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Kathleen Ditzig

Biographic Data

ID2238657
NAMEKathleen Ditzig
GIVEN NAMESKathleen
FAMILY NAMEDitzig
SIGNATUREDITZIG K
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2023
H-INDEX0
  • Art Histories of a Forever War

    Kathleen Ditzig, Fang-Tze Hsu•ARTICLE•Cultural Politics an International…•2023•References: 4

    Art Histories of a Forever War is an exploration of modern art in postwar Taiwan and its enduring resonances. To understand this historical milieu, the exhibition unpacks and contextualizes Taiwan's modern art as part of a Cold War convergence of art, design, and technology.1 On a global scale, and in relation to the American military-industrial complex and its attendant neo-imperialism (Immerwahr 2020: 13–144), the post–World War II and early Co…

  • The Museum of Modern Art’s International Programme in Southeast Asia (1957–83)

    Kathleen Ditzig•ARTICLE•Afterall A Journal of Art Context…•2021

  • An Exceptional Inclusion

    Open Access•Kathleen Ditzig•ARTICLE•Southeast of Now: Directions in…•2017

    Southeast of Now: Directions in Contemporary and Modern Art in Asia - Volume 1, Number 1, March 2017

  • Dynamic global infrastructure

    Open Access•Kathleen Ditzig, Robin Lynch et al.•ARTICLE•Finance and Society•2016•References: 1

    In an interview with China Daily in 2014, Wang Yudong, director of the art trade centre at the Beijing Culture Free Port, declared: “We have mapped out a global free-port strategy. Our aim is to build an art free-port network in Asia” (Deng, 2014: para. 5). Facilitated by state partners from Geneva to Singapore, Luxembourg, Germany, Paris and the state-affiliated Beijing Gehua Cultural Development Group of the Beijing Freeport of Culture, freepor…

No prominent works on this page.

  • Dynamic global infrastructure

    Open Access•Kathleen Ditzig, Robin Lynch et al.•ARTICLE•Finance and Society•2016•References: 1

    In an interview with China Daily in 2014, Wang Yudong, director of the art trade centre at the Beijing Culture Free Port, declared: “We have mapped out a global free-port strategy. Our aim is to build an art free-port network in Asia” (Deng, 2014: para. 5). Facilitated by state partners from Geneva to Singapore, Luxembourg, Germany, Paris and the state-affiliated Beijing Gehua Cultural Development Group of the Beijing Freeport of Culture, freepor…

  • An Exceptional Inclusion

    Open Access•Kathleen Ditzig•ARTICLE•Southeast of Now: Directions in…•2017

    Southeast of Now: Directions in Contemporary and Modern Art in Asia - Volume 1, Number 1, March 2017

  • The Museum of Modern Art’s International Programme in Southeast Asia (1957–83)

    Kathleen Ditzig•ARTICLE•Afterall A Journal of Art Context…•2021

  • Art Histories of a Forever War

    Kathleen Ditzig, Fang-Tze Hsu•ARTICLE•Cultural Politics an International…•2023•References: 4

    Art Histories of a Forever War is an exploration of modern art in postwar Taiwan and its enduring resonances. To understand this historical milieu, the exhibition unpacks and contextualizes Taiwan's modern art as part of a Cold War convergence of art, design, and technology.1 On a global scale, and in relation to the American military-industrial complex and its attendant neo-imperialism (Immerwahr 2020: 13–144), the post–World War II and early Co…

Ancient history (3 works) · Art (3 works) · Art history (3 works) · Exhibition (3 works) · History (3 works) · Geography (2 works) · Law (2 works) · Political science (2 works) · Sociology (2 works) · Southeast asia (2 works)

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