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Deborah N Cohn

Biographic Data

ID220293
NAMEDeborah N Cohn
GIVEN NAMESDeborah N
FAMILY NAMECohn
SIGNATURECOHN D N
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS3
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2006
H-INDEX1
  • A Tale of Two Translation Programs

    Open Access•Deborah N Cohn, Deborah Cohn•ARTICLE•Latin American Research Review•2006

    In the 1960s, the Cuban Revolution sparked great interest in Latin America throughout the United States. Not coincidentally, the promotion and translation of literature from Latin America increased dramatically during this period. This essay explores the interplay of market and political forces in the promotion of Latin American literature in the United States through an examination of two programs funded by Rockefeller family philanthropies duri…

  • Retracing The Lost Steps

    Deborah N Cohn, Deborah Cohn•ARTICLE•CR The New Centennial Review•2003•Cited by: 3

    IN CREATING FAULKNER'S REPUTATION: THE POLITICS OF MODERN LITERARY Criticism, Lawrence Schwartz details the process that legitimized an avant-garde aesthetic in the U.S. academic and popular media as part of a post-World War II, Cold War cultural project. As part of this process, formalist aesthetics and modernism displaced the realism and naturalism of the prewar years, which had been "taint[ed] . . . by an overt political orientation and ties t…

  • History and Memory in the Two Souths

    Victoria L McCard, Deborah N Cohn et al.•ARTICLE•South Atlantic Review•2002

  • Retracing The Lost Steps

    Deborah N Cohn, Deborah Cohn•ARTICLE•CR The New Centennial Review•2003•Cited by: 3

    IN CREATING FAULKNER'S REPUTATION: THE POLITICS OF MODERN LITERARY Criticism, Lawrence Schwartz details the process that legitimized an avant-garde aesthetic in the U.S. academic and popular media as part of a post-World War II, Cold War cultural project. As part of this process, formalist aesthetics and modernism displaced the realism and naturalism of the prewar years, which had been "taint[ed] . . . by an overt political orientation and ties t…

  • History and Memory in the Two Souths

    Victoria L McCard, Deborah N Cohn et al.•ARTICLE•South Atlantic Review•2002

  • Retracing The Lost Steps

    Deborah N Cohn, Deborah Cohn•ARTICLE•CR The New Centennial Review•2003•Cited by: 3

    IN CREATING FAULKNER'S REPUTATION: THE POLITICS OF MODERN LITERARY Criticism, Lawrence Schwartz details the process that legitimized an avant-garde aesthetic in the U.S. academic and popular media as part of a post-World War II, Cold War cultural project. As part of this process, formalist aesthetics and modernism displaced the realism and naturalism of the prewar years, which had been "taint[ed] . . . by an overt political orientation and ties t…

  • A Tale of Two Translation Programs

    Open Access•Deborah N Cohn, Deborah Cohn•ARTICLE•Latin American Research Review•2006

    In the 1960s, the Cuban Revolution sparked great interest in Latin America throughout the United States. Not coincidentally, the promotion and translation of literature from Latin America increased dramatically during this period. This essay explores the interplay of market and political forces in the promotion of Latin American literature in the United States through an examination of two programs funded by Rockefeller family philanthropies duri…

History (3 works) · Latin American and Latino Studies (3 works) · Latin American Literature Studies (3 works) · Art (2 works) · Cuban History and Society (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Aesthetics (1 work) · Allegiance (1 work)

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