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Eva Darias-Beautell

Biographic Data

ID222108
NAMEEva Darias-Beautell
GIVEN NAMESEva
FAMILY NAMEDarias-Beautell
SIGNATUREDARIAS-BEAUTELL E
AFFILIATIONSUniversidad de La Laguna
ORCID0000-0002-9986-3951
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS2
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Deluge of Affects: Critical Encounters in The Body Remembers When the World Broke Open

    Open Access•Eva Darias-Beautell•ARTICLE•International Journal of English…•2023

    This article examines Elle-Máijá Tailfeathers and Kathleen Hepburn’s film The Body Remembers When the World Broke Open (2019) through the lens of materialist and feminist affect theories as they intersect with critical Indigeneity. It investigates how the film produces two parallel and conflicting reactions in the viewer, for whom “ugly feelings” (Ngai, 2007), such as failure, embarrassment, pity or shame, compete with an overwhelming and often f…

  • Emergency contact: Compassion and precarious love in Michael Christie’s The Beggar’s Garden

    Open Access•Eva Darias-Beautell•ARTICLE•The Journal of Commonwealth…•2020•References: 15

    This article examines the relation between affect and agency in Michael Christie’s short story collection The Beggar’s Garden (2011). It builds its argument on recent philosophical discussions about the oxymoronic nature of the relational subject. Many contemporary thinkers have emphasized the fundamental paradox that affective relations are as necessary as they are profoundly destabilizing of the subject’s supposed autonomy. Following this train…

  • Who said "vulnerable"? Literature, Canada, precarity, affect

    Eva Darias-Beautell•ARTICLE•Journal of Postcolonial Writing•2019•Cited by: 1•References: 13

    This article draws on Judith Butler’s notions of vulnerability and precarity to propose an approach to the study of contemporary Canadian literature that is both aesthetically and politically involved. In recent work, Butler implies the possibility of engaging, through the field of literature and critical theory, with the production of vulnerability at the heart of human crises. If that is so, it is crucial to emphasize the role of postcolonial l…

  • The Softness of Theory: A T(r)opological Reading of Lisa Robertson's Soft Architecture

    Eva Darias-Beautell•ARTICLE•Mosaic•2016•Cited by: 1

    This essay examines, from two different perspectives, the relationship between material and metaphoric modes of representing urban experience in Lisa Robertson's Occasional Work, first exploring the process by which the discourse of theory is supplemented by an embodied practice; and, second, probing and testing the radical potential of this combinatory choice. This is not Descartes locked in his room. This is philosophy in motion and art in prac…

  • Who said "vulnerable"? Literature, Canada, precarity, affect

    Eva Darias-Beautell•ARTICLE•Journal of Postcolonial Writing•2019•Cited by: 1•References: 13

    This article draws on Judith Butler’s notions of vulnerability and precarity to propose an approach to the study of contemporary Canadian literature that is both aesthetically and politically involved. In recent work, Butler implies the possibility of engaging, through the field of literature and critical theory, with the production of vulnerability at the heart of human crises. If that is so, it is crucial to emphasize the role of postcolonial l…

  • The Softness of Theory: A T(r)opological Reading of Lisa Robertson's Soft Architecture

    Eva Darias-Beautell•ARTICLE•Mosaic•2016•Cited by: 1

    This essay examines, from two different perspectives, the relationship between material and metaphoric modes of representing urban experience in Lisa Robertson's Occasional Work, first exploring the process by which the discourse of theory is supplemented by an embodied practice; and, second, probing and testing the radical potential of this combinatory choice. This is not Descartes locked in his room. This is philosophy in motion and art in prac…

  • The Softness of Theory: A T(r)opological Reading of Lisa Robertson's Soft Architecture

    Eva Darias-Beautell•ARTICLE•Mosaic•2016•Cited by: 1

    This essay examines, from two different perspectives, the relationship between material and metaphoric modes of representing urban experience in Lisa Robertson's Occasional Work, first exploring the process by which the discourse of theory is supplemented by an embodied practice; and, second, probing and testing the radical potential of this combinatory choice. This is not Descartes locked in his room. This is philosophy in motion and art in prac…

  • Who said "vulnerable"? Literature, Canada, precarity, affect

    Eva Darias-Beautell•ARTICLE•Journal of Postcolonial Writing•2019•Cited by: 1•References: 13

    This article draws on Judith Butler’s notions of vulnerability and precarity to propose an approach to the study of contemporary Canadian literature that is both aesthetically and politically involved. In recent work, Butler implies the possibility of engaging, through the field of literature and critical theory, with the production of vulnerability at the heart of human crises. If that is so, it is crucial to emphasize the role of postcolonial l…

  • Emergency contact: Compassion and precarious love in Michael Christie’s The Beggar’s Garden

    Open Access•Eva Darias-Beautell•ARTICLE•The Journal of Commonwealth…•2020•References: 15

    This article examines the relation between affect and agency in Michael Christie’s short story collection The Beggar’s Garden (2011). It builds its argument on recent philosophical discussions about the oxymoronic nature of the relational subject. Many contemporary thinkers have emphasized the fundamental paradox that affective relations are as necessary as they are profoundly destabilizing of the subject’s supposed autonomy. Following this train…

  • Deluge of Affects: Critical Encounters in The Body Remembers When the World Broke Open

    Open Access•Eva Darias-Beautell•ARTICLE•International Journal of English…•2023

    This article examines Elle-Máijá Tailfeathers and Kathleen Hepburn’s film The Body Remembers When the World Broke Open (2019) through the lens of materialist and feminist affect theories as they intersect with critical Indigeneity. It investigates how the film produces two parallel and conflicting reactions in the viewer, for whom “ugly feelings” (Ngai, 2007), such as failure, embarrassment, pity or shame, compete with an overwhelming and often f…

Aesthetics (4 works) · Epistemology (4 works) · Sociology (4 works) · Art (3 works) · Philosophy (3 works) · Compassion (2 works) · Contemporary Literature and Criticism (2 works) · Gender Studies (2 works) · Law (2 works) · Law (2 works)

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