Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Christopher Witulski

Biographic Data

ID219663
NAMEChristopher Witulski
GIVEN NAMESChristopher
FAMILY NAMEWitulski
SIGNATUREWITULSKI C
AFFILIATIONSInstructor in Ethnomusicology Bowling Green State University Bowling Green OH USA
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS7
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2019
H-INDEX2
  • Focus

    Christopher Witulski•BOOK•Focus•2019•Cited by: 1

    Focus: Music and Religion of Morocco introduces the region and its history, highlighting how the pressures of religious life, post-colonial economic struggle, and global media come together within Moroccan musical life. Musical practices contextualize and clarify global historical and contemporary movements—many of which remain poorly understood—while articulating the daily realities of the region's populations in ways that rarely show through cu…

  • Gnawa

    Christopher Witulski•ARTICLE•Visual Anthropology•2019

    Jacques Willemont’s documentary Gnawa: Music and Beyond explores the history, symbolism and ritual practice of Morocco’s Gnawa traditions. The Gnawa are a population brought to Morocco from West Af

  • Contentious Spectacle

    Christopher Witulski•ARTICLE•Ethnomusicology•2018•Cited by: 3•References: 8

    Recent changes to the gnawa ritual's musical practices in Morocco leave many in the community nostalgic for the previous generation's aesthetic and ideological tastes. Nostalgia in this case emanates from a confluence of performance practice and audience expectation, resulting in different potential "experiences of authenticity." The wide range of nostalgic authenticities available to the gnawa community are due, in part, to a set of overlapping …

  • The Gnawa Lions

    Christopher Witulski•ARTICLE•The Journal of North African…•2016•Cited by: 3•References: 4

    This article outlines the pressures on young gnawa musicians embarking on a career in contemporary Morocco. The influences of the popular music industry provide new options for those looking to learn and advance. They can choose to engage the traditional system of apprenticeship or navigate their career outside it. This article outlines the pathway and expectations built into an apprenticeship-based mode of learning and becoming gnawa. It then mo…

  • Listening to Discourses of Ethics and Aesthetics

    Open Access•Christopher Witulski•ARTICLE•International Journal Middle East…•2012•References: 1

    Music, as sound, physically and figuratively transcends previously erected or conceptualized boundaries. Artists and listeners each have the ability to aurally extend their values into new spaces, where others hear them. Passions and ideas gain traction through a constant aural negotiation that exists within the music that individuals use to soundtrack their public and private lives. As argued by the contributors to this roundtable, music both re…

  • Contentious Spectacle

    Christopher Witulski•ARTICLE•Ethnomusicology•2018•Cited by: 3•References: 8

    Recent changes to the gnawa ritual's musical practices in Morocco leave many in the community nostalgic for the previous generation's aesthetic and ideological tastes. Nostalgia in this case emanates from a confluence of performance practice and audience expectation, resulting in different potential "experiences of authenticity." The wide range of nostalgic authenticities available to the gnawa community are due, in part, to a set of overlapping …

  • The Gnawa Lions

    Christopher Witulski•ARTICLE•The Journal of North African…•2016•Cited by: 3•References: 4

    This article outlines the pressures on young gnawa musicians embarking on a career in contemporary Morocco. The influences of the popular music industry provide new options for those looking to learn and advance. They can choose to engage the traditional system of apprenticeship or navigate their career outside it. This article outlines the pathway and expectations built into an apprenticeship-based mode of learning and becoming gnawa. It then mo…

  • Focus

    Christopher Witulski•BOOK•Focus•2019•Cited by: 1

    Focus: Music and Religion of Morocco introduces the region and its history, highlighting how the pressures of religious life, post-colonial economic struggle, and global media come together within Moroccan musical life. Musical practices contextualize and clarify global historical and contemporary movements—many of which remain poorly understood—while articulating the daily realities of the region's populations in ways that rarely show through cu…

  • Listening to Discourses of Ethics and Aesthetics

    Open Access•Christopher Witulski•ARTICLE•International Journal Middle East…•2012•References: 1

    Music, as sound, physically and figuratively transcends previously erected or conceptualized boundaries. Artists and listeners each have the ability to aurally extend their values into new spaces, where others hear them. Passions and ideas gain traction through a constant aural negotiation that exists within the music that individuals use to soundtrack their public and private lives. As argued by the contributors to this roundtable, music both re…

  • The Gnawa Lions

    Christopher Witulski•ARTICLE•The Journal of North African…•2016•Cited by: 3•References: 4

    This article outlines the pressures on young gnawa musicians embarking on a career in contemporary Morocco. The influences of the popular music industry provide new options for those looking to learn and advance. They can choose to engage the traditional system of apprenticeship or navigate their career outside it. This article outlines the pathway and expectations built into an apprenticeship-based mode of learning and becoming gnawa. It then mo…

  • Contentious Spectacle

    Christopher Witulski•ARTICLE•Ethnomusicology•2018•Cited by: 3•References: 8

    Recent changes to the gnawa ritual's musical practices in Morocco leave many in the community nostalgic for the previous generation's aesthetic and ideological tastes. Nostalgia in this case emanates from a confluence of performance practice and audience expectation, resulting in different potential "experiences of authenticity." The wide range of nostalgic authenticities available to the gnawa community are due, in part, to a set of overlapping …

  • Focus

    Christopher Witulski•BOOK•Focus•2019•Cited by: 1

    Focus: Music and Religion of Morocco introduces the region and its history, highlighting how the pressures of religious life, post-colonial economic struggle, and global media come together within Moroccan musical life. Musical practices contextualize and clarify global historical and contemporary movements—many of which remain poorly understood—while articulating the daily realities of the region's populations in ways that rarely show through cu…

  • Gnawa

    Christopher Witulski•ARTICLE•Visual Anthropology•2019

    Jacques Willemont’s documentary Gnawa: Music and Beyond explores the history, symbolism and ritual practice of Morocco’s Gnawa traditions. The Gnawa are a population brought to Morocco from West Af

Sociology (5 works) · Aesthetics (4 works) · Art (4 works) · African Studies and Geopolitics (3 works) · Literature (3 works) · Visual arts (3 works) · Communication (2 works) · Communication (2 works) · History (2 works) · History (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae