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K W Y Choi

Biographic Data

ID22069
NAMEK W Y Choi
GIVEN NAMESK W Y
FAMILY NAMEChoi
SIGNATURECHOI K W Y
AFFILIATIONSCity University of Hong Kong
ORCID0000-0002-0974-1425
VERIFIEDYes
TOTAL WORKS13
TOTAL CITATIONS25
AUTHOR COUNT13
EDITOR COUNT0
FIRST PUBLICATION YEAR1970
LATEST PUBLICATION YEAR2025
H-INDEX3
  • Commoning art for sustainable engagement with Hong Kong’s existential crises

    Open Access•H Zeng, K W Y Choi•ARTICLE•Cultural Studies•2025

  • Museumising Bruce Lee in a Hong Kong public museum

    Open Access•K W Y Choi, H Zeng•ARTICLE•International Journal of Heritage…•2024•References: 13

    Scholars have recognised the significance of museums for establishing and maintaining national legitimacy and shaping identity. Following the transfer of sovereignty over Hong Kong from the United Kingdom to the People’s Republic of China in 1997, tensions emerged between Chinese national identity and local Hong Kong identity. Drawing inspiration from studies of the role of museums in nation-building, research on Hong Kong museums, and Ackbar Abb…

  • Turning Older Women's Life Stories into Hypermedia

    Open Access•K W Y Choi, Anita Kit Wa Chan et al.•ARTICLE•International Journal of…•2024•Cited by: 1•References: 19

    This article discusses our development of a new form of feminist Creative Analytic Practices (CAP) by creating knowledge through interactive video installation and web-based interactive re-storytelling ( https://kimchoi.net/a-story-of-ones-own/ ). Since the 1990s, qualitative social researchers have been developing alternative methods and forms to capture and represent the complexity of lived experiences. Through referencing feminist postconstruc…

  • Spatialising domestic practices

    K W Y Choi, Anita Kit Wa Chan et al.•ARTICLE•Gender Place & Culture•2023•Cited by: 1•References: 7

    How do women manage domestic work spatially? How does that change throughout life and relate to their subjectivities and womanhood? Informed by feminist geographers' concept of 'lived' space and queer studies' concept of disjunctive modernity, this paper spatialises women's domestic practices through examining 43 older Hong Kong women's life stories on domesticity. Hong Kong women, since childhood, have creatively employed temporal-spatial strate…

  • Her body belongs to her nation? A feminist reading of recent Chinese and American female spy films

    K W Y Choi, H Zeng•ARTICLE•Feminist Media Studies•2022•Cited by: 2•References: 10

    Since the 2000s there has been a rise in female spies depicted in both Hollywood and Chinese cinema. This article employs Kaplan’s familial model and Braidotti’s discussion of body to analyze the problematic relation between women and nation in three recent female-led sexpionage spy films—Red Sparrow (2018), The Message (2009) and The Silent War (2012). Through situating these movies in the context of growing nationalism and political tension (i.…

  • Producing ‘luxury’ housing

    Open Access•K W Y Choi, Annie Hau Nung Chan et al.•ARTICLE•Urban Studies•2020•Cited by: 5•References: 26

    Building on insights from critical luxury studies, this paper examines how developers produce ‘luxury’ in Hong Kong’s high-priced housing by using textual analysis on a sample of newspaper advertisements for private housing from 1961 to 2011. Findings show how advertisers and developers actively injected new elements of luxury to maximise profits. We argue that Hong Kong’s property oligarchy has successfully created luxury housing in previously u…

  • The disappearance of community, work and everyday life in late capitalism

    Open Access•K W Y Choi, Annie Hau Nung Chan et al.•ARTICLE•Journal of Consumer Culture•2019•Cited by: 1•References: 6

    Hong Kong has one of the least affordable housing markets in the world, but little is known about its housing advertisements, which constitute important discourses that shape the cultural ideal of homeownership. In many ways, Hong Kong’s property market represents that of other ‘global cities’, which are important nodes of global culture and capital flows. How do private property developers market housing in this context, where the nature of hous…

  • Home and the materialization of the divergent subjectivities of older women in Hong Kong

    K W Y Choi•ARTICLE•Journal of Gender Studies•2019•Cited by: 1•References: 27

    Although the social status of women in Hong Kong has changed significantly in recent decades, Hong Kong women continue to perform mothering, caregiving and homemaking tasks into late adulthood. Employing an agential realist approach to analyse the homes and discursive–materialist practices of three older women, this paper explores how the entanglement of materialities, discourses and subjectivities at home as a site of cultural action contributes…

  • Habitus, affordances, and family leisure

    Open Access•K W Y Choi, Kimburley Wy Choi•ARTICLE•Ethnography•2017•Cited by: 8•References: 33

    Informed by Gibson's affordances and Bourdieu's habitus, this visual ethnographic study explores parents' ideas about learning and leisure and the actual domestic leisure children (between three to seven years old) consume in association with socioeconomic status. It is found that parent informants have similar reservations about local education regardless of socioeconomic status. Nevertheless, their different socioeconomic and cultural backgroun…

  • Disneyfication and Localisation

    Open Access•K W Y Choi, Kimburley Choi•ARTICLE•Urban Studies•2012•Cited by: 5•References: 10

    Hong Kong Disneyland (HKDL) was seen as the ‘Millennium Dream Comes True!’ in 1999, but as ‘Hong Kong’s shame’ after its opening in 2005. In this article, interviews and ethnographic research are used to examine the different positions of various actors (HKDL workers, consumers and media practitioners) in their relationship with HKDL. Appropriating Lefebvre’s conceptual triad of space, these stories show that Disney brought Hong Kong a physical p…

  • Constructing a decolonized world city for consumption

    K W Y Choi, Kimburley W Choi•ARTICLE•Social Semiotics•2010•Cited by: 1•References: 9

    The paper argues that, under the globalized economy, state power is far from diminishing. I study how the Hong Kong Special Administrative Region government officials in 1999 developed “competition-development” discourse and “disappearing-world-city” discourse to persuade the public to approve the unequal and non-transparent Hong Kong–Disney deal for setting up the Hong Kong Disneyland (HKDL). I also examine how newspaper reports have circulated …

  • Remade in Hong Kong

    K W Y Choi, Kimburley CHOI Wing Yee•THESIS•2007

    Recent studies of globalization provide contrasting views of the cultural and sociopolitical effects of such major corporations as Disney as they invest transnationally and circulate their offerings around the world. While some scholars emphasize the ubiquity of Disney’s products and its promotion of consumerism on a global scale, accompanied by cultural homogenization, faltering democracy, and diminishing state sovereignty, others highlight sign…

  • Consumption

    Open Access•K W Y Choi•ARTICLE•Cultural Studies Review•1970

    Prompted by the opening of Hong Kong Disneyland, journalists from different countries interviewed Hong Kong scholars about their views on the project. The first question that all these journalists asked was, what is the cultural impact of Disneyland on Hong Kong? The author uses this case to explore the role of consumption within cultural research

  • Habitus, affordances, and family leisure

    Open Access•K W Y Choi, Kimburley Wy Choi•ARTICLE•Ethnography•2017•Cited by: 8•References: 33

    Informed by Gibson's affordances and Bourdieu's habitus, this visual ethnographic study explores parents' ideas about learning and leisure and the actual domestic leisure children (between three to seven years old) consume in association with socioeconomic status. It is found that parent informants have similar reservations about local education regardless of socioeconomic status. Nevertheless, their different socioeconomic and cultural backgroun…

  • Producing ‘luxury’ housing

    Open Access•K W Y Choi, Annie Hau Nung Chan et al.•ARTICLE•Urban Studies•2020•Cited by: 5•References: 26

    Building on insights from critical luxury studies, this paper examines how developers produce ‘luxury’ in Hong Kong’s high-priced housing by using textual analysis on a sample of newspaper advertisements for private housing from 1961 to 2011. Findings show how advertisers and developers actively injected new elements of luxury to maximise profits. We argue that Hong Kong’s property oligarchy has successfully created luxury housing in previously u…

  • Disneyfication and Localisation

    Open Access•K W Y Choi, Kimburley Choi•ARTICLE•Urban Studies•2012•Cited by: 5•References: 10

    Hong Kong Disneyland (HKDL) was seen as the ‘Millennium Dream Comes True!’ in 1999, but as ‘Hong Kong’s shame’ after its opening in 2005. In this article, interviews and ethnographic research are used to examine the different positions of various actors (HKDL workers, consumers and media practitioners) in their relationship with HKDL. Appropriating Lefebvre’s conceptual triad of space, these stories show that Disney brought Hong Kong a physical p…

  • Her body belongs to her nation? A feminist reading of recent Chinese and American female spy films

    K W Y Choi, H Zeng•ARTICLE•Feminist Media Studies•2022•Cited by: 2•References: 10

    Since the 2000s there has been a rise in female spies depicted in both Hollywood and Chinese cinema. This article employs Kaplan’s familial model and Braidotti’s discussion of body to analyze the problematic relation between women and nation in three recent female-led sexpionage spy films—Red Sparrow (2018), The Message (2009) and The Silent War (2012). Through situating these movies in the context of growing nationalism and political tension (i.…

  • Turning Older Women's Life Stories into Hypermedia

    Open Access•K W Y Choi, Anita Kit Wa Chan et al.•ARTICLE•International Journal of…•2024•Cited by: 1•References: 19

    This article discusses our development of a new form of feminist Creative Analytic Practices (CAP) by creating knowledge through interactive video installation and web-based interactive re-storytelling ( https://kimchoi.net/a-story-of-ones-own/ ). Since the 1990s, qualitative social researchers have been developing alternative methods and forms to capture and represent the complexity of lived experiences. Through referencing feminist postconstruc…

  • Spatialising domestic practices

    K W Y Choi, Anita Kit Wa Chan et al.•ARTICLE•Gender Place & Culture•2023•Cited by: 1•References: 7

    How do women manage domestic work spatially? How does that change throughout life and relate to their subjectivities and womanhood? Informed by feminist geographers' concept of 'lived' space and queer studies' concept of disjunctive modernity, this paper spatialises women's domestic practices through examining 43 older Hong Kong women's life stories on domesticity. Hong Kong women, since childhood, have creatively employed temporal-spatial strate…

  • The disappearance of community, work and everyday life in late capitalism

    Open Access•K W Y Choi, Annie Hau Nung Chan et al.•ARTICLE•Journal of Consumer Culture•2019•Cited by: 1•References: 6

    Hong Kong has one of the least affordable housing markets in the world, but little is known about its housing advertisements, which constitute important discourses that shape the cultural ideal of homeownership. In many ways, Hong Kong’s property market represents that of other ‘global cities’, which are important nodes of global culture and capital flows. How do private property developers market housing in this context, where the nature of hous…

  • Home and the materialization of the divergent subjectivities of older women in Hong Kong

    K W Y Choi•ARTICLE•Journal of Gender Studies•2019•Cited by: 1•References: 27

    Although the social status of women in Hong Kong has changed significantly in recent decades, Hong Kong women continue to perform mothering, caregiving and homemaking tasks into late adulthood. Employing an agential realist approach to analyse the homes and discursive–materialist practices of three older women, this paper explores how the entanglement of materialities, discourses and subjectivities at home as a site of cultural action contributes…

  • Constructing a decolonized world city for consumption

    K W Y Choi, Kimburley W Choi•ARTICLE•Social Semiotics•2010•Cited by: 1•References: 9

    The paper argues that, under the globalized economy, state power is far from diminishing. I study how the Hong Kong Special Administrative Region government officials in 1999 developed “competition-development” discourse and “disappearing-world-city” discourse to persuade the public to approve the unequal and non-transparent Hong Kong–Disney deal for setting up the Hong Kong Disneyland (HKDL). I also examine how newspaper reports have circulated …

  • Consumption

    Open Access•K W Y Choi•ARTICLE•Cultural Studies Review•1970

    Prompted by the opening of Hong Kong Disneyland, journalists from different countries interviewed Hong Kong scholars about their views on the project. The first question that all these journalists asked was, what is the cultural impact of Disneyland on Hong Kong? The author uses this case to explore the role of consumption within cultural research

  • Remade in Hong Kong

    K W Y Choi, Kimburley CHOI Wing Yee•THESIS•2007

    Recent studies of globalization provide contrasting views of the cultural and sociopolitical effects of such major corporations as Disney as they invest transnationally and circulate their offerings around the world. While some scholars emphasize the ubiquity of Disney’s products and its promotion of consumerism on a global scale, accompanied by cultural homogenization, faltering democracy, and diminishing state sovereignty, others highlight sign…

  • Constructing a decolonized world city for consumption

    K W Y Choi, Kimburley W Choi•ARTICLE•Social Semiotics•2010•Cited by: 1•References: 9

    The paper argues that, under the globalized economy, state power is far from diminishing. I study how the Hong Kong Special Administrative Region government officials in 1999 developed “competition-development” discourse and “disappearing-world-city” discourse to persuade the public to approve the unequal and non-transparent Hong Kong–Disney deal for setting up the Hong Kong Disneyland (HKDL). I also examine how newspaper reports have circulated …

  • Disneyfication and Localisation

    Open Access•K W Y Choi, Kimburley Choi•ARTICLE•Urban Studies•2012•Cited by: 5•References: 10

    Hong Kong Disneyland (HKDL) was seen as the ‘Millennium Dream Comes True!’ in 1999, but as ‘Hong Kong’s shame’ after its opening in 2005. In this article, interviews and ethnographic research are used to examine the different positions of various actors (HKDL workers, consumers and media practitioners) in their relationship with HKDL. Appropriating Lefebvre’s conceptual triad of space, these stories show that Disney brought Hong Kong a physical p…

  • Habitus, affordances, and family leisure

    Open Access•K W Y Choi, Kimburley Wy Choi•ARTICLE•Ethnography•2017•Cited by: 8•References: 33

    Informed by Gibson's affordances and Bourdieu's habitus, this visual ethnographic study explores parents' ideas about learning and leisure and the actual domestic leisure children (between three to seven years old) consume in association with socioeconomic status. It is found that parent informants have similar reservations about local education regardless of socioeconomic status. Nevertheless, their different socioeconomic and cultural backgroun…

  • The disappearance of community, work and everyday life in late capitalism

    Open Access•K W Y Choi, Annie Hau Nung Chan et al.•ARTICLE•Journal of Consumer Culture•2019•Cited by: 1•References: 6

    Hong Kong has one of the least affordable housing markets in the world, but little is known about its housing advertisements, which constitute important discourses that shape the cultural ideal of homeownership. In many ways, Hong Kong’s property market represents that of other ‘global cities’, which are important nodes of global culture and capital flows. How do private property developers market housing in this context, where the nature of hous…

  • Home and the materialization of the divergent subjectivities of older women in Hong Kong

    K W Y Choi•ARTICLE•Journal of Gender Studies•2019•Cited by: 1•References: 27

    Although the social status of women in Hong Kong has changed significantly in recent decades, Hong Kong women continue to perform mothering, caregiving and homemaking tasks into late adulthood. Employing an agential realist approach to analyse the homes and discursive–materialist practices of three older women, this paper explores how the entanglement of materialities, discourses and subjectivities at home as a site of cultural action contributes…

  • Producing ‘luxury’ housing

    Open Access•K W Y Choi, Annie Hau Nung Chan et al.•ARTICLE•Urban Studies•2020•Cited by: 5•References: 26

    Building on insights from critical luxury studies, this paper examines how developers produce ‘luxury’ in Hong Kong’s high-priced housing by using textual analysis on a sample of newspaper advertisements for private housing from 1961 to 2011. Findings show how advertisers and developers actively injected new elements of luxury to maximise profits. We argue that Hong Kong’s property oligarchy has successfully created luxury housing in previously u…

  • Her body belongs to her nation? A feminist reading of recent Chinese and American female spy films

    K W Y Choi, H Zeng•ARTICLE•Feminist Media Studies•2022•Cited by: 2•References: 10

    Since the 2000s there has been a rise in female spies depicted in both Hollywood and Chinese cinema. This article employs Kaplan’s familial model and Braidotti’s discussion of body to analyze the problematic relation between women and nation in three recent female-led sexpionage spy films—Red Sparrow (2018), The Message (2009) and The Silent War (2012). Through situating these movies in the context of growing nationalism and political tension (i.…

  • Spatialising domestic practices

    K W Y Choi, Anita Kit Wa Chan et al.•ARTICLE•Gender Place & Culture•2023•Cited by: 1•References: 7

    How do women manage domestic work spatially? How does that change throughout life and relate to their subjectivities and womanhood? Informed by feminist geographers' concept of 'lived' space and queer studies' concept of disjunctive modernity, this paper spatialises women's domestic practices through examining 43 older Hong Kong women's life stories on domesticity. Hong Kong women, since childhood, have creatively employed temporal-spatial strate…

  • Museumising Bruce Lee in a Hong Kong public museum

    Open Access•K W Y Choi, H Zeng•ARTICLE•International Journal of Heritage…•2024•References: 13

    Scholars have recognised the significance of museums for establishing and maintaining national legitimacy and shaping identity. Following the transfer of sovereignty over Hong Kong from the United Kingdom to the People’s Republic of China in 1997, tensions emerged between Chinese national identity and local Hong Kong identity. Drawing inspiration from studies of the role of museums in nation-building, research on Hong Kong museums, and Ackbar Abb…

  • Turning Older Women's Life Stories into Hypermedia

    Open Access•K W Y Choi, Anita Kit Wa Chan et al.•ARTICLE•International Journal of…•2024•Cited by: 1•References: 19

    This article discusses our development of a new form of feminist Creative Analytic Practices (CAP) by creating knowledge through interactive video installation and web-based interactive re-storytelling ( https://kimchoi.net/a-story-of-ones-own/ ). Since the 1990s, qualitative social researchers have been developing alternative methods and forms to capture and represent the complexity of lived experiences. Through referencing feminist postconstruc…

  • Commoning art for sustainable engagement with Hong Kong’s existential crises

    Open Access•H Zeng, K W Y Choi•ARTICLE•Cultural Studies•2025

Sociology (13 works) · Law (9 works) · Political science (9 works) · Law (6 works) · Media studies (6 works) · Social science (6 works) · Economics (5 works) · Gender Studies (5 works) · Politics (5 works) · Asian Culture and Media Studies (4 works)

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