Christopher J Lukasik
Biographic Data
| ID | 2275496 |
|---|---|
| NAME | Christopher J Lukasik |
| GIVEN NAMES | Christopher J |
| FAMILY NAME | Lukasik |
| SIGNATURE | LUKASIK C J |
| ORCID | 0009-0008-4163-2641 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 1 |
Looking at the Overexposed: Visuality and Race in Harnett's Attention Company
Looking at the OverexposedVisuality and Race in Harnett’s Attention Company! Christopher J. Lukasik (bio) The last twenty years has seen a number of cultural critics investigating the relationship between race and visuality.1 Michelle Wallace, for example, closed the 1992 Black Popular Culture collection by addressing “the problem of visuality in African American culture” (335). Wallace attributes this problem—what she calls “the history of a mos…
Discerning Characters: The Culture of Appearance in Early America
Introduction 1 PART 1. DISTINCTION AND THE FACE Chapter 1. Discerning Characters Chapter 2. Reading and Breeding Chapter 3. The Face of Seduction Chapter 4. The Face of the Public PART II. THE CHANGING FACE OF THE NOVEL Chapter 5. The Invisible Aristocrat Chapter 6. The Physiognomic Fallacy Epilogue Notes Bibliography
Feeling the Force of Certainty: "The Divine Science, Newtonianism, and Jonathan Edwards's "Sinners in the Hands of an Angry God
Christopher Lukasik, Feeling the Force of Certainty: The Divine Science, Newtonianism, and Jonathan Edwards's "Sinners in the Hands of an Angry God", The New England Quarterly, Vol. 73, No. 2 (Jun., 2000), pp. 222-245
Discerning Characters: The Culture of Appearance in Early America
Introduction 1 PART 1. DISTINCTION AND THE FACE Chapter 1. Discerning Characters Chapter 2. Reading and Breeding Chapter 3. The Face of Seduction Chapter 4. The Face of the Public PART II. THE CHANGING FACE OF THE NOVEL Chapter 5. The Invisible Aristocrat Chapter 6. The Physiognomic Fallacy Epilogue Notes Bibliography
Feeling the Force of Certainty: "The Divine Science, Newtonianism, and Jonathan Edwards's "Sinners in the Hands of an Angry God
Christopher Lukasik, Feeling the Force of Certainty: The Divine Science, Newtonianism, and Jonathan Edwards's "Sinners in the Hands of an Angry God", The New England Quarterly, Vol. 73, No. 2 (Jun., 2000), pp. 222-245
Discerning Characters: The Culture of Appearance in Early America
Introduction 1 PART 1. DISTINCTION AND THE FACE Chapter 1. Discerning Characters Chapter 2. Reading and Breeding Chapter 3. The Face of Seduction Chapter 4. The Face of the Public PART II. THE CHANGING FACE OF THE NOVEL Chapter 5. The Invisible Aristocrat Chapter 6. The Physiognomic Fallacy Epilogue Notes Bibliography
Looking at the Overexposed: Visuality and Race in Harnett's Attention Company
Looking at the OverexposedVisuality and Race in Harnett’s Attention Company! Christopher J. Lukasik (bio) The last twenty years has seen a number of cultural critics investigating the relationship between race and visuality.1 Michelle Wallace, for example, closed the 1992 Black Popular Culture collection by addressing “the problem of visuality in African American culture” (335). Wallace attributes this problem—what she calls “the history of a mos…
Aesthetics (3 works) · Art (2 works) · Epistemology (2 works) · History (2 works) · Literature (2 works) · Philosophy (2 works) · Philosophy (2 works) · Sociology (2 works) · Archaeology and Natural History (1 works) · Art history (1 works)