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Sanja Bahun

Biographic Data

ID2210779
NAMESanja Bahun
GIVEN NAMESSanja
FAMILY NAMEBahun
SIGNATUREBAHUN S
AFFILIATIONSUniversity of Essex
ORCID0000-0002-8882-4850
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS1
WORKS AS AUTHOR8
WORKS AS EDITOR2
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2026
H-INDEX1
  • “Selective / perspective”

    Open Access•Sanja Bahun•ARTICLE•Feminist Modernist Studies•2026

    This article examines the quandaries of representation of the female homeless in Mina Loy’s poetry produced while she was living and working in increasing obscurity in the Bowery, New York City (1937–1953). While Loy’s Bowery work often engages the male homeless or homelessness as a general category, there are several texts in this opus where Loy strategically focuses on female homelessness, its cognitive and material spaces, and ambivalent symbo…

  • Europe in British Literature and Culture

    Open Access•Thomas Hinton, R Robinson et al.•BOOK•Europe in British Literature and…•2024

    How has Europe shaped British literature and culture – and vice versa – since the Middle Ages? This volume offers nuanced answers to this question. From the High Renaissance to haute cuisine, from the Republic of Letters to the European Union, from the Black Death to Brexit -- the reader gains insights into the main geographical zones of influence, shared intellectual movements, indicative modes of cultural transfer and more recent conflicts that…

  • ‘Part heathen, part Christian’

    Sanja Bahun•CHAPTER•Edinburgh Companion to Modernism,…•2023

    28 ‘Part heathen, part Christian’: Recording Transitions and Amalgamations of Belief Systems in Constantine Cavafy’s Poetry was published in The Edinburgh Companion to Modernism, Myth and Religion on page 457.

  • Beyond good and evil? Popular songs, mathemes and bus rides (art and transition in the region of the former Yugoslavia)

    Open Access•Sanja Bahun•ARTICLE•Media War & Conflict•2019•Cited by: 1•References: 3

    Art production and art reception play a vital role in transitional societies. However, their actual operation and patterns of impact often appear ‘messy’ to those who use and evaluate art in transitional contexts: an artwork can serve as a catalyst for peace building and transitional justice processes, but it can also obstruct such processes, or impart ambiguous meanings to them; and its modes of operation (including the art producers’ awareness …

  • Myth, Literature, and the Unconscious

    Leon Burnett, Sanja Bahun et al.•EDITOR•BOOK•Myth, Literature, and the…•2018

  • The Pleasures of Daldaldal

    Open Access•Sanja Bahun•ARTICLE•Modernist Cultures•2017•References: 3

    This article focuses on Freud's account of joking in Jokes and Their Relation to the Unconscious (Der Witz und seine Beziehung zum Unbewußten, 1905) in its historical and cultural context. Freud's treatise, the author argues, must be reclaimed for modernist studies for at least two reasons. First, Freud's contribution to theories of laughter presents an important threshold in intellectual history – one that sees the emergence of contemporary noti…

  • Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989

    Sanja Bahun, John Haynes•EDITOR•BOOK•Cinema, State Socialism and…•2014

    This book presents a comprehensive re-examination of the cinemas of the Soviet Union and Central and Eastern Europe during the communist era. It argues that, since the end of communism in these countries, film scholars are able to view these cinemas in a different way, no longer bound by an outlook relying on binary Cold War terms. With the opening of archives in Eastern Europe and the former Soviet Union, much more is known about these states an…

  • Myth, Literature, and the Unconscious

    Leon Burnett, Sanja Bahun et al.•BOOK•Myth, Literature, and the…•2013

  • Language, ideology, and the human

    Sanja Bahun•BOOK•Language, ideology, and the human•2012

    Language, Ideology, and the Human: New Interventions redefines the critical picture of language as a system of signs and ideological tropes inextricably linked to human existence. Offering reflections on the status, discursive possibilities, and political, ideological and practical uses of oral or written word in both contemporary society and the work of previous thinkers, this book traverses South African courts, British clinics, language school…

  • The Burden of the Past, the Dialectics of the Present

    Open Access•Sanja Bahun•ARTICLE•Modernist Cultures•2008

    Writing in a Paris rife with war-anxieties, refugees and political plots, a stateless individual by the name of Walter Benjamin recorded on 11 January 1940: “Every line that we succeed in publishing today - given the uncertainty of the future to which we consign it - is a victory wrested from the power of darkness.” The fusion of desperation and mystical activism in the face of historical horror, expressed in Benjamin's last letter to Gershom Sch…

  • Beyond good and evil? Popular songs, mathemes and bus rides (art and transition in the region of the former Yugoslavia)

    Open Access•Sanja Bahun•ARTICLE•Media War & Conflict•2019•Cited by: 1•References: 3

    Art production and art reception play a vital role in transitional societies. However, their actual operation and patterns of impact often appear ‘messy’ to those who use and evaluate art in transitional contexts: an artwork can serve as a catalyst for peace building and transitional justice processes, but it can also obstruct such processes, or impart ambiguous meanings to them; and its modes of operation (including the art producers’ awareness …

  • The Burden of the Past, the Dialectics of the Present

    Open Access•Sanja Bahun•ARTICLE•Modernist Cultures•2008

    Writing in a Paris rife with war-anxieties, refugees and political plots, a stateless individual by the name of Walter Benjamin recorded on 11 January 1940: “Every line that we succeed in publishing today - given the uncertainty of the future to which we consign it - is a victory wrested from the power of darkness.” The fusion of desperation and mystical activism in the face of historical horror, expressed in Benjamin's last letter to Gershom Sch…

  • Language, ideology, and the human

    Sanja Bahun•BOOK•Language, ideology, and the human•2012

    Language, Ideology, and the Human: New Interventions redefines the critical picture of language as a system of signs and ideological tropes inextricably linked to human existence. Offering reflections on the status, discursive possibilities, and political, ideological and practical uses of oral or written word in both contemporary society and the work of previous thinkers, this book traverses South African courts, British clinics, language school…

  • Myth, Literature, and the Unconscious

    Leon Burnett, Sanja Bahun et al.•BOOK•Myth, Literature, and the…•2013

  • Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989

    Sanja Bahun, John Haynes•EDITOR•BOOK•Cinema, State Socialism and…•2014

    This book presents a comprehensive re-examination of the cinemas of the Soviet Union and Central and Eastern Europe during the communist era. It argues that, since the end of communism in these countries, film scholars are able to view these cinemas in a different way, no longer bound by an outlook relying on binary Cold War terms. With the opening of archives in Eastern Europe and the former Soviet Union, much more is known about these states an…

  • The Pleasures of Daldaldal

    Open Access•Sanja Bahun•ARTICLE•Modernist Cultures•2017•References: 3

    This article focuses on Freud's account of joking in Jokes and Their Relation to the Unconscious (Der Witz und seine Beziehung zum Unbewußten, 1905) in its historical and cultural context. Freud's treatise, the author argues, must be reclaimed for modernist studies for at least two reasons. First, Freud's contribution to theories of laughter presents an important threshold in intellectual history – one that sees the emergence of contemporary noti…

  • Myth, Literature, and the Unconscious

    Leon Burnett, Sanja Bahun et al.•EDITOR•BOOK•Myth, Literature, and the…•2018

  • Beyond good and evil? Popular songs, mathemes and bus rides (art and transition in the region of the former Yugoslavia)

    Open Access•Sanja Bahun•ARTICLE•Media War & Conflict•2019•Cited by: 1•References: 3

    Art production and art reception play a vital role in transitional societies. However, their actual operation and patterns of impact often appear ‘messy’ to those who use and evaluate art in transitional contexts: an artwork can serve as a catalyst for peace building and transitional justice processes, but it can also obstruct such processes, or impart ambiguous meanings to them; and its modes of operation (including the art producers’ awareness …

  • ‘Part heathen, part Christian’

    Sanja Bahun•CHAPTER•Edinburgh Companion to Modernism,…•2023

    28 ‘Part heathen, part Christian’: Recording Transitions and Amalgamations of Belief Systems in Constantine Cavafy’s Poetry was published in The Edinburgh Companion to Modernism, Myth and Religion on page 457.

  • Europe in British Literature and Culture

    Open Access•Thomas Hinton, R Robinson et al.•BOOK•Europe in British Literature and…•2024

    How has Europe shaped British literature and culture – and vice versa – since the Middle Ages? This volume offers nuanced answers to this question. From the High Renaissance to haute cuisine, from the Republic of Letters to the European Union, from the Black Death to Brexit -- the reader gains insights into the main geographical zones of influence, shared intellectual movements, indicative modes of cultural transfer and more recent conflicts that…

  • “Selective / perspective”

    Open Access•Sanja Bahun•ARTICLE•Feminist Modernist Studies•2026

    This article examines the quandaries of representation of the female homeless in Mina Loy’s poetry produced while she was living and working in increasing obscurity in the Bowery, New York City (1937–1953). While Loy’s Bowery work often engages the male homeless or homelessness as a general category, there are several texts in this opus where Loy strategically focuses on female homelessness, its cognitive and material spaces, and ambivalent symbo…

Art (6 works) · History (5 works) · Literature (5 works) · Psychology (4 works) · Sociology (4 works) · History (3 works) · Law (3 works) · Philosophy (3 works) · Philosophy (3 works) · Political science (3 works)

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