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Jose Buenconsejo

Biographic Data

ID2199679
NAMEJose Buenconsejo
GIVEN NAMESJose
FAMILY NAMEBuenconsejo
SIGNATUREBUENCONSEJO J
AFFILIATIONSPalawan State University
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS2
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2013
H-INDEX1
  • Orientalism in the Narrative, Music and Myth of the Amok in the 1937 film Zamboanga

    Jose Buenconsejo•ARTICLE•Plaridel•2013•Cited by: 1•References: 1

    Since the occupation of the Philippine Islands by the U.S. in 1899, Americans have viewed the Moslems of Mindanao as civilized yet aggressive. This orientalist-colonialist gaze is manifested in the film Zamboanga, a Filipino-American project directed by Filipino mestizo actor/ director Eduardo de Castro, with a cast of Filipino “natives” and an Euro-American crew. A spectacle full of local color, Zamboanga has a narrative based on the clichéd Eur…

  • Luxury seafood consumption in China and the intensification of coastal livelihoods in Southeast Asia

    Open Access•M Fabinyi, Michael D Pido et al.•ARTICLE•Asia Pacific Viewpoint•2012•Cited by: 1•References: 14

    An important contemporary driver of livelihood change in coastal Southeast Asia is the growing demand for luxury seafood in China. Based on fieldwork in the municipality of Balabac in Palawan province, western Philippines, this paper takes stock of this trend, and investigates the implications of the relationship between Chinese patterns of luxury seafood consumption and the intensification of coastal livelihoods in Southeast Asia. The paper focu…

  • Songs and Gifts at the Frontier

    Theodore Gonzalves, Jose Buenconsejo et al.•ARTICLE•Yearbook for Traditional Music•2003

  • Orientalism in the Narrative, Music and Myth of the Amok in the 1937 film Zamboanga

    Jose Buenconsejo•ARTICLE•Plaridel•2013•Cited by: 1•References: 1

    Since the occupation of the Philippine Islands by the U.S. in 1899, Americans have viewed the Moslems of Mindanao as civilized yet aggressive. This orientalist-colonialist gaze is manifested in the film Zamboanga, a Filipino-American project directed by Filipino mestizo actor/ director Eduardo de Castro, with a cast of Filipino “natives” and an Euro-American crew. A spectacle full of local color, Zamboanga has a narrative based on the clichéd Eur…

  • Luxury seafood consumption in China and the intensification of coastal livelihoods in Southeast Asia

    Open Access•M Fabinyi, Michael D Pido et al.•ARTICLE•Asia Pacific Viewpoint•2012•Cited by: 1•References: 14

    An important contemporary driver of livelihood change in coastal Southeast Asia is the growing demand for luxury seafood in China. Based on fieldwork in the municipality of Balabac in Palawan province, western Philippines, this paper takes stock of this trend, and investigates the implications of the relationship between Chinese patterns of luxury seafood consumption and the intensification of coastal livelihoods in Southeast Asia. The paper focu…

  • Songs and Gifts at the Frontier

    Theodore Gonzalves, Jose Buenconsejo et al.•ARTICLE•Yearbook for Traditional Music•2003

  • Luxury seafood consumption in China and the intensification of coastal livelihoods in Southeast Asia

    Open Access•M Fabinyi, Michael D Pido et al.•ARTICLE•Asia Pacific Viewpoint•2012•Cited by: 1•References: 14

    An important contemporary driver of livelihood change in coastal Southeast Asia is the growing demand for luxury seafood in China. Based on fieldwork in the municipality of Balabac in Palawan province, western Philippines, this paper takes stock of this trend, and investigates the implications of the relationship between Chinese patterns of luxury seafood consumption and the intensification of coastal livelihoods in Southeast Asia. The paper focu…

  • Orientalism in the Narrative, Music and Myth of the Amok in the 1937 film Zamboanga

    Jose Buenconsejo•ARTICLE•Plaridel•2013•Cited by: 1•References: 1

    Since the occupation of the Philippine Islands by the U.S. in 1899, Americans have viewed the Moslems of Mindanao as civilized yet aggressive. This orientalist-colonialist gaze is manifested in the film Zamboanga, a Filipino-American project directed by Filipino mestizo actor/ director Eduardo de Castro, with a cast of Filipino “natives” and an Euro-American crew. A spectacle full of local color, Zamboanga has a narrative based on the clichéd Eur…

Geography (2 works) · History (2 works) · History (2 works) · Philippine History and Culture (2 works) · Agriculture (1 work) · Archaeology (1 work) · Art (1 work) · Art history (1 work) · Asian Culture and Media Studies (1 work) · Biology (1 work)

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