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Melissa K Avdeeff

Biographic Data

ID2242533
NAMEMelissa K Avdeeff
GIVEN NAMESMelissa K
FAMILY NAMEAvdeeff
SIGNATUREAVDEEFF M K
AFFILIATIONSUniversity of Stirling
ORCID0000-0003-2474-6053
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS3
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2025
H-INDEX1
  • I’m in the House Bored”

    Open Access•Melissa K Avdeeff•ARTICLE•Popular Music & Society•2025•References: 6

  • Digital discourse and the human experiences of AI music

    Open Access•Melissa K Avdeeff•ARTICLE•British Journal of Ethnomusicology•2025

  • TikTok, Twitter, and Platform-Specific Technocultural Discourse in Response to Taylor Swift’s LGBTQ+ Allyship in ‘You Need to Calm Down

    Open Access•Melissa K Avdeeff•ARTICLE•Contemporary Music Review•2021•Cited by: 3•References: 19

    For most of her career thus far, Taylor Swift’s cultural outputs have remained apolitical, often addressing heteronormative notions of romance, young adult life, and heartbreak. In 2019, Swift broke her politicised silence with ‘You Need to Calm Down’, a track which self-proclaims the artist as an ally to LGBTQ+ communities through her co-option of language historically used to silence marginalised voices, and the inclusion of LGBTQ+-identified c…

  • Radio in the Digital Age

    Melissa K Avdeeff, Melissa Avdeeff•ARTICLE•Popular Music & Society•2015

    In Radio in the Digital Age, Andrew Dubber provides a timely look at the role of radio in contemporary digital society. Dubber draws on both musicology and media studies, as well as personal anecdo

  • TikTok, Twitter, and Platform-Specific Technocultural Discourse in Response to Taylor Swift’s LGBTQ+ Allyship in ‘You Need to Calm Down

    Open Access•Melissa K Avdeeff•ARTICLE•Contemporary Music Review•2021•Cited by: 3•References: 19

    For most of her career thus far, Taylor Swift’s cultural outputs have remained apolitical, often addressing heteronormative notions of romance, young adult life, and heartbreak. In 2019, Swift broke her politicised silence with ‘You Need to Calm Down’, a track which self-proclaims the artist as an ally to LGBTQ+ communities through her co-option of language historically used to silence marginalised voices, and the inclusion of LGBTQ+-identified c…

  • Radio in the Digital Age

    Melissa K Avdeeff, Melissa Avdeeff•ARTICLE•Popular Music & Society•2015

    In Radio in the Digital Age, Andrew Dubber provides a timely look at the role of radio in contemporary digital society. Dubber draws on both musicology and media studies, as well as personal anecdo

  • TikTok, Twitter, and Platform-Specific Technocultural Discourse in Response to Taylor Swift’s LGBTQ+ Allyship in ‘You Need to Calm Down

    Open Access•Melissa K Avdeeff•ARTICLE•Contemporary Music Review•2021•Cited by: 3•References: 19

    For most of her career thus far, Taylor Swift’s cultural outputs have remained apolitical, often addressing heteronormative notions of romance, young adult life, and heartbreak. In 2019, Swift broke her politicised silence with ‘You Need to Calm Down’, a track which self-proclaims the artist as an ally to LGBTQ+ communities through her co-option of language historically used to silence marginalised voices, and the inclusion of LGBTQ+-identified c…

  • I’m in the House Bored”

    Open Access•Melissa K Avdeeff•ARTICLE•Popular Music & Society•2025•References: 6

  • Digital discourse and the human experiences of AI music

    Open Access•Melissa K Avdeeff•ARTICLE•British Journal of Ethnomusicology•2025

Art (2 works) · Computer Science (2 works) · Media studies (2 works) · Sociology (2 works) · Aesthetics (1 work) · Boredom (1 work) · Class (philosophy (1 work) · Context (archaeology (1 work) · Digital Education and Society (1 work) · Digital era (1 work)

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