Emiliana Cruz
Biographic Data
| ID | 216184 |
|---|---|
| NAME | Emiliana Cruz |
| GIVEN NAMES | Emiliana |
| FAMILY NAME | Cruz |
| SIGNATURE | CRUZ E |
| AFFILIATIONS | Centro de Investigación y Estudios Superiores en Antropología Social |
| ORCID | 0000-0003-1474-9859 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
When Attentional and Politeness Demands Clash: The Case of Mutual Gaze Avoidance and Chin Pointing in Quiahije Chatino
Pointing with the chin is a practice attested worldwide: it is an effective and highly recognizable device for re-orienting the attention of the addressee. For the chin point to be observed, the addressee must attend carefully to the movements of the sender’s head. This demand comes into conflict with the politeness norms of many cultures, since these often require conversationalists to avoid meeting the gaze of their interlocutor, and can requir…
La identidad indígena y el sistema educativo mexicano: El caso de la traducción al chatino del Himno Nacional mexicano
La traducción del himno nacional mexicano a las lenguas indígenas funge como una plataforma donde ocurren complejas intersecciones entre la educación, la expresión de la identidad indígena y el nacionalismo mexicano, generando un significado indicial que es objeto de disputa y negociación en las comunidades indígenas. La traducción de un himno nacional a una lengua indígena también suscita cuestionamientos en torno a las técnicas semióticas que h…
Swearing and Cursing in San Juan Quiahije Chatino
Building on the work of Joel Sherzer, this article explores the ways in which a woman creates verbal art in Chatino by narrating a false accusation against her. The narrative contains parallelism, repetition, and narrative manipulations through which verbal art is created (Sherzer 2002 ). The narrator, Celia, is a woman who has an amazing capacity to argue and curse in Chatino, which has repercussions for her in the community. She demonstrates th…
Names, Naming, and Person Reference in Quiahije Chatino
Legacies of space and intangible heritage : archaeology, ethnohistory, and the politics of cultural
Documenting Landscape Knowledge in Eastern Chatino: Narratives of Fieldwork in San Juan Quiahije
Elders in San Juan Quiahije, Oaxaca, Mexico, have a unique command of the specialized vocabulary of landscape and associated cultural practices of Eastern Chatino. Drawing on oral evidence from Eastern Chatino, I show in this article a variety of ways in which one individual can relate to landscape. I include details of one day of documentation, highlighting my foot journey with an elder through San Juan Quiahije. The speaker related her life sto…
Swearing and Cursing in San Juan Quiahije Chatino
Building on the work of Joel Sherzer, this article explores the ways in which a woman creates verbal art in Chatino by narrating a false accusation against her. The narrative contains parallelism, repetition, and narrative manipulations through which verbal art is created (Sherzer 2002 ). The narrator, Celia, is a woman who has an amazing capacity to argue and curse in Chatino, which has repercussions for her in the community. She demonstrates th…
Names, Naming, and Person Reference in Quiahije Chatino
Legacies of space and intangible heritage : archaeology, ethnohistory, and the politics of cultural
Documenting Landscape Knowledge in Eastern Chatino: Narratives of Fieldwork in San Juan Quiahije
Elders in San Juan Quiahije, Oaxaca, Mexico, have a unique command of the specialized vocabulary of landscape and associated cultural practices of Eastern Chatino. Drawing on oral evidence from Eastern Chatino, I show in this article a variety of ways in which one individual can relate to landscape. I include details of one day of documentation, highlighting my foot journey with an elder through San Juan Quiahije. The speaker related her life sto…
Swearing and Cursing in San Juan Quiahije Chatino
Building on the work of Joel Sherzer, this article explores the ways in which a woman creates verbal art in Chatino by narrating a false accusation against her. The narrative contains parallelism, repetition, and narrative manipulations through which verbal art is created (Sherzer 2002 ). The narrator, Celia, is a woman who has an amazing capacity to argue and curse in Chatino, which has repercussions for her in the community. She demonstrates th…
La identidad indígena y el sistema educativo mexicano: El caso de la traducción al chatino del Himno Nacional mexicano
La traducción del himno nacional mexicano a las lenguas indígenas funge como una plataforma donde ocurren complejas intersecciones entre la educación, la expresión de la identidad indígena y el nacionalismo mexicano, generando un significado indicial que es objeto de disputa y negociación en las comunidades indígenas. La traducción de un himno nacional a una lengua indígena también suscita cuestionamientos en torno a las técnicas semióticas que h…
When Attentional and Politeness Demands Clash: The Case of Mutual Gaze Avoidance and Chin Pointing in Quiahije Chatino
Pointing with the chin is a practice attested worldwide: it is an effective and highly recognizable device for re-orienting the attention of the addressee. For the chin point to be observed, the addressee must attend carefully to the movements of the sender’s head. This demand comes into conflict with the politeness norms of many cultures, since these often require conversationalists to avoid meeting the gaze of their interlocutor, and can requir…
Computer Science (3 works) · Linguistics (3 works) · Multilingual Education and Policy (3 works) · Communication (2 works) · History (2 works) · Indigenous Cultures and Socio-Education (2 works) · Language, Discourse, Communication Strategies (2 works) · Philosophy (2 works) · Psychology (2 works) · Anthropology (1 works)