Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Alison Mcqueen Tokita

Biographic Data

ID216331
NAMEAlison Mcqueen Tokita
GIVEN NAMESAlison Mcqueen
FAMILY NAMETokita
SIGNATURETOKITA A M
AFFILIATIONSMonash University
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS1
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR1996
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Intercultural Japanese Noh Theatre

    Alison Tokita, Alison Mcqueen Tokita•ARTICLE•Japan Forum•2025

  • Ashgate Research Companion to Japanese Music

    Alison Mcqueen Tokita, David W Hughes•BOOK•Ashgate Research Companion to…•2017

  • Japanese Singers of Tales

    Alison Tokita, Alison Mcqueen Tokita•BOOK•Japanese Singers of Tales•2017

    Alison McQueen Tokita presents a series of case studies that demonstrate the persistence of Japanese sung narratives in a multiplicity of genres over ten centuries, including the way they flourished and declined, together with factors contributing to development and change in narrative performance. Performed narratives are examples of a shared cultural heritage, which in the past have given people a sense of belonging to a community. Narratives t…

  • Nomai Dance Drama

    Kimi Coaldrake, Susan Miyo Asai et al.•ARTICLE•Ethnomusicology•2002

  • Nomai Dance Drama

    Jennifer Milioto Matsue, Susan Miyo Asai et al.•ARTICLE•Yearbook for Traditional Music•2001

  • The Nature of patterning in Japanese narrative music

    Alison Tokita, Alison Mcqueen Tokita•ARTICLE•Musicology Australia•2000•Cited by: 1•References: 4

    As in other areas of Japanese culture, patterning is central to music narratives. This article introduces the term ‘formulaic musical material’ as the equivalent of kata in other performing arts. The formulaic musical material of various narrative genres has been systematised over the centuries. Especially when named, patterning has functioned as a compositional device, as a means of transmission, as a method of notation, and more recently, as a …

  • Mode and Scale, Modulation and Tuning in Japanese Shamisen Music

    Alison Tokita, Alison Mcqueen Tokita•ARTICLE•Ethnomusicology•1996

    Etude du materiel tonal utilise dans la musique « shamisen » de recit : le « kiomoto-bushi ». L'histoire de la theorie modale au Japon montre que la theorie occidentale et chinoise de la structure de l'octave n'est pas appropriee a la musique japonaise dans laquelle la structure de trois notes est fondamentale. Le materiel tonal est constitue d'une gamme composee de deux fois trois notes et de trois tons nucleaires. L'A. aborde aussi la tonalite,…

  • The Nature of patterning in Japanese narrative music

    Alison Tokita, Alison Mcqueen Tokita•ARTICLE•Musicology Australia•2000•Cited by: 1•References: 4

    As in other areas of Japanese culture, patterning is central to music narratives. This article introduces the term ‘formulaic musical material’ as the equivalent of kata in other performing arts. The formulaic musical material of various narrative genres has been systematised over the centuries. Especially when named, patterning has functioned as a compositional device, as a means of transmission, as a method of notation, and more recently, as a …

  • Mode and Scale, Modulation and Tuning in Japanese Shamisen Music

    Alison Tokita, Alison Mcqueen Tokita•ARTICLE•Ethnomusicology•1996

    Etude du materiel tonal utilise dans la musique « shamisen » de recit : le « kiomoto-bushi ». L'histoire de la theorie modale au Japon montre que la theorie occidentale et chinoise de la structure de l'octave n'est pas appropriee a la musique japonaise dans laquelle la structure de trois notes est fondamentale. Le materiel tonal est constitue d'une gamme composee de deux fois trois notes et de trois tons nucleaires. L'A. aborde aussi la tonalite,…

  • The Nature of patterning in Japanese narrative music

    Alison Tokita, Alison Mcqueen Tokita•ARTICLE•Musicology Australia•2000•Cited by: 1•References: 4

    As in other areas of Japanese culture, patterning is central to music narratives. This article introduces the term ‘formulaic musical material’ as the equivalent of kata in other performing arts. The formulaic musical material of various narrative genres has been systematised over the centuries. Especially when named, patterning has functioned as a compositional device, as a means of transmission, as a method of notation, and more recently, as a …

  • Nomai Dance Drama

    Jennifer Milioto Matsue, Susan Miyo Asai et al.•ARTICLE•Yearbook for Traditional Music•2001

  • Nomai Dance Drama

    Kimi Coaldrake, Susan Miyo Asai et al.•ARTICLE•Ethnomusicology•2002

  • Ashgate Research Companion to Japanese Music

    Alison Mcqueen Tokita, David W Hughes•BOOK•Ashgate Research Companion to…•2017

  • Japanese Singers of Tales

    Alison Tokita, Alison Mcqueen Tokita•BOOK•Japanese Singers of Tales•2017

    Alison McQueen Tokita presents a series of case studies that demonstrate the persistence of Japanese sung narratives in a multiplicity of genres over ten centuries, including the way they flourished and declined, together with factors contributing to development and change in narrative performance. Performed narratives are examples of a shared cultural heritage, which in the past have given people a sense of belonging to a community. Narratives t…

  • Intercultural Japanese Noh Theatre

    Alison Tokita, Alison Mcqueen Tokita•ARTICLE•Japan Forum•2025

Art (6 works) · Literature (5 works) · History (3 works) · Narrative (3 works) · Visual arts (3 works) · Asian Culture and Media Studies (2 works) · Computer Science (2 works) · Dance (2 works) · Diversity and Impact of Dance (2 works) · Drama (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae