Vera Stegmann

Biographic Data

ID2186389
NAMEVera Stegmann
GIVEN NAMESVera
FAMILY NAMEStegmann
SIGNATURESTEGMANN V
AFFILIATIONSLehigh University
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS0
WORKS AS AUTHOR12
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR2026
H-INDEX0

  • Multidirectional Memory in Navid Kermani’s Entlang den Gräben (2018) [Multidirektionales Gedächtnis in Navid Kermanis Entlang den Gräben (2018)]

    Vera StegmannARTICLEMonatshefte2026

    In his 2018 travelogue Entlang den Gräben. Eine Reise durch das östliche Europa bis nach Isfahan , Navid Kermani describes a journey from eastern Germany to Poland, Lithuania, Belarus, Ukraine, Crimea, southern Russia, Georgia, Azerbaijan, Armenia, and Iran. Kermani covers a large geographic area and travels in time, searching for his parents’ roots in Iran while traversing territories marked by century old conflicts and shifting borders. He desc…

  • Shakespeare, Brecht, and the Intercultural Sign

    Vera Stegmann, Antony TatlowARTICLEThe German Quarterly2003

  • Schrage Tone

    Vera Stegmann, Cornelius PartschARTICLEGerman Studies Review2003

  • Christa Wolf

    Vera Stegmann, Gail FinneyARTICLEGerman Studies Review2003

  • Space and Time in Epic Theater

    Vera Stegmann, Sarah Bryant-BertailARTICLEGerman Studies Review2003

    Introduction - spatio-temporality as sign in epic theatre theatre for the age of mechanical warfare - Piscator directs The Good Soldier Schwejk into the whirlwind - Brecht directs Mother Courage gestic writing and the true-real body - Brecht adapts The Tutor Peer Gynt as epic theatre - Peter Stein in Berlin and Rustom Bharucha in India JoAnne Akalaitis's postmodern epic staging of Leon and Lena (& Lenz) gender, empire and body politic - Ariane Mn…

  • Rethinking Peter Weiss

    Vera Stegmann, Jost Hermand et al.ARTICLEGerman Studies Review2002

    Eight essays, two in German, revised from presentations at a November 1998 workshop at the University of Wisconsin consider whether the nearly total neglect of German painter, filmmaker, essays, novelist, and dramatist Weiss (1916-ca.1982) since the end of the Cold War can be and should be reversed. He was a committed socialist who burst on the scene in 1964 with his film Marat/Sade and dealt with many social and political themes during his caree…

  • Defa

    Vera Stegmann, Seán Allan et al.ARTICLEGerman Studies Review2000

    the lucid style of all contributions ...makes this volume an accessible read to students ...this volume has also the bonus of offering an excellent appendix on sources for future research ...this collection of essays illustrates precisely why the quality of DEFA film-making should not be confined to the archives of history. - Journal of European Areas Studies A useful appendix provides research sources. Written in clear prose, these essays should…

  • Playing for Stakes

    Vera Stegmann, Anna K Kuhn et al.ARTICLEThe German Quarterly1996

  • Caribaldi and Casals

    Vera StegmannARTICLEThe European Legacy1996

    (1996). Caribaldi and Casals: Theater and music in Thomas Bernhard's the force of habit. The European Legacy: Vol. 1, Fourth International Conference of the International Society for the Study of European Ideas, pp. 1213-1218

  • Undertones of Insurrection

    Vera Stegmann, Marc A WeinerARTICLEThe German Quarterly1995

  • Music and German Literature

    Vera Stegmann, James M McglatheryARTICLEThe German Quarterly1994

  • Bertolt Brecht's Striving for Reason, Even in Music

    Vera Stegmann, Michael John T GilbertARTICLESouth Atlantic Review1990