Suzel Reily
Biographic Data
| ID | 222528 |
|---|---|
| NAME | Suzel Reily |
| GIVEN NAMES | Suzel |
| FAMILY NAME | Reily |
| SIGNATURE | REILY S |
| AFFILIATIONS | Queen's University Belfast |
| ORCID | 0000-0002-3352-9379 |
| VERIFIED | Yes |
| TOTAL WORKS | 23 |
| TOTAL CITATIONS | 32 |
| AUTHOR COUNT | 23 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1988 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 4 |
Taiko à brasileira: A construção dos tambores japoneses na oficina da família Kaito, em Taubaté (SP)
A imigração japonesa em massa ao Brasil, iniciada no séc. XX, trouxe consigo um rico arsenal de costumes e manifestações culturais, muitos deles passados aos descendentes brasileiros. Assim, inúmeros grupos artísticos de caráter étnico puderam florescer no país, entre eles os conjuntos de taiko, grupos percussivos de tambores tradicionais que caíram no gosto das comunidades nipo-brasileiras. Para suprir tal demanda, os tambores passaram a ser con…
Festa da Padroeira, Patrimonialização e Portuguesidade em Minas Gerais
O presente trabalho busca apresentar de forma crítica a obra Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness, de Barbara Alge
O musicar local e a produção musical da localidade
Vivemos hoje em ambientes sonoros onde estamos expostos a uma grande variedade de estilos musicais de diversas épocas. A etnomusicologia, contudo, tem se concentrado no estudo de gêneros e práticas musicais tidas como "tradicionais" ou "próprias" ao contexto do estudo ou grupo étnico da pesquisa. Uma parcela das atividades musicais que fazem parte do dia a dia de muitas pessoas - seus "musicares locais" - podem ser ignoradas. Ao se integrarem à v…
Ressoar a antropologia: Uma jam session com Steven Feld
The saints who sing and dance
Popular Catholic traditions in Brazil are typically organized around the devotion of a particular saint. Many of the popular saints linked to such traditions in Southeast Brazil are said to have been musicians when they walked the earth. They are remembered, therefore, through the performance of musics they are thought to have been involved in, which generally have participatory formats, engaging devotees in lively collectives of musicking and da…
O congado não é escola de samba: A Performance E O Lúdico No Afro-Catolicismo Mineiro
O presente trabalho analisa a manifestação afro-católica do congado praticado na região Sul do estado de Minas Gerais, particularmente na cidade de Campanha. Busca-se discutir de que maneira a prática do congo se constitui tanto como uma fonte de diversão quanto como uma forma de devoção. A pesquisa revela que essa manifestação celebra um evento passado da abolição da escravidão ao mesmo tempo em que proclama a necessidade de continuar a luta pel…
Más allá del nacionalismo: Trayectorias etnomusicológicas en Brasil
En muchas naciones periféricas, tales como Brasil, la investigación musical fue instigada por sentimientos nacionalistas, lo que generó tradiciones de investigación dirigidas a recoger etnografías folclóricas y descriptivas. Esto contrasta con los intereses de investigación en el eje angloamericano, donde las etnografías musicales se emplean para ilustrar perspectivas teóricas de validez universal. Sin embargo, muchas contribuciones impor tantes …
A experiência barroca e a identidade local na Semana Santa de Campanha, Minas Gerais
Este trabalho analisa a formação de uma sensibilidade barroca em Minas Gerais a partir da orientação participativa e altamente emotiva das festas coloniais, cujo legado se mantem presente nas festas religiosas de muitas antigas cidades mineradoras do estado. Enfocando as celebrações da Semana Santa na cidade sul-mineira de Campanha, o texto mostra como este evento anual era organizado pela Irmandade do Santíssimo Sacramento, passando então às mão…
Discipline or Dialogue? (A Response to Timothy Rice)
Research Article| July 01 2010 Discipline or Dialogue? (A Response to Timothy Rice) Suzel Ana Reily Suzel Ana Reily Queen’s University Belfast Search for other works by this author on: This Site Google Ethnomusicology (2010) 54 (2): 331–333. https://doi.org/10.5406/ethnomusicology.54.2.0331 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Suzel Ana Reily; Discipline or Dialogue? (A Response to Timo…
The Hidden History of Capoeira: A Collision of Cultures in the Brazilian Battle Dance - by Talmon-Chvaicer, M
Reinado do Rosário de Itapecerica (MG): Da Festa e dos Mistérios, and: Folia de Reis: Tradiçāo e Fé (review)
Reviewed by: Reinado do Rosário de Itapecerica (MG): Da Festa e dos Mistérios, and: Folia de Reis: Tradição e Fé Suzel Ana Reily CD Review: Reinado do Rosário de Itapecerica (MG): Da Festa e dos Mistérios(2005), Associação do Reinado do Rosário de Itapecerica/Viola Corrêa Produções Artísticas; Folia de Reis: Tradição e Fé(2006), Viola Brasileira Show Produções e Eventos. Although Brazil has the largest population of Roman Catholics in the world, …
Brazilian Music: Northeastern Traditions and the Heartbeat of a Modern NationBrazilian Popular Music: Caetano Veloso and the Regeneration of TraditionMusic in Brazil: Experiencing Music, Experiencing …
Book Review| October 01 2007 Brazilian Music: Northeastern Traditions and the Heartbeat of a Modern NationBrazilian Popular Music: Caetano Veloso and the Regeneration of TraditionMusic in Brazil: Experiencing Music, Experiencing CultureMúsicas africanas e indígenas no Brasil (African and Indigenous Musics in Brazil)>Música popular na América Latina: Pontos de escuta (Popular Music in Latin America: Listening Points) Brazilian Music: Northeastern …
Remembering the Baroque Era: Historical Consciousness, Local Identity and the Holy Week Celebrations in a Former Mining Town in Brazil
This article looks at how historical consciousness has been constructed and sustained through the Holy Week celebrations in Campanha, a small former gold mining town in southern Minas Gerais, Brazil. By drawing on ethnographic and archival material, it argues that ritual experiences play a critical role in shaping conceptions of the past. In Campanha, as in other former mining towns of the region, Holy Week is structured around a highly theatrica…
Ethnomusicology and the Internet
Computers and music
To Remember Captivity: The Congados of Southern Minas Gerais
Congados--or congos 1 --are drum-based music and dance ensembles that typically perform during festivals in honor of Our Lady of the Rosary, Saint Benedict the Black, and other popular Catholic saints. Congados are common [End Page 4] in many small Brazilian towns, particularly in the southeastern regions of the country. In southern Minas Gerais, where this project was undertaken, the most widely known myth to explain the origin of the tradition …
Introduction: Brazilian musics, Brazilian identities
This introduction provides an overview of the development of musicological research in Brazil since the late nineteenth century as a means of situating the contributions in this issue in relation to ongoing debates within Brazilian intellectual circles. It points to the nationalist orientation permeating much Brazilian musical research throughout the twentieth century, indicating how this has led to the establishment of a canonical narrative defi…
Bachata: A Social History of a Dominican Popular Music
Tom Jobim and the Bossa Nova Era
The Girl from Ipanema’ – or, in Portuguese, ‘Garota de Ipanema’ – is without doubt the song that turned bossa nova into a household term the world over. It was written by Antônio Carlos Jobim and Vinícius de Moraes one afternoon in 1962, as they sat in the Veloso bar – now renamed ‘Garota de Ipanema’ – on Montenegro Street, where they had watched the young Helô Pinheiro walk past them on her way to Ipanema Beach. The song was first recorded in 19…
Recordings
Chine: traditions populaires instrumen‐tales/China: folk instrumental traditions. 1995. 2‐CD set. VDE‐Gallo, VDE CD 822–823 = AIMP (Musée d'ethnographie, Geneva) 36–37. Liner notes in English & French by Stephen Jones. Forró for all: Saldanha Rolim. 1995. TUMI CD054. Also available on cassette, LC 3885. Pesen zemli. Russie: chants polyphoniques de mariage. 1995. VDE‐Gallo, VDE CD 837. Notes in French & English, photos. Sizhu/Silk bamboo: chamber …
Musical performance at a Brazilian festival
This paper looks at the diversity of musical styles performed during the festival of the Divine Holy Spirit in a small town in south‐eastern Brazil. The festival is the result of the concerted effort of the entire community, in which each sector of the population makes a contribution in both the material and symbolic domains. Here the musical repertoire of the festival has been analysed to show how it relates to the distribution of resources with…
Música sertaneja and migrant identity: The stylistic development of a Brazilian genre
Música sertaneja could be considered the Brazilian counterpart to American 'country' music. What defines the genre is not its rhythmic patterns, which vary considerably, but a performance style involving duplas (duos) singing in parallel thirds to the accompaniment of a guitar and a viola. Having developed out of southeastern traditional genres, it is the popular musical style that most appeals to migrants from these regions now living in the ind…
O canto da família: Organização vocal nas Folias de Reis do Sudeste brasileiro
This is an ethnomusicological analysis of the Folia de Reis in the Southeastern region of Brazil. The Folias are made up of a group of musicians that roam from house to house during the Christmas season, as a form of devotion to the three Wise Men. In an attempt to understanding the logic behind the distribution of the voices whithin the song style, I concentrated the analysis on the style the musicians call "old tune", for it is the most complex…
Bachata: A Social History of a Dominican Popular Music
Música sertaneja and migrant identity: The stylistic development of a Brazilian genre
Música sertaneja could be considered the Brazilian counterpart to American 'country' music. What defines the genre is not its rhythmic patterns, which vary considerably, but a performance style involving duplas (duos) singing in parallel thirds to the accompaniment of a guitar and a viola. Having developed out of southeastern traditional genres, it is the popular musical style that most appeals to migrants from these regions now living in the ind…
Ressoar a antropologia: Uma jam session com Steven Feld
Tom Jobim and the Bossa Nova Era
The Girl from Ipanema’ – or, in Portuguese, ‘Garota de Ipanema’ – is without doubt the song that turned bossa nova into a household term the world over. It was written by Antônio Carlos Jobim and Vinícius de Moraes one afternoon in 1962, as they sat in the Veloso bar – now renamed ‘Garota de Ipanema’ – on Montenegro Street, where they had watched the young Helô Pinheiro walk past them on her way to Ipanema Beach. The song was first recorded in 19…
Remembering the Baroque Era: Historical Consciousness, Local Identity and the Holy Week Celebrations in a Former Mining Town in Brazil
This article looks at how historical consciousness has been constructed and sustained through the Holy Week celebrations in Campanha, a small former gold mining town in southern Minas Gerais, Brazil. By drawing on ethnographic and archival material, it argues that ritual experiences play a critical role in shaping conceptions of the past. In Campanha, as in other former mining towns of the region, Holy Week is structured around a highly theatrica…
Ethnomusicology and the Internet
To Remember Captivity: The Congados of Southern Minas Gerais
Congados--or congos 1 --are drum-based music and dance ensembles that typically perform during festivals in honor of Our Lady of the Rosary, Saint Benedict the Black, and other popular Catholic saints. Congados are common [End Page 4] in many small Brazilian towns, particularly in the southeastern regions of the country. In southern Minas Gerais, where this project was undertaken, the most widely known myth to explain the origin of the tradition …
Introduction: Brazilian musics, Brazilian identities
This introduction provides an overview of the development of musicological research in Brazil since the late nineteenth century as a means of situating the contributions in this issue in relation to ongoing debates within Brazilian intellectual circles. It points to the nationalist orientation permeating much Brazilian musical research throughout the twentieth century, indicating how this has led to the establishment of a canonical narrative defi…
Discipline or Dialogue? (A Response to Timothy Rice)
Research Article| July 01 2010 Discipline or Dialogue? (A Response to Timothy Rice) Suzel Ana Reily Suzel Ana Reily Queen’s University Belfast Search for other works by this author on: This Site Google Ethnomusicology (2010) 54 (2): 331–333. https://doi.org/10.5406/ethnomusicology.54.2.0331 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Suzel Ana Reily; Discipline or Dialogue? (A Response to Timo…
O canto da família: Organização vocal nas Folias de Reis do Sudeste brasileiro
This is an ethnomusicological analysis of the Folia de Reis in the Southeastern region of Brazil. The Folias are made up of a group of musicians that roam from house to house during the Christmas season, as a form of devotion to the three Wise Men. In an attempt to understanding the logic behind the distribution of the voices whithin the song style, I concentrated the analysis on the style the musicians call "old tune", for it is the most complex…
Música sertaneja and migrant identity: The stylistic development of a Brazilian genre
Música sertaneja could be considered the Brazilian counterpart to American 'country' music. What defines the genre is not its rhythmic patterns, which vary considerably, but a performance style involving duplas (duos) singing in parallel thirds to the accompaniment of a guitar and a viola. Having developed out of southeastern traditional genres, it is the popular musical style that most appeals to migrants from these regions now living in the ind…
Musical performance at a Brazilian festival
This paper looks at the diversity of musical styles performed during the festival of the Divine Holy Spirit in a small town in south‐eastern Brazil. The festival is the result of the concerted effort of the entire community, in which each sector of the population makes a contribution in both the material and symbolic domains. Here the musical repertoire of the festival has been analysed to show how it relates to the distribution of resources with…
Recordings
Chine: traditions populaires instrumen‐tales/China: folk instrumental traditions. 1995. 2‐CD set. VDE‐Gallo, VDE CD 822–823 = AIMP (Musée d'ethnographie, Geneva) 36–37. Liner notes in English & French by Stephen Jones. Forró for all: Saldanha Rolim. 1995. TUMI CD054. Also available on cassette, LC 3885. Pesen zemli. Russie: chants polyphoniques de mariage. 1995. VDE‐Gallo, VDE CD 837. Notes in French & English, photos. Sizhu/Silk bamboo: chamber …
Tom Jobim and the Bossa Nova Era
The Girl from Ipanema’ – or, in Portuguese, ‘Garota de Ipanema’ – is without doubt the song that turned bossa nova into a household term the world over. It was written by Antônio Carlos Jobim and Vinícius de Moraes one afternoon in 1962, as they sat in the Veloso bar – now renamed ‘Garota de Ipanema’ – on Montenegro Street, where they had watched the young Helô Pinheiro walk past them on her way to Ipanema Beach. The song was first recorded in 19…
Bachata: A Social History of a Dominican Popular Music
Introduction: Brazilian musics, Brazilian identities
This introduction provides an overview of the development of musicological research in Brazil since the late nineteenth century as a means of situating the contributions in this issue in relation to ongoing debates within Brazilian intellectual circles. It points to the nationalist orientation permeating much Brazilian musical research throughout the twentieth century, indicating how this has led to the establishment of a canonical narrative defi…
Computers and music
To Remember Captivity: The Congados of Southern Minas Gerais
Congados--or congos 1 --are drum-based music and dance ensembles that typically perform during festivals in honor of Our Lady of the Rosary, Saint Benedict the Black, and other popular Catholic saints. Congados are common [End Page 4] in many small Brazilian towns, particularly in the southeastern regions of the country. In southern Minas Gerais, where this project was undertaken, the most widely known myth to explain the origin of the tradition …
Ethnomusicology and the Internet
Remembering the Baroque Era: Historical Consciousness, Local Identity and the Holy Week Celebrations in a Former Mining Town in Brazil
This article looks at how historical consciousness has been constructed and sustained through the Holy Week celebrations in Campanha, a small former gold mining town in southern Minas Gerais, Brazil. By drawing on ethnographic and archival material, it argues that ritual experiences play a critical role in shaping conceptions of the past. In Campanha, as in other former mining towns of the region, Holy Week is structured around a highly theatrica…
Reinado do Rosário de Itapecerica (MG): Da Festa e dos Mistérios, and: Folia de Reis: Tradiçāo e Fé (review)
Reviewed by: Reinado do Rosário de Itapecerica (MG): Da Festa e dos Mistérios, and: Folia de Reis: Tradição e Fé Suzel Ana Reily CD Review: Reinado do Rosário de Itapecerica (MG): Da Festa e dos Mistérios(2005), Associação do Reinado do Rosário de Itapecerica/Viola Corrêa Produções Artísticas; Folia de Reis: Tradição e Fé(2006), Viola Brasileira Show Produções e Eventos. Although Brazil has the largest population of Roman Catholics in the world, …
Brazilian Music: Northeastern Traditions and the Heartbeat of a Modern NationBrazilian Popular Music: Caetano Veloso and the Regeneration of TraditionMusic in Brazil: Experiencing Music, Experiencing …
Book Review| October 01 2007 Brazilian Music: Northeastern Traditions and the Heartbeat of a Modern NationBrazilian Popular Music: Caetano Veloso and the Regeneration of TraditionMusic in Brazil: Experiencing Music, Experiencing CultureMúsicas africanas e indígenas no Brasil (African and Indigenous Musics in Brazil)>Música popular na América Latina: Pontos de escuta (Popular Music in Latin America: Listening Points) Brazilian Music: Northeastern …
Discipline or Dialogue? (A Response to Timothy Rice)
Research Article| July 01 2010 Discipline or Dialogue? (A Response to Timothy Rice) Suzel Ana Reily Suzel Ana Reily Queen’s University Belfast Search for other works by this author on: This Site Google Ethnomusicology (2010) 54 (2): 331–333. https://doi.org/10.5406/ethnomusicology.54.2.0331 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Suzel Ana Reily; Discipline or Dialogue? (A Response to Timo…
The Hidden History of Capoeira: A Collision of Cultures in the Brazilian Battle Dance - by Talmon-Chvaicer, M
A experiência barroca e a identidade local na Semana Santa de Campanha, Minas Gerais
Este trabalho analisa a formação de uma sensibilidade barroca em Minas Gerais a partir da orientação participativa e altamente emotiva das festas coloniais, cujo legado se mantem presente nas festas religiosas de muitas antigas cidades mineradoras do estado. Enfocando as celebrações da Semana Santa na cidade sul-mineira de Campanha, o texto mostra como este evento anual era organizado pela Irmandade do Santíssimo Sacramento, passando então às mão…
Más allá del nacionalismo: Trayectorias etnomusicológicas en Brasil
En muchas naciones periféricas, tales como Brasil, la investigación musical fue instigada por sentimientos nacionalistas, lo que generó tradiciones de investigación dirigidas a recoger etnografías folclóricas y descriptivas. Esto contrasta con los intereses de investigación en el eje angloamericano, donde las etnografías musicales se emplean para ilustrar perspectivas teóricas de validez universal. Sin embargo, muchas contribuciones impor tantes …
O congado não é escola de samba: A Performance E O Lúdico No Afro-Catolicismo Mineiro
O presente trabalho analisa a manifestação afro-católica do congado praticado na região Sul do estado de Minas Gerais, particularmente na cidade de Campanha. Busca-se discutir de que maneira a prática do congo se constitui tanto como uma fonte de diversão quanto como uma forma de devoção. A pesquisa revela que essa manifestação celebra um evento passado da abolição da escravidão ao mesmo tempo em que proclama a necessidade de continuar a luta pel…
The saints who sing and dance
Popular Catholic traditions in Brazil are typically organized around the devotion of a particular saint. Many of the popular saints linked to such traditions in Southeast Brazil are said to have been musicians when they walked the earth. They are remembered, therefore, through the performance of musics they are thought to have been involved in, which generally have participatory formats, engaging devotees in lively collectives of musicking and da…
Ressoar a antropologia: Uma jam session com Steven Feld
O musicar local e a produção musical da localidade
Vivemos hoje em ambientes sonoros onde estamos expostos a uma grande variedade de estilos musicais de diversas épocas. A etnomusicologia, contudo, tem se concentrado no estudo de gêneros e práticas musicais tidas como "tradicionais" ou "próprias" ao contexto do estudo ou grupo étnico da pesquisa. Uma parcela das atividades musicais que fazem parte do dia a dia de muitas pessoas - seus "musicares locais" - podem ser ignoradas. Ao se integrarem à v…
Festa da Padroeira, Patrimonialização e Portuguesidade em Minas Gerais
O presente trabalho busca apresentar de forma crítica a obra Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness, de Barbara Alge
Taiko à brasileira: A construção dos tambores japoneses na oficina da família Kaito, em Taubaté (SP)
A imigração japonesa em massa ao Brasil, iniciada no séc. XX, trouxe consigo um rico arsenal de costumes e manifestações culturais, muitos deles passados aos descendentes brasileiros. Assim, inúmeros grupos artísticos de caráter étnico puderam florescer no país, entre eles os conjuntos de taiko, grupos percussivos de tambores tradicionais que caíram no gosto das comunidades nipo-brasileiras. Para suprir tal demanda, os tambores passaram a ser con…
Art (19 works) · Music History and Culture (12 works) · History (11 works) · Humanities (10 works) · Sociology (8 works) · Political science (7 works) · Visual arts (7 works) · Art history (6 works) · Geography (6 works) · Musical (6 works)