Willa M Johnson
Biographic Data
| ID | 217089 |
|---|---|
| NAME | Willa M Johnson |
| GIVEN NAMES | Willa M |
| FAMILY NAME | Johnson |
| SIGNATURE | JOHNSON W M |
| AFFILIATIONS | University of Mississippi |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 11 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 2 |
Artwork That Helps Frame History
This article uses qualitative content analysis, historical archival data, and interviews with Holocaust survivors to examine artwork created during the Third Reich. It argues that these works are visual narratives that hold important empirical data about social conditions and structures during the Third Reich. These narratives, whether developed in prisons, camps, or ghettos, or in the aftermath of National Socialism, are key to understanding the…
Mapping Microaggressions on a Southern University Campus
When leaders at institutions of higher education downplay everyday incivilities directed against racial and other minority groups, it can obscure the magnitude of intergroup antipathy at these schools. At the most prominent university in the only state whose flag contains the Confederate emblem, we wondered whether reports of so-called microaggressions were more common than university leaders sometimes suggest, more frequent in certain campus spa…
Karl Schwesig’s Schlegelkeller
The Symbolic Lynching of James Meredith
The hanging of a noose on the University of Mississippi's statue of civil rights pioneer James Meredith in February 2014 was framed by university administrators as the act of a few deviant white students, but our analysis suggests otherwise. A historical review shows the university's long-standing resistance to meaningful change and a continuing lack of transparency following racist incidents. Visual analysis shows that the university remains sat…
The Symbolic Lynching of James Meredith
The hanging of a noose on the University of Mississippi's statue of civil rights pioneer James Meredith in February 2014 was framed by university administrators as the act of a few deviant white students, but our analysis suggests otherwise. A historical review shows the university's long-standing resistance to meaningful change and a continuing lack of transparency following racist incidents. Visual analysis shows that the university remains sat…
Mapping Microaggressions on a Southern University Campus
When leaders at institutions of higher education downplay everyday incivilities directed against racial and other minority groups, it can obscure the magnitude of intergroup antipathy at these schools. At the most prominent university in the only state whose flag contains the Confederate emblem, we wondered whether reports of so-called microaggressions were more common than university leaders sometimes suggest, more frequent in certain campus spa…
Karl Schwesig’s Schlegelkeller
The Symbolic Lynching of James Meredith
The hanging of a noose on the University of Mississippi's statue of civil rights pioneer James Meredith in February 2014 was framed by university administrators as the act of a few deviant white students, but our analysis suggests otherwise. A historical review shows the university's long-standing resistance to meaningful change and a continuing lack of transparency following racist incidents. Visual analysis shows that the university remains sat…
Mapping Microaggressions on a Southern University Campus
When leaders at institutions of higher education downplay everyday incivilities directed against racial and other minority groups, it can obscure the magnitude of intergroup antipathy at these schools. At the most prominent university in the only state whose flag contains the Confederate emblem, we wondered whether reports of so-called microaggressions were more common than university leaders sometimes suggest, more frequent in certain campus spa…
Artwork That Helps Frame History
This article uses qualitative content analysis, historical archival data, and interviews with Holocaust survivors to examine artwork created during the Third Reich. It argues that these works are visual narratives that hold important empirical data about social conditions and structures during the Third Reich. These narratives, whether developed in prisons, camps, or ghettos, or in the aftermath of National Socialism, are key to understanding the…
Political science (4 works) · Sociology (4 works) · Law (3 works) · Law (3 works) · Psychology (3 works) · Art (2 works) · Art history (2 works) · Criminology (2 works) · Critical Race Theory in Education (2 works) · Gender Studies (2 works)