James Annesley
Biographic Data
| ID | 2140356 |
|---|---|
| NAME | James Annesley |
| GIVEN NAMES | James |
| FAMILY NAME | Annesley |
| SIGNATURE | ANNESLEY J |
| AFFILIATIONS | Newcastle University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
New writing North
This paper looks at England’s regional writing development agencies (RWDAs) and considers the ways they make contemporary writing happen. Focussing on New Writing North, it starts by describing the projects delivered by organisations that though influential, are often overlooked in studies of ‘the institutional ground of contemporary literary production’ (McGurl). It then turns to the suggestion made in Sarah Brouillette’s critique of UNESCO init…
Globalism, Multiculturalism and Violence in Zia Hader Rahman’s In the Light of What We Know (2014) and Kamila Shamsie’s Home Fire (2017)
Uncomfortably Numb
On the confessional pages of her memoirs Prozac Nation and More, Now, Again and in the meditations on popular culture that characterise her journalism and non-fiction, Elizabeth Wurtzel’s writing demonstrates a consistent emphasis on images of iconic rebellion. Recognising the ways these patterns mesh with her wider focus on addiction and depression, this article situates Wurtzel’s vision of outsiderdom in relation to cool’s often explicitly masc…
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Globalism, Multiculturalism and Violence in Zia Hader Rahman’s In the Light of What We Know (2014) and Kamila Shamsie’s Home Fire (2017)
Uncomfortably Numb
On the confessional pages of her memoirs Prozac Nation and More, Now, Again and in the meditations on popular culture that characterise her journalism and non-fiction, Elizabeth Wurtzel’s writing demonstrates a consistent emphasis on images of iconic rebellion. Recognising the ways these patterns mesh with her wider focus on addiction and depression, this article situates Wurtzel’s vision of outsiderdom in relation to cool’s often explicitly masc…
New writing North
This paper looks at England’s regional writing development agencies (RWDAs) and considers the ways they make contemporary writing happen. Focussing on New Writing North, it starts by describing the projects delivered by organisations that though influential, are often overlooked in studies of ‘the institutional ground of contemporary literary production’ (McGurl). It then turns to the suggestion made in Sarah Brouillette’s critique of UNESCO init…
Sociology (3 works) · Art (2 works) · Law (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Aesthetics (1 work) · Anthropology (1 work) · Biology (1 work) · Computer Science (1 work)