Ana-Maria Herman
Biographic Data
| ID | 2262169 |
|---|---|
| NAME | Ana-Maria Herman |
| GIVEN NAMES | Ana-Maria |
| FAMILY NAME | Herman |
| SIGNATURE | HERMAN A |
| AFFILIATIONS | Toronto Metropolitan University |
| ORCID | 0000-0003-0106-9571 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 8 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
How (repeat) museum displays arealwaysexperimental
In this paper, I present a case for understanding exhibitionary practices as always experimental. I discuss here a study conducted on the McCord Museum’s MTL Urban Museum App, a digital display that was (re-)made based on the Museum of London’s Streetmuseum App. Drawing on the notion of ‘remediation’ and actor-network theory, I consider the display as formed through the refashioning of an ‘actor-network’, or what I refer to in this paper as an ex…
Re-negotiating Exhibitionary Practices and the "Digital" Politics of Display
In this paper, I employ a sociotechnical approach (drawn from science and technology studies) to reconstruct how the McCord Museum's MTL Urban Museum App was re-made. I take into account both the social and the technical, and consider the human and the nonhuman, which allows me to chart the roles of heterogeneous actors in re-making the App and in re-negotiating the Museum's display practices. In doing so, I explore and point to the politics of t…
Life after new media
In their book Life after New Media: Mediation as a Vital Process, Sarah Kember and Joanna Zylinska breathe ‘life’ into new media debates by proposing a shift in focus from the analysis of media obj
Life after new media
In their book Life after New Media: Mediation as a Vital Process, Sarah Kember and Joanna Zylinska breathe ‘life’ into new media debates by proposing a shift in focus from the analysis of media obj
Re-negotiating Exhibitionary Practices and the "Digital" Politics of Display
In this paper, I employ a sociotechnical approach (drawn from science and technology studies) to reconstruct how the McCord Museum's MTL Urban Museum App was re-made. I take into account both the social and the technical, and consider the human and the nonhuman, which allows me to chart the roles of heterogeneous actors in re-making the App and in re-negotiating the Museum's display practices. In doing so, I explore and point to the politics of t…
Life after new media
In their book Life after New Media: Mediation as a Vital Process, Sarah Kember and Joanna Zylinska breathe ‘life’ into new media debates by proposing a shift in focus from the analysis of media obj
Re-negotiating Exhibitionary Practices and the "Digital" Politics of Display
In this paper, I employ a sociotechnical approach (drawn from science and technology studies) to reconstruct how the McCord Museum's MTL Urban Museum App was re-made. I take into account both the social and the technical, and consider the human and the nonhuman, which allows me to chart the roles of heterogeneous actors in re-making the App and in re-negotiating the Museum's display practices. In doing so, I explore and point to the politics of t…
How (repeat) museum displays arealwaysexperimental
In this paper, I present a case for understanding exhibitionary practices as always experimental. I discuss here a study conducted on the McCord Museum’s MTL Urban Museum App, a digital display that was (re-)made based on the Museum of London’s Streetmuseum App. Drawing on the notion of ‘remediation’ and actor-network theory, I consider the display as formed through the refashioning of an ‘actor-network’, or what I refer to in this paper as an ex…
Sociology (3 works) · Art (2 works) · Computer Science (2 works) · Innovative Human-Technology Interaction (2 works) · Media studies (2 works) · Museums and Cultural Heritage (2 works) · Political science (2 works) · Social science (2 works) · Visual arts (2 works) · Advertising (1 works)