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Yvonne Tasker

Biographic Data

ID213374
NAMEYvonne Tasker
GIVEN NAMESYvonne
FAMILY NAMETasker
SIGNATURETASKER Y
AFFILIATIONSUniversity of East Anglia
VERIFIEDNo
TOTAL WORKS15
TOTAL CITATIONS202
AUTHOR COUNT13
EDITOR COUNT2
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2021
H-INDEX2
  • Jill Craigie, Post-war British Film Culture and the British Film Academy

    Open Access•Yvonne Tasker•ARTICLE•Journal of British Cinema and…•2021

    This article seeks to locate the socialist feminist film-maker Jill Craigie in the British film culture of the post-war period. Long regarded in scholarly accounts as something of an outsider, a woman who was effectively shut out of the industry during the 1950s, this article seeks to position Craigie rather differently. While acknowledging the obstacles she undoubtedly faced, it details aspects of her achievements and her visibility in the Briti…

  • Fists of Fury: Discourses of Race and Masculinity in the Martial Arts Cinema

    Open Access•Yvonne Tasker•CHAPTER•Race and the Subject of…•2020

  • Vernacular Feminism: Gendered Media Cultures and Historical Perspectives on Postdiscourse

    Open Access•Yvonne Tasker•ARTICLE•Television & New Media•2020•Cited by: 2•References: 1

    Although media studies as a discipline has long been involved in various theoretical elaborations of the “post,” it has been concerned far less often with the past that is purportedly posted. In this piece, the concept of postfeminism provides a useful case to highlight how thoughtful engagement with the past has immense value for contemporary media scholarship. I suggest that postfeminist scholarship has typically tackled history only obliquely—…

  • Fists of Fury: Discourses of Race and Masculinity in the Martial Arts Cinema

    Yvonne Tasker•CHAPTER•Asian Cinemas•2019

  • An Interview with Terry Wragg on the Work of the Leeds Animation Workshop

    Yvonne Tasker•ARTICLE•Feminist Media Histories•2016

    Based in the city of Leeds in the north of England, Leeds Animation Workshop describes itself as a “not-for-profit, cooperative company, which produces and distributes animated films and films on social and educational issues.” The organization was formally established in 1978 following a collaboration by a group of women on the film Who Needs Nurseries? We Do! In this interview Terry Wragg, a member of the group since that founding period, talks…

  • The Hollywood Action and Adventure Film

    Yvonne Tasker•BOOK•The Hollywood Action and…•2015

    "Provides a timely and richly revealing portrait of a powerful cinematic genre that has increasingly come to dominate the American cinematic landscape"

  • Gendering the Recession: Media and Culture in an Age of Austerity

    Diane Negra, Yvonne Tasker•BOOK•Gendering the Recession•2014

    This timely, necessary collection of essays provides feminist analyses of a recession-era media culture characterized by the reemergence and refashioning of familiar gender tropes, including crisis masculinity, coping women, and postfeminist self-renewal. Interpreting media forms as diverse as reality television, financial journalism, novels, lifestyle blogs, popular cinema, and advertising, the contributors reveal gendered narratives that recur …

  • Neoliberal frames and genres of inequality: Recession-era chick flicks and male-centred corporate melodrama

    Open Access•Diane Negra, Yvonne Tasker•ARTICLE•European Journal of Cultural…•2013•Cited by: 5•References: 1

    Media forms play a vital role in making cultural and political sense of the complex economic developments and profound ideological uncertainties which have accompanied the global recession. This article analyses how popular genre cinema tackles the inequalities – in particular, gender inequalities – that follow from the financial crisis, situating Hollywood’s representational strategies in the context of recessionary media culture. It posits and …

  • Spectacular Bodies: Gender, Genre, and the Action Cinema

    Yvonne Tasker•BOOK•Spectacular bodies•2012

  • Mass Appeal: The Formative Age of the Movies, Radio and TV – By Edward D Berkowitz

    Open Access•Yvonne Tasker•ARTICLE•History•2012

  • Katherine J. Lehman. Those Girls: Single Women in Sixties and Seventies Popular Culture

    Yvonne Tasker•ARTICLE•The American Historical Review•2012

    Journal Article Katherine J. Lehman. Those Girls: Single Women in Sixties and Seventies Popular Culture. Get access Katherine J. Lehman. Those Girls: Single Women in Sixties and Seventies Popular Culture. (CultureAmerica.) Lawrence: University Press of Kansas. 2011. Pp. viii, 312. $29.95. Yvonne Tasker Yvonne Tasker University of East Anglia Search for other works by this author on: Oxford Academic Google Scholar The American Historical Review, V…

  • Interrogating Postfeminism: Gender and the Politics of Popular Culture

    Angela Mcrobbie, Yvonne Tasker et al.•BOOK•Interrogating Postfeminism•2007•Cited by: 194

    This timely collection brings feminist critique to bear on contemporary postfeminist mass media culture, analyzing phenomena ranging from action films featuring violent heroines to the "girling" of aging women in productions such as the movie Something's Gotta Give and the British television series 10 Years Younger . Broadly defined, "postfeminism" encompasses a set of assumptions that feminism has accomplished its goals and is now a thing of the…

  • Postfeminism and the Archive for the Future

    Yvonne Tasker, Diane Negra•ARTICLE•Camera Obscura Feminism Culture…•2006•Cited by: 1

    Research Article| September 01 2006 Postfeminism and the Archive for the Future Yvonne Tasker; Yvonne Tasker Search for other works by this author on: This Site Google Diane Negra Diane Negra Search for other works by this author on: This Site Google Camera Obscura (2006) 21 (2 (62)): 170–176. https://doi.org/10.1215/02705346-2006-006 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Yvonne Tasker, …

  • Cracks in the Pedestal: Ideology and Gender in Hollywood by Philip Green

    Open Access•Yvonne Tasker•ARTICLE•Body & Society•1998

  • Fists of Fury: Discourses of Race and Masculinity in the Martial Arts Cinema

    Yvonne Tasker•CHAPTER•Race and the Subject of…•1997

  • Interrogating Postfeminism: Gender and the Politics of Popular Culture

    Angela Mcrobbie, Yvonne Tasker et al.•BOOK•Interrogating Postfeminism•2007•Cited by: 194

    This timely collection brings feminist critique to bear on contemporary postfeminist mass media culture, analyzing phenomena ranging from action films featuring violent heroines to the "girling" of aging women in productions such as the movie Something's Gotta Give and the British television series 10 Years Younger . Broadly defined, "postfeminism" encompasses a set of assumptions that feminism has accomplished its goals and is now a thing of the…

  • Neoliberal frames and genres of inequality: Recession-era chick flicks and male-centred corporate melodrama

    Open Access•Diane Negra, Yvonne Tasker•ARTICLE•European Journal of Cultural…•2013•Cited by: 5•References: 1

    Media forms play a vital role in making cultural and political sense of the complex economic developments and profound ideological uncertainties which have accompanied the global recession. This article analyses how popular genre cinema tackles the inequalities – in particular, gender inequalities – that follow from the financial crisis, situating Hollywood’s representational strategies in the context of recessionary media culture. It posits and …

  • Vernacular Feminism: Gendered Media Cultures and Historical Perspectives on Postdiscourse

    Open Access•Yvonne Tasker•ARTICLE•Television & New Media•2020•Cited by: 2•References: 1

    Although media studies as a discipline has long been involved in various theoretical elaborations of the “post,” it has been concerned far less often with the past that is purportedly posted. In this piece, the concept of postfeminism provides a useful case to highlight how thoughtful engagement with the past has immense value for contemporary media scholarship. I suggest that postfeminist scholarship has typically tackled history only obliquely—…

  • Postfeminism and the Archive for the Future

    Yvonne Tasker, Diane Negra•ARTICLE•Camera Obscura Feminism Culture…•2006•Cited by: 1

    Research Article| September 01 2006 Postfeminism and the Archive for the Future Yvonne Tasker; Yvonne Tasker Search for other works by this author on: This Site Google Diane Negra Diane Negra Search for other works by this author on: This Site Google Camera Obscura (2006) 21 (2 (62)): 170–176. https://doi.org/10.1215/02705346-2006-006 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Yvonne Tasker, …

  • Fists of Fury: Discourses of Race and Masculinity in the Martial Arts Cinema

    Yvonne Tasker•CHAPTER•Race and the Subject of…•1997

  • Cracks in the Pedestal: Ideology and Gender in Hollywood by Philip Green

    Open Access•Yvonne Tasker•ARTICLE•Body & Society•1998

  • Postfeminism and the Archive for the Future

    Yvonne Tasker, Diane Negra•ARTICLE•Camera Obscura Feminism Culture…•2006•Cited by: 1

    Research Article| September 01 2006 Postfeminism and the Archive for the Future Yvonne Tasker; Yvonne Tasker Search for other works by this author on: This Site Google Diane Negra Diane Negra Search for other works by this author on: This Site Google Camera Obscura (2006) 21 (2 (62)): 170–176. https://doi.org/10.1215/02705346-2006-006 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Yvonne Tasker, …

  • Interrogating Postfeminism: Gender and the Politics of Popular Culture

    Angela Mcrobbie, Yvonne Tasker et al.•BOOK•Interrogating Postfeminism•2007•Cited by: 194

    This timely collection brings feminist critique to bear on contemporary postfeminist mass media culture, analyzing phenomena ranging from action films featuring violent heroines to the "girling" of aging women in productions such as the movie Something's Gotta Give and the British television series 10 Years Younger . Broadly defined, "postfeminism" encompasses a set of assumptions that feminism has accomplished its goals and is now a thing of the…

  • Spectacular Bodies: Gender, Genre, and the Action Cinema

    Yvonne Tasker•BOOK•Spectacular bodies•2012

  • Mass Appeal: The Formative Age of the Movies, Radio and TV – By Edward D Berkowitz

    Open Access•Yvonne Tasker•ARTICLE•History•2012

  • Katherine J. Lehman. Those Girls: Single Women in Sixties and Seventies Popular Culture

    Yvonne Tasker•ARTICLE•The American Historical Review•2012

    Journal Article Katherine J. Lehman. Those Girls: Single Women in Sixties and Seventies Popular Culture. Get access Katherine J. Lehman. Those Girls: Single Women in Sixties and Seventies Popular Culture. (CultureAmerica.) Lawrence: University Press of Kansas. 2011. Pp. viii, 312. $29.95. Yvonne Tasker Yvonne Tasker University of East Anglia Search for other works by this author on: Oxford Academic Google Scholar The American Historical Review, V…

  • Neoliberal frames and genres of inequality: Recession-era chick flicks and male-centred corporate melodrama

    Open Access•Diane Negra, Yvonne Tasker•ARTICLE•European Journal of Cultural…•2013•Cited by: 5•References: 1

    Media forms play a vital role in making cultural and political sense of the complex economic developments and profound ideological uncertainties which have accompanied the global recession. This article analyses how popular genre cinema tackles the inequalities – in particular, gender inequalities – that follow from the financial crisis, situating Hollywood’s representational strategies in the context of recessionary media culture. It posits and …

  • Gendering the Recession: Media and Culture in an Age of Austerity

    Diane Negra, Yvonne Tasker•BOOK•Gendering the Recession•2014

    This timely, necessary collection of essays provides feminist analyses of a recession-era media culture characterized by the reemergence and refashioning of familiar gender tropes, including crisis masculinity, coping women, and postfeminist self-renewal. Interpreting media forms as diverse as reality television, financial journalism, novels, lifestyle blogs, popular cinema, and advertising, the contributors reveal gendered narratives that recur …

  • The Hollywood Action and Adventure Film

    Yvonne Tasker•BOOK•The Hollywood Action and…•2015

    "Provides a timely and richly revealing portrait of a powerful cinematic genre that has increasingly come to dominate the American cinematic landscape"

  • An Interview with Terry Wragg on the Work of the Leeds Animation Workshop

    Yvonne Tasker•ARTICLE•Feminist Media Histories•2016

    Based in the city of Leeds in the north of England, Leeds Animation Workshop describes itself as a “not-for-profit, cooperative company, which produces and distributes animated films and films on social and educational issues.” The organization was formally established in 1978 following a collaboration by a group of women on the film Who Needs Nurseries? We Do! In this interview Terry Wragg, a member of the group since that founding period, talks…

  • Fists of Fury: Discourses of Race and Masculinity in the Martial Arts Cinema

    Yvonne Tasker•CHAPTER•Asian Cinemas•2019

  • Fists of Fury: Discourses of Race and Masculinity in the Martial Arts Cinema

    Open Access•Yvonne Tasker•CHAPTER•Race and the Subject of…•2020

  • Vernacular Feminism: Gendered Media Cultures and Historical Perspectives on Postdiscourse

    Open Access•Yvonne Tasker•ARTICLE•Television & New Media•2020•Cited by: 2•References: 1

    Although media studies as a discipline has long been involved in various theoretical elaborations of the “post,” it has been concerned far less often with the past that is purportedly posted. In this piece, the concept of postfeminism provides a useful case to highlight how thoughtful engagement with the past has immense value for contemporary media scholarship. I suggest that postfeminist scholarship has typically tackled history only obliquely—…

  • Jill Craigie, Post-war British Film Culture and the British Film Academy

    Open Access•Yvonne Tasker•ARTICLE•Journal of British Cinema and…•2021

    This article seeks to locate the socialist feminist film-maker Jill Craigie in the British film culture of the post-war period. Long regarded in scholarly accounts as something of an outsider, a woman who was effectively shut out of the industry during the 1950s, this article seeks to position Craigie rather differently. While acknowledging the obstacles she undoubtedly faced, it details aspects of her achievements and her visibility in the Briti…

Art (11 works) · Sociology (11 works) · Cinema and Media Studies (9 works) · Political science (8 works) · Art history (7 works) · Gender Studies (7 works) · Literature (7 works) · Media studies (7 works) · Movie theater (7 works) · Aesthetics (6 works)

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