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Sam Ladkin

Biographic Data

ID2176351
NAMESam Ladkin
GIVEN NAMESSam
FAMILY NAMELadkin
SIGNATURELADKIN S
AFFILIATIONSUniversity of Sheffield
ORCID0000-0001-6778-5330
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS0
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Theatres of Indirectness: Passive Aggression and Failure

    Open Access•Sara Crangle, Sam Ladkin•ARTICLE•Critical Quarterly•2026

  • "The "Onanism of Poetry: Walt Whitman, Rob Halpern and the Deconstruction of Masturbation

    Sam Ladkin•ARTICLE•Angelaki•2015•References: 20

    Lyric is onanistic: masturbation is the latent content of lyric poetry. This article counters queer theory with a turn to onanist theory, pointing out the centrality of masturbation to the work of Jacques Derrida, and suggesting that rather than consider masturbation the supplement to sex, we might consider the opposite. Modern man (the gendering is deliberate) has, according to Derrida, been mistaken in his metaphysics by a deluded fidelity to p…

  • Glancing paintings and poems: Figuration and abstraction in Clark Coolidge'sPolaroidand Willem de Kooning'sExcavation

    Sam Ladkin•ARTICLE•Textual Practice•2012

    This article reads, in parallel, Clark Coolidge's Polaroid (1975) and Willem de Kooning's Excavation (1950). It argues that both are exemplary meditations on the tension between abstraction and representation, and display that tension as an affective struggle that ultimately refuses any easy conceptualization of ‘abstraction’ or ‘representation’. The argument bears on their reception. As ‘New York School’ artist or ‘Abstract Expressionist’, de Ko…

No prominent works on this page.

  • Glancing paintings and poems: Figuration and abstraction in Clark Coolidge'sPolaroidand Willem de Kooning'sExcavation

    Sam Ladkin•ARTICLE•Textual Practice•2012

    This article reads, in parallel, Clark Coolidge's Polaroid (1975) and Willem de Kooning's Excavation (1950). It argues that both are exemplary meditations on the tension between abstraction and representation, and display that tension as an affective struggle that ultimately refuses any easy conceptualization of ‘abstraction’ or ‘representation’. The argument bears on their reception. As ‘New York School’ artist or ‘Abstract Expressionist’, de Ko…

  • "The "Onanism of Poetry: Walt Whitman, Rob Halpern and the Deconstruction of Masturbation

    Sam Ladkin•ARTICLE•Angelaki•2015•References: 20

    Lyric is onanistic: masturbation is the latent content of lyric poetry. This article counters queer theory with a turn to onanist theory, pointing out the centrality of masturbation to the work of Jacques Derrida, and suggesting that rather than consider masturbation the supplement to sex, we might consider the opposite. Modern man (the gendering is deliberate) has, according to Derrida, been mistaken in his metaphysics by a deluded fidelity to p…

  • Theatres of Indirectness: Passive Aggression and Failure

    Open Access•Sara Crangle, Sam Ladkin•ARTICLE•Critical Quarterly•2026

Art (2 works) · Epistemology (2 works) · Linguistics (2 works) · Literature (2 works) · Philosophy (2 works) · Poetry (2 works) · Abstraction (1 works) · Aesthetics (1 works) · Aggression (1 works) · Computer Science (1 works)

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