Juan Pablo Dabove
Biographic Data
| ID | 217489 |
|---|---|
| NAME | Juan Pablo Dabove |
| GIVEN NAMES | Juan Pablo |
| FAMILY NAME | Dabove |
| SIGNATURE | DABOVE J P |
| AFFILIATIONS | University of Colorado Boulder |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Latin American Literature in Transition 1870–1930
Latin American Literature in Transition 1870-1930 examines how the circulation of goods, people, and ideas permeated every aspect of the continent's cultural production at the end of the nineteenth century. It analyzes the ways in which rapidly transforming technological and labour conditions contributed to forging new intellectual networks, exploring innovative forms of knowledge, and reimagining the material and immaterial worlds. This volume s…
Juan Moreira
Since its appearance in 1879–1880, Juan Moreira has been read as an illiberal novel, casting its eponymous hero (the historical bodyguard and electoral henchman of the same name) as a metaphor for
Revolutionaries, Rebels and Robbers
Bandit Narratives in Latin America
A World Torn Apart
This collection of essays is the result of a conference on Violence, Culture and Identity held in 2003 at the University of St. Andrews. It seeks to contribute to the "understanding of representations of violence in Latin American narrative," mainly, but not at all exclusively, in literary works. Due to the protean and pervasive nature of its subject, this is a vast undertaking that can only be addressed in a fragmentary fashion
Nightmares of the Lettered City
El bandidaje como experiencia de los límites de la razón letrada en José Revueltas
"Tomochic" de Heriberto Frías
El cuerpo del delito. Un manual
Los pasquines como alegoría de la disolución de la ciudadanía en "La mala hora," de Gabriel García Márquez
El cuerpo del delito. Un manual
Juan Moreira
Since its appearance in 1879–1880, Juan Moreira has been read as an illiberal novel, casting its eponymous hero (the historical bodyguard and electoral henchman of the same name) as a metaphor for
Los pasquines como alegoría de la disolución de la ciudadanía en "La mala hora," de Gabriel García Márquez
El cuerpo del delito. Un manual
"Tomochic" de Heriberto Frías
Nightmares of the Lettered City
El bandidaje como experiencia de los límites de la razón letrada en José Revueltas
A World Torn Apart
This collection of essays is the result of a conference on Violence, Culture and Identity held in 2003 at the University of St. Andrews. It seeks to contribute to the "understanding of representations of violence in Latin American narrative," mainly, but not at all exclusively, in literary works. Due to the protean and pervasive nature of its subject, this is a vast undertaking that can only be addressed in a fragmentary fashion
Bandit Narratives in Latin America
Revolutionaries, Rebels and Robbers
Juan Moreira
Since its appearance in 1879–1880, Juan Moreira has been read as an illiberal novel, casting its eponymous hero (the historical bodyguard and electoral henchman of the same name) as a metaphor for
Latin American Literature in Transition 1870–1930
Latin American Literature in Transition 1870-1930 examines how the circulation of goods, people, and ideas permeated every aspect of the continent's cultural production at the end of the nineteenth century. It analyzes the ways in which rapidly transforming technological and labour conditions contributed to forging new intellectual networks, exploring innovative forms of knowledge, and reimagining the material and immaterial worlds. This volume s…
Art (9 works) · History (6 works) · Latin American Literature Studies (5 works) · Political science (5 works) · Humanities (4 works) · Latin Americans (4 works) · Law (4 works) · Literature (3 works) · Aesthetics (2 works) · Cultural and Social Studies in Latin America (2 works)