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Norman H Freeman

Biographic Data

ID2227733
NAMENorman H Freeman
GIVEN NAMESNorman H
FAMILY NAMEFreeman
SIGNATUREFREEMAN N H
AFFILIATIONSUniversity of Bristol
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS15
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR2011
H-INDEX2
  • Varieties of Pictorial Judgement: A Functional Account

    Norman H Freeman•CHAPTER•The aesthetic mind•2011

    Psychological aesthetics involves accounting for why viewers engage with a picture or disengage, professing indifference or even antipathy. Both engagement and disengagement yield evidence on how viewing history bears on judgement; and on viewers’ reasoning about whether an unattractive scene could inspire a good picture, or who to consult when you cannot be sure of recognizing what is being represented. Viewers’ assumptions come to centre on a p…

  • Lexical choice can lead to problems: What false-belief tests tell us about Greek alternative verbs of agency

    Open Access•Katerina Maridaki-Kassotaki, Katerina Maridaki‐Kassotaki et al.•ARTICLE•Journal of Child Language•2003

    Verbs of agency denote relations between behavioural and mental states. Thus, ‘Jim is looking for X’ goes beyond a behavioural description, to take a mentalistic construal whereby Jim's desire for success, and his beliefs about how to search, explain his observed actions. Greek has two verbs of agency that can be used somewhat interchangeably by adults to mean ‘to look for’. The hypothesis is that young children will obey the principle of contras…

  • Development of differentiation between writing and drawing systems

    Esther Adi-Japha, Norman H Freeman et al.•ARTICLE•Developmental Psychology•2001•Cited by: 3•References: 27

    When does a writing system emerge out of children's drawing to separate (a) script processing and production from (b) picture processing and production? And does one system's activation help or hinder the other system's operation? Children 4-12 years of age wrote repeated Os and Vs and drew matching shapes, in the contexts of script and of pictures. The technique elicits matching products in order to identify differences between production kinema…

  • How to get three-year-olds to accept an equative anaphor

    Open Access•Norman H Freeman•ARTICLE•First Language•1987

  • Developmental and contextual aspects of children's language attitudes

    Open Access•H Giles, Chris Harrison et al.•ARTICLE•Language & Communication•1983•Cited by: 12•References: 25

  • Developmental and contextual aspects of children's language attitudes

    Open Access•H Giles, Chris Harrison et al.•ARTICLE•Language & Communication•1983•Cited by: 12•References: 25

  • Development of differentiation between writing and drawing systems

    Esther Adi-Japha, Norman H Freeman et al.•ARTICLE•Developmental Psychology•2001•Cited by: 3•References: 27

    When does a writing system emerge out of children's drawing to separate (a) script processing and production from (b) picture processing and production? And does one system's activation help or hinder the other system's operation? Children 4-12 years of age wrote repeated Os and Vs and drew matching shapes, in the contexts of script and of pictures. The technique elicits matching products in order to identify differences between production kinema…

  • Developmental and contextual aspects of children's language attitudes

    Open Access•H Giles, Chris Harrison et al.•ARTICLE•Language & Communication•1983•Cited by: 12•References: 25

  • How to get three-year-olds to accept an equative anaphor

    Open Access•Norman H Freeman•ARTICLE•First Language•1987

  • Development of differentiation between writing and drawing systems

    Esther Adi-Japha, Norman H Freeman et al.•ARTICLE•Developmental Psychology•2001•Cited by: 3•References: 27

    When does a writing system emerge out of children's drawing to separate (a) script processing and production from (b) picture processing and production? And does one system's activation help or hinder the other system's operation? Children 4-12 years of age wrote repeated Os and Vs and drew matching shapes, in the contexts of script and of pictures. The technique elicits matching products in order to identify differences between production kinema…

  • Lexical choice can lead to problems: What false-belief tests tell us about Greek alternative verbs of agency

    Open Access•Katerina Maridaki-Kassotaki, Katerina Maridaki‐Kassotaki et al.•ARTICLE•Journal of Child Language•2003

    Verbs of agency denote relations between behavioural and mental states. Thus, ‘Jim is looking for X’ goes beyond a behavioural description, to take a mentalistic construal whereby Jim's desire for success, and his beliefs about how to search, explain his observed actions. Greek has two verbs of agency that can be used somewhat interchangeably by adults to mean ‘to look for’. The hypothesis is that young children will obey the principle of contras…

  • Varieties of Pictorial Judgement: A Functional Account

    Norman H Freeman•CHAPTER•The aesthetic mind•2011

    Psychological aesthetics involves accounting for why viewers engage with a picture or disengage, professing indifference or even antipathy. Both engagement and disengagement yield evidence on how viewing history bears on judgement; and on viewers’ reasoning about whether an unattractive scene could inspire a good picture, or who to consult when you cannot be sure of recognizing what is being represented. Viewers’ assumptions come to centre on a p…

Psychology (5 works) · Developmental psychology (3 works) · Linguistics (3 works) · Cognitive psychology (2 works) · Epistemology (2 works) · Social Psychology (2 works) · Artificial Intelligence (1 works) · Child and Adolescent Psychosocial and Emotional Development (1 works) · Children's Physical and Motor Development (1 works) · Cognition (1 works)

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