Mavis Bayton
Biographic Data
| ID | 223059 |
|---|---|
| NAME | Mavis Bayton |
| GIVEN NAMES | Mavis |
| FAMILY NAME | Bayton |
| SIGNATURE | BAYTON M |
| AFFILIATIONS | Ruskin College |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1992 |
| LATEST PUBLICATION YEAR | 2002 |
| H-INDEX | 0 |
Metal, Rock and Jazz
Frock Rock
This is the first ethnographic study of women’s popular music-making. It is based on over 100 in-depth interviews as well as participant observation by the author, a sociologist, who has herself played in various bands since punk. Bayton covers the period from the late 1970s until the mid 1990s, focusing mainly on women instrumentalists in female and mixed bands. Amongst others, interviewees include Skin from Skunk Anansie, Debbie Smith from Echo…
Out on the margins
(1992). Out on the margins: Feminism and the study of popular music. Women: A Cultural Review: Vol. 3, No. 1, pp. 51-59
No prominent works on this page.
Out on the margins
(1992). Out on the margins: Feminism and the study of popular music. Women: A Cultural Review: Vol. 3, No. 1, pp. 51-59
Frock Rock
This is the first ethnographic study of women’s popular music-making. It is based on over 100 in-depth interviews as well as participant observation by the author, a sociologist, who has herself played in various bands since punk. Bayton covers the period from the late 1970s until the mid 1990s, focusing mainly on women instrumentalists in female and mixed bands. Amongst others, interviewees include Skin from Skunk Anansie, Debbie Smith from Echo…
Metal, Rock and Jazz
Art (3 works) · Literature (3 works) · Music History and Culture (3 works) · Popular music (3 works) · Aesthetics (2 works) · Anthropology (2 works) · Art history (2 works) · Gender Studies (2 works) · Rock music (2 works) · Sociology (2 works)