Camila Dazzi
Biographic Data
| ID | 2223437 |
|---|---|
| NAME | Camila Dazzi |
| GIVEN NAMES | Camila |
| FAMILY NAME | Dazzi |
| SIGNATURE | DAZZI C |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Dissimulada e Encoberta. A Ideologia Colonial no Imaginário Turístico Contemporâneo
The brutal process of colonisation of North Africa by the French in the 19th century paradoxically boosted the opening up of the dominated territories to tourism. The France of the times has left a treasure trove of works by Orientalist painters who portrayed the colonies as picturesque and exotic places, but simultaneously backward and full of "barbarian", "apathetic" and "bestial" inhabitants. We have a double objective in this essay: on the on…
Pai e construtor da arte brasileira” – A Academia das Belas Artes na reforma da educação promovida por Benjamin Constant em 1890/1891
In the course of the 1880s the Imperial Academy of Fine Arts (Rio de Janeiro/Brazil) was the target of negative reviews on the part of art critics and some of its own teachers, students and directors: they demanded an urgent reform of the structure and teaching methods of the institution. With the advent of the Republic, in November of 1889, the desired reform began to become a reality through the appointment of a commission responsible to design…
O uso da fotografia por artistas brasileiros ao final do século XIX
Prestigious artists actives in the artistic milieu of late 19th-century Rio de Janeiro, such as Zeferino da Costa, Rodolpho Bernardelli, Pedro Weingärtner and Henrique Bernardelli used photographs as part of their creative processes, as a way to make their works noted or as a teaching tool in their classes at the School of Fine Arts. In this article we will not only highlight the use of this modern technology by these artists, but we will seek to…
No prominent works on this page.
Pai e construtor da arte brasileira” – A Academia das Belas Artes na reforma da educação promovida por Benjamin Constant em 1890/1891
In the course of the 1880s the Imperial Academy of Fine Arts (Rio de Janeiro/Brazil) was the target of negative reviews on the part of art critics and some of its own teachers, students and directors: they demanded an urgent reform of the structure and teaching methods of the institution. With the advent of the Republic, in November of 1889, the desired reform began to become a reality through the appointment of a commission responsible to design…
O uso da fotografia por artistas brasileiros ao final do século XIX
Prestigious artists actives in the artistic milieu of late 19th-century Rio de Janeiro, such as Zeferino da Costa, Rodolpho Bernardelli, Pedro Weingärtner and Henrique Bernardelli used photographs as part of their creative processes, as a way to make their works noted or as a teaching tool in their classes at the School of Fine Arts. In this article we will not only highlight the use of this modern technology by these artists, but we will seek to…
Dissimulada e Encoberta. A Ideologia Colonial no Imaginário Turístico Contemporâneo
The brutal process of colonisation of North Africa by the French in the 19th century paradoxically boosted the opening up of the dominated territories to tourism. The France of the times has left a treasure trove of works by Orientalist painters who portrayed the colonies as picturesque and exotic places, but simultaneously backward and full of "barbarian", "apathetic" and "bestial" inhabitants. We have a double objective in this essay: on the on…
Art (3 works) · History of Education Research in Brazil (2 works) · Humanities (2 works) · Political science (2 works) · The arts (2 works) · Art history (1 work) · Commission (1 work) · Cultural, Media, and Literary Studies (1 work) · Decree (1 work) · Graphic arts (1 work)