Lauren Leigh Hinthorne
Biographic Data
| ID | 224854 |
|---|---|
| NAME | Lauren Leigh Hinthorne |
| GIVEN NAMES | Lauren Leigh |
| FAMILY NAME | Hinthorne |
| SIGNATURE | HINTHORNE L L |
| AFFILIATIONS | The University of Queensland |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 9 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 2 |
Using purpose-made objects for visual research
This article responds to Pauwels’ assertion that visual research is no longer the (nearly) exclusive domain of camera-based visual materials and methods. The authors argue that, in certain contexts, objects can provide appropriate and valid visual research materials in their own right. The article begins by examining the institutionalized parameters for visual research established by this journal ( Visual Communication), Visual Studies and the In…
Using digital and instant film photography for research documentation
This research note investigates the potential of digital and instant film photography as distinct approaches to research documentation. It argues that the quality of visual evidence provided by photographs may depend in part on the researcher's ability to reliably link images with other sources of data. The research note goes on to contextualize instant film photography as a tested documentation technique, though one not commonly used in qualitat…
A Picture Is Worth a Thousand Words
This article introduces the visual interpretation narrative exercise, an innovative visual research technique piloted in 2008 during doctoral fieldwork in Madagascar. Designed in the field in response to challenging research conditions, this technique uses cartoons to address sensitive subjects while establishing rapport with non-elite research participants. A three-tiered approach to qualitative data analysis emphasizes indigenous codes of meani…
Democratic crisis or crisis of confidence? What local perceptual lenses tell us about Madagascar's 2009 political crisis
This paper explores the extent to which democratic values and institutions propagated by the international community and measured by influential governance indices correlate with local perceptions of politics and democracy in one eastern region of Madagascar. A careful reading of the political crisis that erupted in Madagascar in 2009 highlights how 'undemocratic' behaviour – a 'coup' even – can have roots in democratic desires that have little t…
Using purpose-made objects for visual research
This article responds to Pauwels’ assertion that visual research is no longer the (nearly) exclusive domain of camera-based visual materials and methods. The authors argue that, in certain contexts, objects can provide appropriate and valid visual research materials in their own right. The article begins by examining the institutionalized parameters for visual research established by this journal ( Visual Communication), Visual Studies and the In…
Democratic crisis or crisis of confidence? What local perceptual lenses tell us about Madagascar's 2009 political crisis
This paper explores the extent to which democratic values and institutions propagated by the international community and measured by influential governance indices correlate with local perceptions of politics and democracy in one eastern region of Madagascar. A careful reading of the political crisis that erupted in Madagascar in 2009 highlights how 'undemocratic' behaviour – a 'coup' even – can have roots in democratic desires that have little t…
Using digital and instant film photography for research documentation
This research note investigates the potential of digital and instant film photography as distinct approaches to research documentation. It argues that the quality of visual evidence provided by photographs may depend in part on the researcher's ability to reliably link images with other sources of data. The research note goes on to contextualize instant film photography as a tested documentation technique, though one not commonly used in qualitat…
A Picture Is Worth a Thousand Words
This article introduces the visual interpretation narrative exercise, an innovative visual research technique piloted in 2008 during doctoral fieldwork in Madagascar. Designed in the field in response to challenging research conditions, this technique uses cartoons to address sensitive subjects while establishing rapport with non-elite research participants. A three-tiered approach to qualitative data analysis emphasizes indigenous codes of meani…
Democratic crisis or crisis of confidence? What local perceptual lenses tell us about Madagascar's 2009 political crisis
This paper explores the extent to which democratic values and institutions propagated by the international community and measured by influential governance indices correlate with local perceptions of politics and democracy in one eastern region of Madagascar. A careful reading of the political crisis that erupted in Madagascar in 2009 highlights how 'undemocratic' behaviour – a 'coup' even – can have roots in democratic desires that have little t…
A Picture Is Worth a Thousand Words
This article introduces the visual interpretation narrative exercise, an innovative visual research technique piloted in 2008 during doctoral fieldwork in Madagascar. Designed in the field in response to challenging research conditions, this technique uses cartoons to address sensitive subjects while establishing rapport with non-elite research participants. A three-tiered approach to qualitative data analysis emphasizes indigenous codes of meani…
Using digital and instant film photography for research documentation
This research note investigates the potential of digital and instant film photography as distinct approaches to research documentation. It argues that the quality of visual evidence provided by photographs may depend in part on the researcher's ability to reliably link images with other sources of data. The research note goes on to contextualize instant film photography as a tested documentation technique, though one not commonly used in qualitat…
Using purpose-made objects for visual research
This article responds to Pauwels’ assertion that visual research is no longer the (nearly) exclusive domain of camera-based visual materials and methods. The authors argue that, in certain contexts, objects can provide appropriate and valid visual research materials in their own right. The article begins by examining the institutionalized parameters for visual research established by this journal ( Visual Communication), Visual Studies and the In…
Computer Science (3 works) · Participatory Visual Research Methods (3 works) · Psychology (3 works) · Sociology (3 works) · Visual arts (3 works) · Art (2 works) · Epistemology (2 works) · Linguistics (2 works) · Multimedia (2 works) · Political science (2 works)