Tiffany Johnson Bidler
Biographic Data
| ID | 2248608 |
|---|---|
| NAME | Tiffany Johnson Bidler |
| GIVEN NAMES | Tiffany Johnson |
| FAMILY NAME | Bidler |
| SIGNATURE | BIDLER T J |
| AFFILIATIONS | Saint Mary's College |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Interiority, Metamorphosis, and Simone Leigh’s Hybrid Cowries
By way of an analysis of Simone Leigh’s You Don’t Know Where Her Mouth Has Been (2017), this essay argues that by hybridizing the cowrie and watermelon, Leigh creates her own natural history of these biological forms that disorders the rigid taxonomic classification on which systems of discrimination rely. The resulting hybrid cowrie not only defies classification, it also forms a folded architecture that facilitates a Deleuzian reading. The hybr…
Suicide and Survival in the Work of Kara Walker
Young, black and Artistgifted, dead at sixteen overwhelmedbyan overdose of sentimentality,admiration and awe.-Kara Walker: The Renaissance Society at the University of ChicagoKara Walker's visual essay, Chronology of Black Suffering: Images and Notes, 1992-2007, was assembled from items in Walker's personal picture files and included in the catalog for her retrospective exhibition Kara Walker: My Complement, My Enemy, My Oppressor, My Love. Withi…
An Appetite for the Maternal
No prominent works on this page.
An Appetite for the Maternal
Suicide and Survival in the Work of Kara Walker
Young, black and Artistgifted, dead at sixteen overwhelmedbyan overdose of sentimentality,admiration and awe.-Kara Walker: The Renaissance Society at the University of ChicagoKara Walker's visual essay, Chronology of Black Suffering: Images and Notes, 1992-2007, was assembled from items in Walker's personal picture files and included in the catalog for her retrospective exhibition Kara Walker: My Complement, My Enemy, My Oppressor, My Love. Withi…
Interiority, Metamorphosis, and Simone Leigh’s Hybrid Cowries
By way of an analysis of Simone Leigh’s You Don’t Know Where Her Mouth Has Been (2017), this essay argues that by hybridizing the cowrie and watermelon, Leigh creates her own natural history of these biological forms that disorders the rigid taxonomic classification on which systems of discrimination rely. The resulting hybrid cowrie not only defies classification, it also forms a folded architecture that facilitates a Deleuzian reading. The hybr…
Literature: history, themes, analysis (2 works) · Psychology (2 works) · American and British Literature Analysis (1 work) · Art (1 work) · Art history (1 work) · Art, Politics, and Modernism (1 work) · Biology (1 work) · Citation (1 work) · Computer Science (1 work) · Ecology (1 work)