in and outside of Iran. Employing musical and textual analysis, interviews, and a transnational perspective on cultural circulation and reception, I show how exile pop si…
Iran's daughter and mother Iran
This article examines Googoosh, the reigning diva of Persian popular music, through an evaluation of diasporic Iranian discourse and artistic productions linking the vocalist to a feminized nation, its 'victimisation' in the revolution, and an attendant 'nostalgia for the modern' (Özyürek 2006) of pre-revolutionary Iran. Following analyses of diasporic media that project national drama and desire onto her persona, I then demonstrate how, since he…
Intimating Dissent
T interrelation of popular music with state and citizen politics is well documented in the Islamic Republic of Iran. For nearly two decades following the Iranian Revolution of 1978–79, popular music was banned for its immoral associations and connections to the deposed monarchical regime. The postrevolutionary government began permitting popular music in the late 1990s, but has kept its production, performance, and dissemination under a strict ye…
Muslim Rap, Halal Soaps, and Revolutionary Theater
Iran's daughter and mother Iran
This article examines Googoosh, the reigning diva of Persian popular music, through an evaluation of diasporic Iranian discourse and artistic productions linking the vocalist to a feminized nation, its 'victimisation' in the revolution, and an attendant 'nostalgia for the modern' (Özyürek 2006) of pre-revolutionary Iran. Following analyses of diasporic media that project national drama and desire onto her persona, I then demonstrate how, since he…
Intimating Dissent
T interrelation of popular music with state and citizen politics is well documented in the Islamic Republic of Iran. For nearly two decades following the Iranian Revolution of 1978–79, popular music was banned for its immoral associations and connections to the deposed monarchical regime. The postrevolutionary government began permitting popular music in the late 1990s, but has kept its production, performance, and dissemination under a strict ye…
One Can Veil and Be a Singer!”
This article explores the media controversy surrounding the victory of Ermia, a veiled female vocalist, on the 2013 expatriate Iranian talent competition Googoosh Music Academy (GMA). A historically and ethnographically informed “ethnotextual” analysis of a selection of Persian-language television programs, articles and news reports, weblogs, and Facebook posts responding to Ermia reveals how a reality television contestant came to disturb simpli…
Rebuilding the homeland in poetry and song
This article traces the transformation of an Iranian nationalist poem by Simin Behbahani entitled “I Will Rebuild You, Homeland” (1981) into an expatriate national anthem, and the poem-song’s subsequent incorporation into protests and political speeches by individuals and groups in and outside of Iran. Employing musical and textual analysis, interviews, and a transnational perspective on cultural circulation and reception, I show how exile pop si…
Muslim Rap, Halal Soaps, and Revolutionary Theater
Intimating Dissent
T interrelation of popular music with state and citizen politics is well documented in the Islamic Republic of Iran. For nearly two decades following the Iranian Revolution of 1978–79, popular music was banned for its immoral associations and connections to the deposed monarchical regime. The postrevolutionary government began permitting popular music in the late 1990s, but has kept its production, performance, and dissemination under a strict ye…
Vamping the Stage
Googoosh’s Voice
One Can Veil and Be a Singer!”
This article explores the media controversy surrounding the victory of Ermia, a veiled female vocalist, on the 2013 expatriate Iranian talent competition Googoosh Music Academy (GMA). A historically and ethnographically informed “ethnotextual” analysis of a selection of Persian-language television programs, articles and news reports, weblogs, and Facebook posts responding to Ermia reveals how a reality television contestant came to disturb simpli…
Rebuilding the homeland in poetry and song
This article traces the transformation of an Iranian nationalist poem by Simin Behbahani entitled “I Will Rebuild You, Homeland” (1981) into an expatriate national anthem, and the poem-song’s subsequent incorporation into protests and political speeches by individuals and groups in and outside of Iran. Employing musical and textual analysis, interviews, and a transnational perspective on cultural circulation and reception, I show how exile pop si…
Iran's daughter and mother Iran
This article examines Googoosh, the reigning diva of Persian popular music, through an evaluation of diasporic Iranian discourse and artistic productions linking the vocalist to a feminized nation, its 'victimisation' in the revolution, and an attendant 'nostalgia for the modern' (Özyürek 2006) of pre-revolutionary Iran. Following analyses of diasporic media that project national drama and desire onto her persona, I then demonstrate how, since he…
Digital Ethnomusicological Research Data and the Institutional Repository
As governments and funding agencies increasingly embrace Open Science and FAIR data principles, both qualitative and quantitative researchers are encouraged to deposit and share their data via institutional repositories. How suitable are repositories and data sharing for ethnomusicologists? This article chronicles a pilot project using the Canadian institutional data repository Borealis focused on digital ethnomusicological research data related …
History (5 obras) · Islamic Studies and History (5 obras) · Art (4 obras) · Literature (4 obras) · Sociology (4 obras) · Law (3 obras) · Media studies (3 obras) · Political science (3 obras) · Politics (3 obras) · History (2 obras)