Rachel Breunlin
Biographic Data
| ID | 226908 |
|---|---|
| NAME | Rachel Breunlin |
| GIVEN NAMES | Rachel |
| FAMILY NAME | Breunlin |
| SIGNATURE | BREUNLIN R |
| AFFILIATIONS | University of New Orleans |
| ORCID | 0000-0002-3581-3138 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 60 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 3 |
Decolonizing Ways of Knowing
In “Decolonizing Ways of Knowing: Heritage, Living Communities, and Indigenous Understandings of Place”, we build on the scholarly and artistic practice of deep memory work to present a collection of articles, films, and artwork that contribute critical genealogies from the United States, Africa, and the South Pacific. In this introduction, examples from Antoinette Jackson’s work in the American South and Rachel Breunlin’s work with the Neighborh…
Bridge Work
June 01 2013 Bridge Work: Repatriating Mardi Gras Indian Photography with the House of Dance & Feathers Rachel Breunlin Rachel Breunlin Rachel Breunlin is ethnographer-in-residence in the Department of Anthropology at the University of New Orleans, and the co-director of the Neighborhood Story Project, a book-making organization in partnership with the university that creates collaborative ethnographies of the city. [email protected] Search for ot…
How We Do It
June 01 2013 How We Do It: A Collaborative Interview and Photo Essay Rachel Breunlin, Rachel Breunlin Search for other works by this author on: This Site Google Scholar Jeffrey David Ehrenreich, Jeffrey David Ehrenreich Search for other works by this author on: This Site Google Scholar Victor Harris, Victor Harris Search for other works by this author on: This Site Google Scholar Collins “Coach” Lewis, Collins “Coach” Lewis Search for other works…
Performing Africa in New Orleans
June 01 2013 Performing Africa in New Orleans Cynthia Becker, Cynthia Becker Cynthia Becker, a New Orleans native, is associate professor in the Department of History of Art & Architecture at Boston University. She specializes in visual culture from northwestern Africa, specifically Morocco, Algeria, and Niger. Her current research concentrates on the impact of the trans-Saharan slave trade on visual and performing arts in the Maghreb as well as …
Building Collaborative Partnerships through a Lower Ninth Ward Museum
During a recent Sunday afternoon parade in the Lower Ninth Ward of New Orleans, Ronald W. Lewis hosted a birthday party for his wife Charlotte, during which he grilled in his backyard near the wraparound deck connecting his house to his museum, the House of Dance & Feathers (HODF). Dedicated to some of the most well known Black cultural traditions in New Orleans, including Mardi Gras Indians and Social and Pleasure Clubs, as well as the history o…
Tremé
"Our Stories, Told By Us"
By Deborah Roth-Howe
Engaging New Orleans
Keywords: association business, Annual Meeting, 2010 Annual Conference
Can There Be a Critical Collaborative Ethnography
Can There Be a Critical Collaborative Ethnography?Creativity and Activism in the Seventh Ward, New Orleans Rachel Breunlin (bio) and Helen A. Regis (bio) It is only through the way in which we represent and imagine ourselves that we come to know how we are constituted and who we are. There is no escape from the politics of representation, and we cannot wield "how life really is out there" as a kind of test against which the political rightness or…
Putting the Ninth Ward on the Map
In this article, we consider how long-term patterns of resistance to structural violence inform citizens' responses to displacement before and after Katrina. Drawing on Abdou Maliq Simone's (2004) conceptualization of people as infrastructure, we recenter the discussion about the rebuilding of New Orleans around displaced residents, taking the place-making practices of members of a social club as a lens through which to examine the predicament of…
Putting the Ninth Ward on the Map
In this article, we consider how long-term patterns of resistance to structural violence inform citizens' responses to displacement before and after Katrina. Drawing on Abdou Maliq Simone's (2004) conceptualization of people as infrastructure, we recenter the discussion about the rebuilding of New Orleans around displaced residents, taking the place-making practices of members of a social club as a lens through which to examine the predicament of…
Can There Be a Critical Collaborative Ethnography
Can There Be a Critical Collaborative Ethnography?Creativity and Activism in the Seventh Ward, New Orleans Rachel Breunlin (bio) and Helen A. Regis (bio) It is only through the way in which we represent and imagine ourselves that we come to know how we are constituted and who we are. There is no escape from the politics of representation, and we cannot wield "how life really is out there" as a kind of test against which the political rightness or…
Decolonizing Ways of Knowing
In “Decolonizing Ways of Knowing: Heritage, Living Communities, and Indigenous Understandings of Place”, we build on the scholarly and artistic practice of deep memory work to present a collection of articles, films, and artwork that contribute critical genealogies from the United States, Africa, and the South Pacific. In this introduction, examples from Antoinette Jackson’s work in the American South and Rachel Breunlin’s work with the Neighborh…
Putting the Ninth Ward on the Map
In this article, we consider how long-term patterns of resistance to structural violence inform citizens' responses to displacement before and after Katrina. Drawing on Abdou Maliq Simone's (2004) conceptualization of people as infrastructure, we recenter the discussion about the rebuilding of New Orleans around displaced residents, taking the place-making practices of members of a social club as a lens through which to examine the predicament of…
Can There Be a Critical Collaborative Ethnography
Can There Be a Critical Collaborative Ethnography?Creativity and Activism in the Seventh Ward, New Orleans Rachel Breunlin (bio) and Helen A. Regis (bio) It is only through the way in which we represent and imagine ourselves that we come to know how we are constituted and who we are. There is no escape from the politics of representation, and we cannot wield "how life really is out there" as a kind of test against which the political rightness or…
"Our Stories, Told By Us"
By Deborah Roth-Howe
Engaging New Orleans
Keywords: association business, Annual Meeting, 2010 Annual Conference
Building Collaborative Partnerships through a Lower Ninth Ward Museum
During a recent Sunday afternoon parade in the Lower Ninth Ward of New Orleans, Ronald W. Lewis hosted a birthday party for his wife Charlotte, during which he grilled in his backyard near the wraparound deck connecting his house to his museum, the House of Dance & Feathers (HODF). Dedicated to some of the most well known Black cultural traditions in New Orleans, including Mardi Gras Indians and Social and Pleasure Clubs, as well as the history o…
Tremé
Bridge Work
June 01 2013 Bridge Work: Repatriating Mardi Gras Indian Photography with the House of Dance & Feathers Rachel Breunlin Rachel Breunlin Rachel Breunlin is ethnographer-in-residence in the Department of Anthropology at the University of New Orleans, and the co-director of the Neighborhood Story Project, a book-making organization in partnership with the university that creates collaborative ethnographies of the city. [email protected] Search for ot…
How We Do It
June 01 2013 How We Do It: A Collaborative Interview and Photo Essay Rachel Breunlin, Rachel Breunlin Search for other works by this author on: This Site Google Scholar Jeffrey David Ehrenreich, Jeffrey David Ehrenreich Search for other works by this author on: This Site Google Scholar Victor Harris, Victor Harris Search for other works by this author on: This Site Google Scholar Collins “Coach” Lewis, Collins “Coach” Lewis Search for other works…
Performing Africa in New Orleans
June 01 2013 Performing Africa in New Orleans Cynthia Becker, Cynthia Becker Cynthia Becker, a New Orleans native, is associate professor in the Department of History of Art & Architecture at Boston University. She specializes in visual culture from northwestern Africa, specifically Morocco, Algeria, and Niger. Her current research concentrates on the impact of the trans-Saharan slave trade on visual and performing arts in the Maghreb as well as …
Decolonizing Ways of Knowing
In “Decolonizing Ways of Knowing: Heritage, Living Communities, and Indigenous Understandings of Place”, we build on the scholarly and artistic practice of deep memory work to present a collection of articles, films, and artwork that contribute critical genealogies from the United States, Africa, and the South Pacific. In this introduction, examples from Antoinette Jackson’s work in the American South and Rachel Breunlin’s work with the Neighborh…
Sociology (7 works) · Art (5 works) · History (5 works) · Political science (4 works) · Art history (3 works) · History (3 works) · Law (3 works) · Law (3 works) · Library science (3 works) · Media studies (3 works)