Liv Hausken
Biographic Data
| ID | 2212791 |
|---|---|
| NAME | Liv Hausken |
| GIVEN NAMES | Liv |
| FAMILY NAME | Hausken |
| SIGNATURE | HAUSKEN L |
| AFFILIATIONS | University of Oslo |
| ORCID | 0000-0002-3479-7076 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 12 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
Navigating the Complex Terrain of Photography and Temporality
In recent years, discourses on photography have undergone a transformative shift from a focus on the individual photograph’s connection to memory, pastness, loss, and death towards exploring photographic imagery as shared, networked, and continuously circulating in a ubiquitous present. The general claim for the temporal dimension in this shift is that photography is no longer seen as a mere witness or reservoir of the past but instead points to …
Photorealism versus photography. AI-generated depiction in the age of visual disinformation
In the spring of 2023, we witnessed a breakthrough in the development of AI-generated images accessible to the general public. Pictures of Pope Francis wearing a stylishly long, white puffer jacket or driving a motorcycle down a busy street went viral. The same thing happened with AI-generated pictures fabulating over what the press coverage of an imminent arrest of former US President Donald Trump would look like. Amnesty International used AI t…
My take on Media Aesthetics
Retracing my route to media aesthetics
Memory in Motion
How do new media affect the question of social memory? Social memory is usually described as enacted through ritual, language, art, architecture, and institutions ? phenomena whose persistence over time and capacity for a shared storage of the past was set in contrast to fleeting individual memory. But the question of how social memory should be understood in an age of digital computing, instant updating, and interconnection in real time, is very…
The Visual Culture of Brain Imaging
Brain images are believed to be physical explanations for cognitive phenomena. However, the persuasive power of brain imaging cannot be fully explained by the general tendency to biologise the mind in contemporary cognitive sciences. It needs to be understood in relation to histories of imaging techniques, of mediated forms and of their social and cultural discourses
Photorealism versus photography. AI-generated depiction in the age of visual disinformation
In the spring of 2023, we witnessed a breakthrough in the development of AI-generated images accessible to the general public. Pictures of Pope Francis wearing a stylishly long, white puffer jacket or driving a motorcycle down a busy street went viral. The same thing happened with AI-generated pictures fabulating over what the press coverage of an imminent arrest of former US President Donald Trump would look like. Amnesty International used AI t…
Memory in Motion
How do new media affect the question of social memory? Social memory is usually described as enacted through ritual, language, art, architecture, and institutions ? phenomena whose persistence over time and capacity for a shared storage of the past was set in contrast to fleeting individual memory. But the question of how social memory should be understood in an age of digital computing, instant updating, and interconnection in real time, is very…
The Visual Culture of Brain Imaging
Brain images are believed to be physical explanations for cognitive phenomena. However, the persuasive power of brain imaging cannot be fully explained by the general tendency to biologise the mind in contemporary cognitive sciences. It needs to be understood in relation to histories of imaging techniques, of mediated forms and of their social and cultural discourses
My take on Media Aesthetics
Retracing my route to media aesthetics
Memory in Motion
How do new media affect the question of social memory? Social memory is usually described as enacted through ritual, language, art, architecture, and institutions ? phenomena whose persistence over time and capacity for a shared storage of the past was set in contrast to fleeting individual memory. But the question of how social memory should be understood in an age of digital computing, instant updating, and interconnection in real time, is very…
Navigating the Complex Terrain of Photography and Temporality
In recent years, discourses on photography have undergone a transformative shift from a focus on the individual photograph’s connection to memory, pastness, loss, and death towards exploring photographic imagery as shared, networked, and continuously circulating in a ubiquitous present. The general claim for the temporal dimension in this shift is that photography is no longer seen as a mere witness or reservoir of the past but instead points to …
Photorealism versus photography. AI-generated depiction in the age of visual disinformation
In the spring of 2023, we witnessed a breakthrough in the development of AI-generated images accessible to the general public. Pictures of Pope Francis wearing a stylishly long, white puffer jacket or driving a motorcycle down a busy street went viral. The same thing happened with AI-generated pictures fabulating over what the press coverage of an imminent arrest of former US President Donald Trump would look like. Amnesty International used AI t…
Art (3 works) · Visual Culture and Art Theory (3 works) · Cartography (2 works) · Computer Science (2 works) · Geography (2 works) · Photography (2 works) · Visual arts (2 works) · Aerial photography (1 work) · Aesthetic Perception and Analysis (1 work) · Aesthetics (1 work)