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Razia Sultanova

Biographic Data

ID227020
NAMERazia Sultanova
GIVEN NAMESRazia
FAMILY NAMESultanova
SIGNATURESULTANOVA R
AFFILIATIONSUniversity of Cambridge
VERIFIEDNo
TOTAL WORKS16
TOTAL CITATIONS7
AUTHOR COUNT15
EDITOR COUNT1
FIRST PUBLICATION YEAR1996
LATEST PUBLICATION YEAR2019
H-INDEX1
  • Launching the journal, opening the forum

    Deborah A Kapchan, Martin Stokes et al.•ARTICLE•Performing Islam•2019

    Preview this article: Launching the journal, opening the forum, Page 1 of 1 /docserver/preview/fulltext/pi/8/1-2/pi_00002_7-1.gif

  • Launching the journal, opening the forum

    Deborah A Kapchan, Martin Stokes et al.•ARTICLE•Performing Islam•2018

  • Launching the journal, opening the forum

    Deborah A Kapchan, Martin Stokes et al.•ARTICLE•Performing Islam•2017

  • Launching the journal, opening the forum

    Deborah A Kapchan, Martin Stokes et al.•ARTICLE•Performing Islam•2017

  • Guest Editors’ Preface

    Open Access•Razia Sultanova, Timothy Rice•ARTICLE•Yearbook for Traditional Music•2016

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Yassavi zikr in twenty-first century Central Asia: Sound, place and authenticity

    Razia Sultanova•ARTICLE•Performing Islam•2012

    This article examines Sufi music, particularly Yassavi zikr (or dhikr) forms, in contemporary Central Asian cities (such as Andijan and Turkestan). The first part of this essay investigates Sufi performance, also exploring the rarely researched practices of local women. The analysis is based on field work undertaken in the Uzbek area of Ferghana Valley, where the flow of local indigenous mystical knowledge is found in female performances. These m…

  • Breaking the Silence: Music in Afghanistan. 2002. Directed by Simon Broughton. Produced by Carol Simons. Edited by David Charap. Music consultant John Baily. In English, with English, French, Italian …

    Open Access•Razia Sultanova•ARTICLE•Yearbook for Traditional Music•2010

    Breaking the Silence: Music in Afghanistan. 2002. Directed by Simon Broughton. Produced by Carol Simons. Edited by David Charap. Music consultant John Baily. In English, with English, French, Italian subtitles. 60 minutes, colour, DVD. DVD produced by Aditi Image, 2004. Distributed by Aditi Image, P. O. Box 1160, 3430 BD Nieuwegein, the Netherlands. - Volume 42

  • Female Celebrations in Uzbekistan and Afghanistan: The Power of Cosmology in Musical Rites

    Open Access•Razia Sultanova•ARTICLE•Yearbook for Traditional Music•2008•Cited by: 1•References: 1

    Uzbekistan is a Central Asian country with a population of 27 million. It is bordered by Afghanistan to the south, Turkmenistan to the west, Kazakhstan and Kyrgyzstan to the north, and Tajikistan to the east. There is also a large Uzbek population living in the north of Afghanistan (figure 1

  • Music and Identity in Central Asia: Introduction

    Razia Sultanova•ARTICLE•British Journal of Ethnomusicology•2005•Cited by: 6

    This introduction gives a short overview of the four articles collected in this volume by leading Western and local scholars on the issue of music and identity in Central Asian cultures, surveying the past and present of music-making processes. The introduction also examines two phenomena in greater detail: the performer and the event as focal points of changing national identities. Taking examples from Uzbekistan and concentrating on the singer/…

  • Melek Khanom Eyubova. Anthologie du Mugam d'Azerbaidjan

    Inna Naroditskaya, Melek Khanom Eyubova et al.•ARTICLE•Ethnomusicology•2003

  • Boysun (Ouzbékistan): Un Pas Vers Le Futur

    Razia Sultanova•ARTICLE•Cahiers de musiques traditionnelles•2002

  • Uzbekistan

    Theodore Levin, Theodore R Levin et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Surnāy

    Christian Poche, Razia Sultanova•CHAPTER•The new Grove dictionary of music…•2001

  • Recordings

    Trevor Wiggins, Jelena Jovanović et al.•ARTICLE•British Journal of Ethnomusicology•2001

    Akom: the art of possession. Village Pulse VPU‐1009, 1999. 72 mins. Recordings and booklet (24pp.) by Scott Kiehl in English. Soungalo Coulibaly: Dengo. Ethnomad ARN 64544, 2001 (recorded in 1995). 51 mins. Booklet (16pp.) in French, English. Serbie: antholagie de la musique populaire serbe / Serbia: an anthology of Serbian folk musk. VDE‐GALLO, CP 945/ AIMP LX, 1999. 72.22 mins. Recordings (1975–96) and accompanying notes in French and English (…

  • Women's Love and Life: Female Folklore from Azerbaijan

    Razia Sultanova, Taira Kerimova•ARTICLE•Yearbook for Traditional Music•1999

  • Asie centrale: Quelques parutions récentes

    Razia Sultanova•ARTICLE•Cahiers de musiques traditionnelles•1996

    Traditions classiques 1Le titre « Asie Centrale » donné à ce double disque compact peut faire penser que les auteurs ont voulu présenter une anthologie d'une aire culturelle englobant les musiques de l'Ouzbékistan, du Turkménistan, du Tadjikistan, du Kazakhstan, du Kirghizstan, du Turkestan chinois, de l'Altaï, etc. Dans un autre disque (Asie Centrale, les maîtres du dotâr) ce terme recouvre le Khorasan et le Turkménistan, l'Ouzbékistan et le Tad…

  • Music and Identity in Central Asia: Introduction

    Razia Sultanova•ARTICLE•British Journal of Ethnomusicology•2005•Cited by: 6

    This introduction gives a short overview of the four articles collected in this volume by leading Western and local scholars on the issue of music and identity in Central Asian cultures, surveying the past and present of music-making processes. The introduction also examines two phenomena in greater detail: the performer and the event as focal points of changing national identities. Taking examples from Uzbekistan and concentrating on the singer/…

  • Female Celebrations in Uzbekistan and Afghanistan: The Power of Cosmology in Musical Rites

    Open Access•Razia Sultanova•ARTICLE•Yearbook for Traditional Music•2008•Cited by: 1•References: 1

    Uzbekistan is a Central Asian country with a population of 27 million. It is bordered by Afghanistan to the south, Turkmenistan to the west, Kazakhstan and Kyrgyzstan to the north, and Tajikistan to the east. There is also a large Uzbek population living in the north of Afghanistan (figure 1

  • Asie centrale: Quelques parutions récentes

    Razia Sultanova•ARTICLE•Cahiers de musiques traditionnelles•1996

    Traditions classiques 1Le titre « Asie Centrale » donné à ce double disque compact peut faire penser que les auteurs ont voulu présenter une anthologie d'une aire culturelle englobant les musiques de l'Ouzbékistan, du Turkménistan, du Tadjikistan, du Kazakhstan, du Kirghizstan, du Turkestan chinois, de l'Altaï, etc. Dans un autre disque (Asie Centrale, les maîtres du dotâr) ce terme recouvre le Khorasan et le Turkménistan, l'Ouzbékistan et le Tad…

  • Women's Love and Life: Female Folklore from Azerbaijan

    Razia Sultanova, Taira Kerimova•ARTICLE•Yearbook for Traditional Music•1999

  • Uzbekistan

    Theodore Levin, Theodore R Levin et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Surnāy

    Christian Poche, Razia Sultanova•CHAPTER•The new Grove dictionary of music…•2001

  • Recordings

    Trevor Wiggins, Jelena Jovanović et al.•ARTICLE•British Journal of Ethnomusicology•2001

    Akom: the art of possession. Village Pulse VPU‐1009, 1999. 72 mins. Recordings and booklet (24pp.) by Scott Kiehl in English. Soungalo Coulibaly: Dengo. Ethnomad ARN 64544, 2001 (recorded in 1995). 51 mins. Booklet (16pp.) in French, English. Serbie: antholagie de la musique populaire serbe / Serbia: an anthology of Serbian folk musk. VDE‐GALLO, CP 945/ AIMP LX, 1999. 72.22 mins. Recordings (1975–96) and accompanying notes in French and English (…

  • Boysun (Ouzbékistan): Un Pas Vers Le Futur

    Razia Sultanova•ARTICLE•Cahiers de musiques traditionnelles•2002

  • Melek Khanom Eyubova. Anthologie du Mugam d'Azerbaidjan

    Inna Naroditskaya, Melek Khanom Eyubova et al.•ARTICLE•Ethnomusicology•2003

  • Music and Identity in Central Asia: Introduction

    Razia Sultanova•ARTICLE•British Journal of Ethnomusicology•2005•Cited by: 6

    This introduction gives a short overview of the four articles collected in this volume by leading Western and local scholars on the issue of music and identity in Central Asian cultures, surveying the past and present of music-making processes. The introduction also examines two phenomena in greater detail: the performer and the event as focal points of changing national identities. Taking examples from Uzbekistan and concentrating on the singer/…

  • Female Celebrations in Uzbekistan and Afghanistan: The Power of Cosmology in Musical Rites

    Open Access•Razia Sultanova•ARTICLE•Yearbook for Traditional Music•2008•Cited by: 1•References: 1

    Uzbekistan is a Central Asian country with a population of 27 million. It is bordered by Afghanistan to the south, Turkmenistan to the west, Kazakhstan and Kyrgyzstan to the north, and Tajikistan to the east. There is also a large Uzbek population living in the north of Afghanistan (figure 1

  • Breaking the Silence: Music in Afghanistan. 2002. Directed by Simon Broughton. Produced by Carol Simons. Edited by David Charap. Music consultant John Baily. In English, with English, French, Italian …

    Open Access•Razia Sultanova•ARTICLE•Yearbook for Traditional Music•2010

    Breaking the Silence: Music in Afghanistan. 2002. Directed by Simon Broughton. Produced by Carol Simons. Edited by David Charap. Music consultant John Baily. In English, with English, French, Italian subtitles. 60 minutes, colour, DVD. DVD produced by Aditi Image, 2004. Distributed by Aditi Image, P. O. Box 1160, 3430 BD Nieuwegein, the Netherlands. - Volume 42

  • Yassavi zikr in twenty-first century Central Asia: Sound, place and authenticity

    Razia Sultanova•ARTICLE•Performing Islam•2012

    This article examines Sufi music, particularly Yassavi zikr (or dhikr) forms, in contemporary Central Asian cities (such as Andijan and Turkestan). The first part of this essay investigates Sufi performance, also exploring the rarely researched practices of local women. The analysis is based on field work undertaken in the Uzbek area of Ferghana Valley, where the flow of local indigenous mystical knowledge is found in female performances. These m…

  • Guest Editors’ Preface

    Open Access•Razia Sultanova, Timothy Rice•ARTICLE•Yearbook for Traditional Music•2016

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Launching the journal, opening the forum

    Deborah A Kapchan, Martin Stokes et al.•ARTICLE•Performing Islam•2017

  • Launching the journal, opening the forum

    Deborah A Kapchan, Martin Stokes et al.•ARTICLE•Performing Islam•2017

  • Launching the journal, opening the forum

    Deborah A Kapchan, Martin Stokes et al.•ARTICLE•Performing Islam•2018

  • Launching the journal, opening the forum

    Deborah A Kapchan, Martin Stokes et al.•ARTICLE•Performing Islam•2019

    Preview this article: Launching the journal, opening the forum, Page 1 of 1 /docserver/preview/fulltext/pi/8/1-2/pi_00002_7-1.gif

Art (7 works) · History (6 works) · Geography (5 works) · Political science (5 works) · Computer Science (4 works) · Diverse Musicological Studies (4 works) · Sociology (4 works) · Soviet and Russian History (4 works) · Academic Publishing and Open Access (3 works) · Academic Writing and Publishing (3 works)

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