Dušan Radunović
Biographic Data
| ID | 216350 |
|---|---|
| NAME | Dušan Radunović |
| GIVEN NAMES | Dušan |
| FAMILY NAME | Radunović |
| SIGNATURE | RADUNOVIĆ D |
| AFFILIATIONS | Durham University |
| ORCID | 0000-0002-2111-0933 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Time Never Regained
The article reviews the documentary film diptych The Labudović Reels by film-maker Mila Turajlić. Based on her archival work at the Filmske Novosti production company, Turajlić discovers the legacy of hitherto unknown cinematographer Stevan Labudović. Both films are hybrid documentaries that combine archive footage with interview-style documentary, and both focus on two intertwined thematic cycles - Labudović's coverage of the Algerian war of ind…
The Emergence of Modern Scientific Communities in Late-1910s and Early Soviet Russia
This article assesses the landscape of Russian studies of art and language in the period 1915-1929 in the light of the loosening of the system of social cohesion in Imperial years and in the context of the rise of ‘secular modernity’. The most relevant manifestations of these processes in the field of human sciences are the cognitive transformation of knowledge towards a non-semantic model of art and language and the definitive inauguration of th…
"On "Secondary Aesthetics, Without Isolation
This paper discusses the philosophical origins as well as the social context of Mikhail Bakhtin’s theory of aesthetic form. Bakhtin’s critique of the Russian Formalist conception of form, which reaches its most elaborate form in his 1924 article “The Methodological Questions of Literary Aesthetics” (“K voprosam metodologii estetiki slovesnogo tvorchestva”), is methodologically rooted in various strands of neo-Kantian philosophy and aesthetics, mo…
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"On "Secondary Aesthetics, Without Isolation
This paper discusses the philosophical origins as well as the social context of Mikhail Bakhtin’s theory of aesthetic form. Bakhtin’s critique of the Russian Formalist conception of form, which reaches its most elaborate form in his 1924 article “The Methodological Questions of Literary Aesthetics” (“K voprosam metodologii estetiki slovesnogo tvorchestva”), is methodologically rooted in various strands of neo-Kantian philosophy and aesthetics, mo…
The Emergence of Modern Scientific Communities in Late-1910s and Early Soviet Russia
This article assesses the landscape of Russian studies of art and language in the period 1915-1929 in the light of the loosening of the system of social cohesion in Imperial years and in the context of the rise of ‘secular modernity’. The most relevant manifestations of these processes in the field of human sciences are the cognitive transformation of knowledge towards a non-semantic model of art and language and the definitive inauguration of th…
Time Never Regained
The article reviews the documentary film diptych The Labudović Reels by film-maker Mila Turajlić. Based on her archival work at the Filmske Novosti production company, Turajlić discovers the legacy of hitherto unknown cinematographer Stevan Labudović. Both films are hybrid documentaries that combine archive footage with interview-style documentary, and both focus on two intertwined thematic cycles - Labudović's coverage of the Algerian war of ind…
Context (archaeology) (2 works) · Epistemology (2 works) · History (2 works) · Philosophy (2 works) · Aesthetics (1 work) · Archaeology (1 work) · Art (1 work) · Art history (1 work) · Balkans: History, Politics, Society (1 work) · Chemistry (1 work)