Sandra Garrido
Biographic Data
| ID | 223199 |
|---|---|
| NAME | Sandra Garrido |
| GIVEN NAMES | Sandra |
| FAMILY NAME | Garrido |
| SIGNATURE | GARRIDO S |
| AFFILIATIONS | Western Sydney University |
| ORCID | 0000-0001-8980-0044 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 20 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 3 |
Audience engagement with community music performances: Emotional contagion in audiences of a ‘pro-am’ orchestra in suburban Sydney
Research into audience engagement in the arts is a growing area of interest because of the need to build audiences and to provide convincing evidence of the value of arts programs to funding bodies. In addition, the way in which music works so as to touch the listener is of ongoing interest to music psychologists and is increasingly being considered in the context of live listening situations. This paper considers the phenomenon of emotional cont…
The use of music in aged care facilities: A mixed-methods study
Music is frequently used in aged care, being easily accessible and cost-effective. Research indicates that certain types of musical engagement hold greater benefits than others. However, it is not clear how effectively music is utilized in aged care facilities and what the barriers are to its further use. This study used a mixed-methods paradigm, surveying 46 aged care workers and conducting in-depth interviews with 5, to explore how music is use…
Introducing a Psycho-Historical Approach to the Study of Emotions in Music: The Case of Monteverdi’s Il Combattimento di Tancredi e Clorinda
This essay addresses the challenges of reaching a historically informed understanding of the emotional experience of seventeenth-century musical performance by applying a recent theoretical account of the psychological emotion mechanisms that underpin music perception. A short work by Claudio Monteverdi (1567–1643) is taken as a case study, to investigate the ways that structural elements of the music engage emotion mechanisms. Since modern-day l…
Emotional Regimes Reflected in a Popular Ballad: Perspectives on Gender, Love and Protest in ‘Scarborough Fair’
‘Emotional regimes’ is a concept defined by William Reddy in 2001 and used in the history of emotions literature to refer to the modes of emotional expression and thought that are dominant in particular time periods and cultural contexts. Popular ballads provide a useful way of exploring emotions in their cultural contexts across different time periods because of their long life-span, and because of the way they are shaped and moulded by social b…
A Critical Interpretive Synthesis of the Literature Linking Music and Adolescent Mental Health
There is a diverse literature that explores the relationship between youth, music, and mental health, with few attempts at systematic synthesis. This critical interpretive review included 33 studies published between 2000 and 2012 investigating the relationship between music and the mental health of young people, particularly targeting depression. An iterative methodology was used involving several layers of inductive analysis with the intention …
Joyce's Mob: A Musical Portrait of a Family
This study presents the case of Joyce Evans, a well-known Australian photographer, and the musical work that she commissioned from the esteemed Australian composer Elena Kats-Chernin. The work, called Joyce's Mob, was premiered at the Sydney Opera House in August 2013. In her introductory speech on that occasion, eighty-four-year-old Evans called the work her ‘requiem’. The current paper explores Evans' motivation in commissioning the work and wh…
Examining the relationship between self-reported mood management and music preferences of Australian teenagers
The influence of music on the moods and behaviour of young people has been much contested. Whilst some parties accuse the music industry of purposefully poisoning the minds of youth, others understand the relationship between teenagers and their music preferences as reciprocal. This article reports on an investigation examining what 111 Australian adolescents reported about changes in their mood before and after listening to self-selected genres …
Adaptive and maladaptive attraction to negative emotions in music
Individual differences were investigated in an attempt to explain why some people are attracted to negative emotion (grief, sadness) in music. A 10-item Like Sad Music Scale (LSMS) was developed (Cronbach’s α = .802) and compared against subscales measuring absorption, music empathy, rumination, reflectiveness and nostalgia-proneness. This was tested via an online survey, completed by 137 participants. It was hypothesized that absorption and refl…
A Critical Interpretive Synthesis of the Literature Linking Music and Adolescent Mental Health
There is a diverse literature that explores the relationship between youth, music, and mental health, with few attempts at systematic synthesis. This critical interpretive review included 33 studies published between 2000 and 2012 investigating the relationship between music and the mental health of young people, particularly targeting depression. An iterative methodology was used involving several layers of inductive analysis with the intention …
Examining the relationship between self-reported mood management and music preferences of Australian teenagers
The influence of music on the moods and behaviour of young people has been much contested. Whilst some parties accuse the music industry of purposefully poisoning the minds of youth, others understand the relationship between teenagers and their music preferences as reciprocal. This article reports on an investigation examining what 111 Australian adolescents reported about changes in their mood before and after listening to self-selected genres …
Emotional Regimes Reflected in a Popular Ballad: Perspectives on Gender, Love and Protest in ‘Scarborough Fair’
‘Emotional regimes’ is a concept defined by William Reddy in 2001 and used in the history of emotions literature to refer to the modes of emotional expression and thought that are dominant in particular time periods and cultural contexts. Popular ballads provide a useful way of exploring emotions in their cultural contexts across different time periods because of their long life-span, and because of the way they are shaped and moulded by social b…
The use of music in aged care facilities: A mixed-methods study
Music is frequently used in aged care, being easily accessible and cost-effective. Research indicates that certain types of musical engagement hold greater benefits than others. However, it is not clear how effectively music is utilized in aged care facilities and what the barriers are to its further use. This study used a mixed-methods paradigm, surveying 46 aged care workers and conducting in-depth interviews with 5, to explore how music is use…
Adaptive and maladaptive attraction to negative emotions in music
Individual differences were investigated in an attempt to explain why some people are attracted to negative emotion (grief, sadness) in music. A 10-item Like Sad Music Scale (LSMS) was developed (Cronbach’s α = .802) and compared against subscales measuring absorption, music empathy, rumination, reflectiveness and nostalgia-proneness. This was tested via an online survey, completed by 137 participants. It was hypothesized that absorption and refl…
Joyce's Mob: A Musical Portrait of a Family
This study presents the case of Joyce Evans, a well-known Australian photographer, and the musical work that she commissioned from the esteemed Australian composer Elena Kats-Chernin. The work, called Joyce's Mob, was premiered at the Sydney Opera House in August 2013. In her introductory speech on that occasion, eighty-four-year-old Evans called the work her ‘requiem’. The current paper explores Evans' motivation in commissioning the work and wh…
Examining the relationship between self-reported mood management and music preferences of Australian teenagers
The influence of music on the moods and behaviour of young people has been much contested. Whilst some parties accuse the music industry of purposefully poisoning the minds of youth, others understand the relationship between teenagers and their music preferences as reciprocal. This article reports on an investigation examining what 111 Australian adolescents reported about changes in their mood before and after listening to self-selected genres …
Emotional Regimes Reflected in a Popular Ballad: Perspectives on Gender, Love and Protest in ‘Scarborough Fair’
‘Emotional regimes’ is a concept defined by William Reddy in 2001 and used in the history of emotions literature to refer to the modes of emotional expression and thought that are dominant in particular time periods and cultural contexts. Popular ballads provide a useful way of exploring emotions in their cultural contexts across different time periods because of their long life-span, and because of the way they are shaped and moulded by social b…
A Critical Interpretive Synthesis of the Literature Linking Music and Adolescent Mental Health
There is a diverse literature that explores the relationship between youth, music, and mental health, with few attempts at systematic synthesis. This critical interpretive review included 33 studies published between 2000 and 2012 investigating the relationship between music and the mental health of young people, particularly targeting depression. An iterative methodology was used involving several layers of inductive analysis with the intention …
Introducing a Psycho-Historical Approach to the Study of Emotions in Music: The Case of Monteverdi’s Il Combattimento di Tancredi e Clorinda
This essay addresses the challenges of reaching a historically informed understanding of the emotional experience of seventeenth-century musical performance by applying a recent theoretical account of the psychological emotion mechanisms that underpin music perception. A short work by Claudio Monteverdi (1567–1643) is taken as a case study, to investigate the ways that structural elements of the music engage emotion mechanisms. Since modern-day l…
Audience engagement with community music performances: Emotional contagion in audiences of a ‘pro-am’ orchestra in suburban Sydney
Research into audience engagement in the arts is a growing area of interest because of the need to build audiences and to provide convincing evidence of the value of arts programs to funding bodies. In addition, the way in which music works so as to touch the listener is of ongoing interest to music psychologists and is increasingly being considered in the context of live listening situations. This paper considers the phenomenon of emotional cont…
The use of music in aged care facilities: A mixed-methods study
Music is frequently used in aged care, being easily accessible and cost-effective. Research indicates that certain types of musical engagement hold greater benefits than others. However, it is not clear how effectively music is utilized in aged care facilities and what the barriers are to its further use. This study used a mixed-methods paradigm, surveying 46 aged care workers and conducting in-depth interviews with 5, to explore how music is use…
Psychology (7 works) · Music Therapy and Health (5 works) · Neuroscience and Music Perception (5 works) · Art (4 works) · Diverse Music Education Insights (4 works) · Social Psychology (4 works) · Active listening (3 works) · Communication (3 works) · Literature (3 works) · Visual arts (3 works)