Marie-Claire Bourdieu
Biographic Data
| ID | 218648 |
|---|---|
| NAME | Marie-Claire Bourdieu |
| GIVEN NAMES | Marie-Claire |
| FAMILY NAME | Bourdieu |
| SIGNATURE | BOURDIEU M |
| AFFILIATIONS | Collège de France |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 35 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1965 |
| LATEST PUBLICATION YEAR | 2006 |
| H-INDEX | 3 |
O camponês e a fotografia
Utilizando uma abordagem etnográfica da aldeia do sudoeste francês onde passou sua infância, Pierre Bourdieu, em colaboração com Marie-Claire Bourdieu, analisa os usos sociais e o significado das fotografias e da prática fotográfica na sociedade camponesa do Béarn no início dos anos 1960. A fotografia emergiu nesse contexto principalmente durante cerimônias familiares e coletivas importantes, como casamentos, servindo para afirmar a unidade, posi…
The peasant and photography
Drawing on an ethnography of the author's childhood village in southwestern France, this article analyses the social uses and meaning of photographs and photographic practice in the peasant society of Béarn in the early 1960s. Photography was first introduced on the occasion of the great ceremonies of familial and collective life, such as weddings, in which it fulfills the function of affirming the unity, standing, and boundaries of the lineages …
Goûts de femmes
Bourdieu Marie-Claire. Goûts de femmes. In: Actes de la recherche en sciences sociales. Vol. 2, n°5, octobre 1976. Anatomie du goût. pp. 82-88
Le paysan et la photographie
This article explores the complex relationship between peasant communities and the relatively new technology of photography in the Béarn region of France. Drawing on ethnographic research conducted in the late 1950s, the authors, Pierre and Marie-Claire Bourdieu, analyze how peasants utilize and perceive photography, not as a neutral tool, but as a social practice embedded within existing power structures and cultural norms. The study reveals how…
The peasant and photography
Drawing on an ethnography of the author's childhood village in southwestern France, this article analyses the social uses and meaning of photographs and photographic practice in the peasant society of Béarn in the early 1960s. Photography was first introduced on the occasion of the great ceremonies of familial and collective life, such as weddings, in which it fulfills the function of affirming the unity, standing, and boundaries of the lineages …
O camponês e a fotografia
Utilizando uma abordagem etnográfica da aldeia do sudoeste francês onde passou sua infância, Pierre Bourdieu, em colaboração com Marie-Claire Bourdieu, analisa os usos sociais e o significado das fotografias e da prática fotográfica na sociedade camponesa do Béarn no início dos anos 1960. A fotografia emergiu nesse contexto principalmente durante cerimônias familiares e coletivas importantes, como casamentos, servindo para afirmar a unidade, posi…
Le paysan et la photographie
This article explores the complex relationship between peasant communities and the relatively new technology of photography in the Béarn region of France. Drawing on ethnographic research conducted in the late 1950s, the authors, Pierre and Marie-Claire Bourdieu, analyze how peasants utilize and perceive photography, not as a neutral tool, but as a social practice embedded within existing power structures and cultural norms. The study reveals how…
Le paysan et la photographie
This article explores the complex relationship between peasant communities and the relatively new technology of photography in the Béarn region of France. Drawing on ethnographic research conducted in the late 1950s, the authors, Pierre and Marie-Claire Bourdieu, analyze how peasants utilize and perceive photography, not as a neutral tool, but as a social practice embedded within existing power structures and cultural norms. The study reveals how…
Goûts de femmes
Bourdieu Marie-Claire. Goûts de femmes. In: Actes de la recherche en sciences sociales. Vol. 2, n°5, octobre 1976. Anatomie du goût. pp. 82-88
The peasant and photography
Drawing on an ethnography of the author's childhood village in southwestern France, this article analyses the social uses and meaning of photographs and photographic practice in the peasant society of Béarn in the early 1960s. Photography was first introduced on the occasion of the great ceremonies of familial and collective life, such as weddings, in which it fulfills the function of affirming the unity, standing, and boundaries of the lineages …
O camponês e a fotografia
Utilizando uma abordagem etnográfica da aldeia do sudoeste francês onde passou sua infância, Pierre Bourdieu, em colaboração com Marie-Claire Bourdieu, analisa os usos sociais e o significado das fotografias e da prática fotográfica na sociedade camponesa do Béarn no início dos anos 1960. A fotografia emergiu nesse contexto principalmente durante cerimônias familiares e coletivas importantes, como casamentos, servindo para afirmar a unidade, posi…
Art (3 works) · French Urban and Social Studies (3 works) · Political science (3 works) · Cultural Identity and Heritage (2 works) · Sociology (2 works) · Aesthetics (1 work) · Anthropology (1 work) · Criminology (1 work) · Diverse Cultural and Historical Studies (1 work) · Ethnography (1 work)