Annemarie Kersten
Biographic Data
| ID | 220844 |
|---|---|
| NAME | Annemarie Kersten |
| GIVEN NAMES | Annemarie |
| FAMILY NAME | Kersten |
| SIGNATURE | KERSTEN A |
| AFFILIATIONS | Erasmus University Rotterdam |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 22 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 3 |
Trends in Cultural Journalism: The development of film coverage in cross-national perspective, 1955–2005
Various studies report that cultural journalism increasingly focuses on service and entertainment instead of serious arts coverage. The press prioritizes popular culture over traditional high arts to a growing extent. However, this shift in journalistic attention does not necessarily signify a straightforward decline in aesthetic standards, as popular cultural forms like film have developed along the lines of high art principles in the past decad…
National Cultural Repertoires of Evaluation in a Global Age: Film Discourse in France, the Netherlands, the United Kingdom, and the United States
The expanded international exchange of culture products caused Western cultural fields to resemble each other. Hollywood movies prevail on import markets around the world, inducing homogenized film fields dominated by blockbusters. However, although global audiences to a large degree consume the same movies, they do not necessarily make sense of them in the same manner. Cultural surroundings may still differentiate the socially constructed nation…
Dimensions of Conventionality and Innovation in Film: The Cultural Classification of Blockbusters, Award Winners, and Critics' Favourites
Today's complex film world seems to upset the dual structure corresponding with Bourdieu's categorization of 'restricted' and 'large-scale' fields of cultural production. This article examines how movies in French, Dutch, American and British film fields are classified in terms of material practices and symbolic affordances. It explores how popular, professional, and critical recognition are related to film production as well as interpretation. A…
Film Discourse on the Praised and Acclaimed: Reviewing Criteria in the United States and United Kingdom
This research examines the aesthetic elements of contemporary film criticism. Although a restricted field of film production has arisen beside the large-scale field, including an elite critical discourse, the film industry remains relentlessly oriented to its goal of producing commercial products that achieve widespread popular appeal. This differentiation becomes apparent in the types of films validated by publics, peers, and critics. Our explor…
Dimensions of Conventionality and Innovation in Film: The Cultural Classification of Blockbusters, Award Winners, and Critics' Favourites
Today's complex film world seems to upset the dual structure corresponding with Bourdieu's categorization of 'restricted' and 'large-scale' fields of cultural production. This article examines how movies in French, Dutch, American and British film fields are classified in terms of material practices and symbolic affordances. It explores how popular, professional, and critical recognition are related to film production as well as interpretation. A…
Trends in Cultural Journalism: The development of film coverage in cross-national perspective, 1955–2005
Various studies report that cultural journalism increasingly focuses on service and entertainment instead of serious arts coverage. The press prioritizes popular culture over traditional high arts to a growing extent. However, this shift in journalistic attention does not necessarily signify a straightforward decline in aesthetic standards, as popular cultural forms like film have developed along the lines of high art principles in the past decad…
Film Discourse on the Praised and Acclaimed: Reviewing Criteria in the United States and United Kingdom
This research examines the aesthetic elements of contemporary film criticism. Although a restricted field of film production has arisen beside the large-scale field, including an elite critical discourse, the film industry remains relentlessly oriented to its goal of producing commercial products that achieve widespread popular appeal. This differentiation becomes apparent in the types of films validated by publics, peers, and critics. Our explor…
National Cultural Repertoires of Evaluation in a Global Age: Film Discourse in France, the Netherlands, the United Kingdom, and the United States
The expanded international exchange of culture products caused Western cultural fields to resemble each other. Hollywood movies prevail on import markets around the world, inducing homogenized film fields dominated by blockbusters. However, although global audiences to a large degree consume the same movies, they do not necessarily make sense of them in the same manner. Cultural surroundings may still differentiate the socially constructed nation…
Film Discourse on the Praised and Acclaimed: Reviewing Criteria in the United States and United Kingdom
This research examines the aesthetic elements of contemporary film criticism. Although a restricted field of film production has arisen beside the large-scale field, including an elite critical discourse, the film industry remains relentlessly oriented to its goal of producing commercial products that achieve widespread popular appeal. This differentiation becomes apparent in the types of films validated by publics, peers, and critics. Our explor…
National Cultural Repertoires of Evaluation in a Global Age: Film Discourse in France, the Netherlands, the United Kingdom, and the United States
The expanded international exchange of culture products caused Western cultural fields to resemble each other. Hollywood movies prevail on import markets around the world, inducing homogenized film fields dominated by blockbusters. However, although global audiences to a large degree consume the same movies, they do not necessarily make sense of them in the same manner. Cultural surroundings may still differentiate the socially constructed nation…
Dimensions of Conventionality and Innovation in Film: The Cultural Classification of Blockbusters, Award Winners, and Critics' Favourites
Today's complex film world seems to upset the dual structure corresponding with Bourdieu's categorization of 'restricted' and 'large-scale' fields of cultural production. This article examines how movies in French, Dutch, American and British film fields are classified in terms of material practices and symbolic affordances. It explores how popular, professional, and critical recognition are related to film production as well as interpretation. A…
Trends in Cultural Journalism: The development of film coverage in cross-national perspective, 1955–2005
Various studies report that cultural journalism increasingly focuses on service and entertainment instead of serious arts coverage. The press prioritizes popular culture over traditional high arts to a growing extent. However, this shift in journalistic attention does not necessarily signify a straightforward decline in aesthetic standards, as popular cultural forms like film have developed along the lines of high art principles in the past decad…
Art (4 works) · Political science (4 works) · Sociology (4 works) · Aesthetics (3 works) · Cinema and Media Studies (3 works) · Law (3 works) · Media studies (3 works) · Social and Cultural Dynamics (3 works) · Criticism (2 works) · Cultural Industries and Urban Development (2 works)