Patricia Puckett Sasser
Biographic Data
| ID | 2172672 |
|---|---|
| NAME | Patricia Puckett Sasser |
| GIVEN NAMES | Patricia Puckett |
| FAMILY NAME | Sasser |
| SIGNATURE | SASSER P P |
| AFFILIATIONS | Director, Maxwell Music Library University Libraries Furman University, South Carolina |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
‘It was as if my ballet had never existed!’
Set in Norway, August Bournonville's 1853 ballet Brudefærden i Hardanger was highly successful with both Danish and Swedish audiences. In Norway, however, the ballet was ignored and ultimately blamed for perpetuating false images of the nation. This paper explores the ways in which Norway functioned as a source of idealism, exoticism, and romantic nationalism in nineteenth-century Scandinavia. The contrasting attitudes towards Bournonville's work…
A Recording Artist
Enrico Caruso (1873–1921) has often been understood as extraordinarily talented and yet ultimately insubstantial, a singer whose celebrity eclipsed his artistry. “It matters not what Caruso sings or how he sings it,” wrote one critic. “The public adores him anyhow.” Discussions of the tenor emphasize the suitability of his voice for mechanical recording, suggesting that his ability to capitalize on emerging technology provides the best explanatio…
No prominent works on this page.
A Recording Artist
Enrico Caruso (1873–1921) has often been understood as extraordinarily talented and yet ultimately insubstantial, a singer whose celebrity eclipsed his artistry. “It matters not what Caruso sings or how he sings it,” wrote one critic. “The public adores him anyhow.” Discussions of the tenor emphasize the suitability of his voice for mechanical recording, suggesting that his ability to capitalize on emerging technology provides the best explanatio…
‘It was as if my ballet had never existed!’
Set in Norway, August Bournonville's 1853 ballet Brudefærden i Hardanger was highly successful with both Danish and Swedish audiences. In Norway, however, the ballet was ignored and ultimately blamed for perpetuating false images of the nation. This paper explores the ways in which Norway functioned as a source of idealism, exoticism, and romantic nationalism in nineteenth-century Scandinavia. The contrasting attitudes towards Bournonville's work…
Aesthetics (2 works) · Art (2 works) · Law (2 works) · Musicology and Musical Analysis (2 works) · Political science (2 works) · Art history (1 work) · Ballet (1 work) · Dance (1 work) · Diverse Musicological Studies (1 work) · Diversity and Impact of Dance (1 work)