Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Robert B Winans

Biographic Data

ID218096
NAMERobert B Winans
GIVEN NAMESRobert B
FAMILY NAMEWinans
SIGNATUREWINANS R B
VERIFIEDNo
TOTAL WORKS15
TOTAL CITATIONS4
AUTHOR COUNT14
EDITOR COUNT1
FIRST PUBLICATION YEAR1976
LATEST PUBLICATION YEAR2018
H-INDEX1
  • Banjo Roots and Branches

    Greg C Adams, Jim Dalton et al.•BOOK•Banjo Roots and Branches•2018

  • Banjo

    Jay Scott Odell, Robert B Winans•CHAPTER•The new Grove dictionary of music…•2014

  • Sweeney, Joel [Joe] Walker

    Robert B Winans•CHAPTER•The new Grove dictionary of music…•2013

  • Banjo

    Jay Scott Odell, Robert B Winans•CHAPTER•The new Grove dictionary of music…•2001

  • Love and Theft: Blackface Minstrelsy and the American Working Class

    Robert B Winans, Eric Lott•ARTICLE•American Music•1995

  • Minstrel and Classic Banjo: American and English Connections

    Robert B Winans, Elias J Kaufman•ARTICLE•American Music•1994

  • That Half-Barbaric Twang: The Banjo in American Popular Culture

    Robert B Winans, Karen Linn•ARTICLE•Ethnomusicology•1994

  • Black Instrumental Music Traditions in the Ex-Slave Narratives

    Robert B Winans•ARTICLE•Black Music Research Journal•1990•Cited by: 2

    the Virginia narratives, edited separately by Purdue, Barden, and Phillips (1976). For non-controversial matters of slave life, such as their musical traditions, the narratives are a rich source of quite reliable information. Unfortunately, not all interviewers asked questions that brought out information about instrumental music traditions in the pre-war period. But enough did ask appropriate questions so that there is quite a bit of data on the…

  • Reading Becomes a Necessity of Life: Material and Cultural Life in Rural New England, 1780-1835

    Robert B Winans, William J Gilmore•ARTICLE•American Literature•1990

  • More than Drumming: Essays on African and Afro-Latin American Music and Musicians

    Robert B Winans, Irene V Jackson•ARTICLE•Journal of American Folklore•1986•Cited by: 1

  • Folk Music and Modern Sound

    Robert B Winans, William Ferris et al.•ARTICLE•American Music•1985

  • Kentucky Country: Folk and Country Music of Kentucky

    Robert B Winans, Charles K Wolfe•ARTICLE•Journal of American Folklore•1984

    Country is a lively tour of the state's indigenous music, from the days of string bands through hillbilly, western swing, gospel, bluegrass, and honkey-tonk to through the Nashville Sound and beyond. Through personal interviews with many of the living legends of Kentucky music, Charles K. Wolfe illuminates a fascinating and important area of American culture. The list of country music stars who hail from Kentucky is a long and glittering one. Red…

  • How Can I Keep from Singing: Pete Seeger

    Robert B Winans, David King Dunaway•ARTICLE•American Music•1983

    }Who is this skinny, 78-year-old man with the five-string banjo, whose performances over five decades have touched millions of people? Entertainer? Composer? Communist? Bob Dylan once called him a saint. Joan Baez has said, We all owe our careers to him. But Pete Seeger's considerable musical achievements have been overshadowed by political controversy. He was investigated for sedition by the House Committee on Un-American activities, harassed by…

  • A Descriptive Checklist of Book Catalogues Separately Printed in America 1693-1800

    Peter Drummey, Robert B Winans•ARTICLE•The New England Quarterly•1982

  • The Folk, the Stage, and the Five-String Banjo in the Nineteenth Century

    Robert B Winans•ARTICLE•Journal of American Folklore•1976•Cited by: 1

    THAT THE WIDESPREAD DIFFUSION OF POPULAR MUSIC made possible by the radio and the phonograph beginning in the 1920's has had a profound effect on folk music is a commonplace truism. But popular music was also exerting a profound effect on folk music in the nineteenth century long before the advent of mass media. In relation to the banjo in particular, interaction between popular and folk traditions was, in fact, a rather complicated two-way avenu…

  • Black Instrumental Music Traditions in the Ex-Slave Narratives

    Robert B Winans•ARTICLE•Black Music Research Journal•1990•Cited by: 2

    the Virginia narratives, edited separately by Purdue, Barden, and Phillips (1976). For non-controversial matters of slave life, such as their musical traditions, the narratives are a rich source of quite reliable information. Unfortunately, not all interviewers asked questions that brought out information about instrumental music traditions in the pre-war period. But enough did ask appropriate questions so that there is quite a bit of data on the…

  • More than Drumming: Essays on African and Afro-Latin American Music and Musicians

    Robert B Winans, Irene V Jackson•ARTICLE•Journal of American Folklore•1986•Cited by: 1

  • The Folk, the Stage, and the Five-String Banjo in the Nineteenth Century

    Robert B Winans•ARTICLE•Journal of American Folklore•1976•Cited by: 1

    THAT THE WIDESPREAD DIFFUSION OF POPULAR MUSIC made possible by the radio and the phonograph beginning in the 1920's has had a profound effect on folk music is a commonplace truism. But popular music was also exerting a profound effect on folk music in the nineteenth century long before the advent of mass media. In relation to the banjo in particular, interaction between popular and folk traditions was, in fact, a rather complicated two-way avenu…

  • The Folk, the Stage, and the Five-String Banjo in the Nineteenth Century

    Robert B Winans•ARTICLE•Journal of American Folklore•1976•Cited by: 1

    THAT THE WIDESPREAD DIFFUSION OF POPULAR MUSIC made possible by the radio and the phonograph beginning in the 1920's has had a profound effect on folk music is a commonplace truism. But popular music was also exerting a profound effect on folk music in the nineteenth century long before the advent of mass media. In relation to the banjo in particular, interaction between popular and folk traditions was, in fact, a rather complicated two-way avenu…

  • A Descriptive Checklist of Book Catalogues Separately Printed in America 1693-1800

    Peter Drummey, Robert B Winans•ARTICLE•The New England Quarterly•1982

  • How Can I Keep from Singing: Pete Seeger

    Robert B Winans, David King Dunaway•ARTICLE•American Music•1983

    }Who is this skinny, 78-year-old man with the five-string banjo, whose performances over five decades have touched millions of people? Entertainer? Composer? Communist? Bob Dylan once called him a saint. Joan Baez has said, We all owe our careers to him. But Pete Seeger's considerable musical achievements have been overshadowed by political controversy. He was investigated for sedition by the House Committee on Un-American activities, harassed by…

  • Kentucky Country: Folk and Country Music of Kentucky

    Robert B Winans, Charles K Wolfe•ARTICLE•Journal of American Folklore•1984

    Country is a lively tour of the state's indigenous music, from the days of string bands through hillbilly, western swing, gospel, bluegrass, and honkey-tonk to through the Nashville Sound and beyond. Through personal interviews with many of the living legends of Kentucky music, Charles K. Wolfe illuminates a fascinating and important area of American culture. The list of country music stars who hail from Kentucky is a long and glittering one. Red…

  • Folk Music and Modern Sound

    Robert B Winans, William Ferris et al.•ARTICLE•American Music•1985

  • More than Drumming: Essays on African and Afro-Latin American Music and Musicians

    Robert B Winans, Irene V Jackson•ARTICLE•Journal of American Folklore•1986•Cited by: 1

  • Black Instrumental Music Traditions in the Ex-Slave Narratives

    Robert B Winans•ARTICLE•Black Music Research Journal•1990•Cited by: 2

    the Virginia narratives, edited separately by Purdue, Barden, and Phillips (1976). For non-controversial matters of slave life, such as their musical traditions, the narratives are a rich source of quite reliable information. Unfortunately, not all interviewers asked questions that brought out information about instrumental music traditions in the pre-war period. But enough did ask appropriate questions so that there is quite a bit of data on the…

  • Reading Becomes a Necessity of Life: Material and Cultural Life in Rural New England, 1780-1835

    Robert B Winans, William J Gilmore•ARTICLE•American Literature•1990

  • Minstrel and Classic Banjo: American and English Connections

    Robert B Winans, Elias J Kaufman•ARTICLE•American Music•1994

  • That Half-Barbaric Twang: The Banjo in American Popular Culture

    Robert B Winans, Karen Linn•ARTICLE•Ethnomusicology•1994

  • Love and Theft: Blackface Minstrelsy and the American Working Class

    Robert B Winans, Eric Lott•ARTICLE•American Music•1995

  • Banjo

    Jay Scott Odell, Robert B Winans•CHAPTER•The new Grove dictionary of music…•2001

  • Sweeney, Joel [Joe] Walker

    Robert B Winans•CHAPTER•The new Grove dictionary of music…•2013

  • Banjo

    Jay Scott Odell, Robert B Winans•CHAPTER•The new Grove dictionary of music…•2014

  • Banjo Roots and Branches

    Greg C Adams, Jim Dalton et al.•BOOK•Banjo Roots and Branches•2018

Art (11 works) · History (8 works) · Music History and Culture (6 works) · Literature (5 works) · Visual arts (5 works) · Art history (4 works) · Computer Science (4 works) · Musical (4 works) · Aesthetics (3 works) · Banana Cultivation and Research (3 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae