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Ann Hallamore Caesar

Biographic Data

ID227571
NAMEAnn Hallamore Caesar
GIVEN NAMESAnn Hallamore
FAMILY NAMECaesar
SIGNATURECAESAR A H
AFFILIATIONSUniversity of Warwick
VERIFIEDNo
TOTAL WORKS18
TOTAL CITATIONS4
WORKS AS AUTHOR18
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1980
LATEST PUBLICATION YEAR2016
H-INDEX1
  • Gender, Narrative and Dissonance in the Modern Italian Novel

    Ann Hallamore Caesar•ARTICLE•Journal of Modern Italian Studies•2016

  • Theatre and the Rise of the Italian Novel

    Ann Hallamore Caesar•ARTICLE•Italian Studies•2012

    The essay discusses the rich and complex relationship that was played out publicly in eighteenth-century Venice between a well-established theatre and a newly emerging indigenous novel. Two of the key figures, Pietro Chiari and Antonio Piazza, had a foot in both camps; their ‘theatre novels’, far from having story lines purloined from plays, were thinly disguised or undisguised narratives about the off-stage rivalries and relationships between th…

  • Home and happiness in Neera's fiction

    Ann Hallamore Caesar•ARTICLE•Italian Studies•2011

    Ma, nel XIX secolo, la formazione di una società civile passa anche e forse soprattutto per le stanze della vita domestica

  • Home and happiness in Neera's fiction

    Ann Hallamore Caesar•ARTICLE•The Italianist•2010

    Ma, nel XIX secolo, la formazione di una societa civile passa anche e forse soprattutto per le stanze della vita domestica

  • Maggie Günsberg (1948–2004)

    Ann Hallamore Caesar, Robert Hastings et al.•ARTICLE•Italian Studies•2005

  • Bagatelle, Bamboccerie , and Bordellerie

    Ann Hallamore Caesar•ARTICLE•Italian Studies•2005

    The essay explores the critical response to the arrival of the eighteenth-century novel in Italy. Although contemporary works of fiction such as Richardson's Pamela and Fielding's Tom Jones were widely available in English and in translation, and gave rise to a number of popular stage adaptations, critics continued to draw on the epic and late-Renaissance literary theory in their discussions of the genre until at least the middle of the century. …

  • Maggie Günsberg (1948–2004)

    Ann Hallamore Caesar, Robert Hastings•ARTICLE•Italian Studies•2005

  • Bagatelle, Bamboccerie , and Bordellerie

    Ann Hallamore Caesar•ARTICLE•Italian Studies•2005

  • About town

    Open Access•Ann Hallamore Caesar•ARTICLE•Modern Italy•2002

    The period after Italian Unification saw a marked increase in the volume of publications, magazines and books intended specifically for a female readership which was made up of girls and married women. It also saw the rise of the professional woman writer and journalist. Drawing on two of the most popular genres, the novel (in particular the domestic novel) and conduct literature, this article examines their representations of the city and urban …

  • Women Readers and the Novel in Nineteenth-Century Italy

    Ann Hallamore Caesar•ARTICLE•Italian Studies•2001

    In the second half of the nineteenth century the growing interest shown by painters and their patrons in a more intimist subject matter found expression both in the representation of new themes and settings and in the re-elaboration of established subjects. Included among the second group were paintings of female readers. In religious art there had long been an association between women and books: for example, scenes of the Annunciation often dep…

  • Genoa and the Genoese 958–1528

    Julian W Gardner, Julian Gardner et al.•ARTICLE•Italian Studies•1998

  • Italian Feminist Thought, a Reader

    Ann Hallamore Caesar, Stephen Kemp•REVIEW•British Journal of Sociology•1993

    Part 1 Italian feminist groups - a survey of positions: Rivolta Femminile Movimento Femminista Romana Pratica dell'inconscio Libreria delle Donne di Milano Centri Culturali Delle Donne Centro Culturale Viginia Woolf de Roma Lesbofemminismo Diotima Donnawomanfemme. Part 2 Changing the context - ways and means of sexualizing politics: history of two laws women at home - salaries for housewives women at work - trade unions keeping silent/speaking ou…

  • Dante and the Medieval Other World

    Peter Armour, John C Barnes et al.•ARTICLE•Italian Studies•1992

  • Dante and the Medieval Other World

    Peter Armour, John C Barnes et al.•ARTICLE•Italian Studies•1992

  • The Branding of Women

    Ann Hallamore Caesar, Ann Caesar•ARTICLE•Italian Studies•1990

    It's funny about identity. You are because your little dog knows you. Gertrude Stein, Everybody's Autobiography At the beginning of Act II of Trovarsi, the play that Pirandello wrote for Marta Abba in 1932, there occurs an extraordinary episode. Donata, the heroine, is shown examining the bite-marks that her lover Elj gave her when he rescued her in the high seas after their boat capsized. His claim, which is supported by her doctor, is that they…

  • Carlo Dossi

    Ann Hallamore Caesar, Ann Caesar•ARTICLE•Italian Studies•1988

    The short, but singular literary career of the Lombard writer Alberto Carlo Pisani-Dossi (1849–1910) is remarkable for his radical experiments in both the language and the structures of narrative writing. Critical attention was first caught, and then held, by his confident and inventive linguistic liberties, but has shown little interest in his equally innovative approach to form and genre, despite the ample evidence from Dossi's own commentaries…

  • Italian Feminism and the Novel

    Open Access•Ann Hallamore Caesar, Ann Caesar•ARTICLE•Feminist Review•1980•Cited by: 4

    Although the recuperation and reintegration of earlier feminist thought and work has now become an established part of feminist practice in this country, access to a broader European experience is still relatively limited. Translations of modem writings are rare enough, while background material, histories and formative texts remain almost non-existent for the English reader (the notable exception to this is material to do with Russia and this is…

  • Italian Feminism and the Novel

    Ann Hallamore Caesar, Ann Caesar•ARTICLE•Feminist Review•1980

  • Italian Feminism and the Novel

    Open Access•Ann Hallamore Caesar, Ann Caesar•ARTICLE•Feminist Review•1980•Cited by: 4

    Although the recuperation and reintegration of earlier feminist thought and work has now become an established part of feminist practice in this country, access to a broader European experience is still relatively limited. Translations of modem writings are rare enough, while background material, histories and formative texts remain almost non-existent for the English reader (the notable exception to this is material to do with Russia and this is…

  • Italian Feminism and the Novel

    Open Access•Ann Hallamore Caesar, Ann Caesar•ARTICLE•Feminist Review•1980•Cited by: 4

    Although the recuperation and reintegration of earlier feminist thought and work has now become an established part of feminist practice in this country, access to a broader European experience is still relatively limited. Translations of modem writings are rare enough, while background material, histories and formative texts remain almost non-existent for the English reader (the notable exception to this is material to do with Russia and this is…

  • Italian Feminism and the Novel

    Ann Hallamore Caesar, Ann Caesar•ARTICLE•Feminist Review•1980

  • Carlo Dossi

    Ann Hallamore Caesar, Ann Caesar•ARTICLE•Italian Studies•1988

    The short, but singular literary career of the Lombard writer Alberto Carlo Pisani-Dossi (1849–1910) is remarkable for his radical experiments in both the language and the structures of narrative writing. Critical attention was first caught, and then held, by his confident and inventive linguistic liberties, but has shown little interest in his equally innovative approach to form and genre, despite the ample evidence from Dossi's own commentaries…

  • The Branding of Women

    Ann Hallamore Caesar, Ann Caesar•ARTICLE•Italian Studies•1990

    It's funny about identity. You are because your little dog knows you. Gertrude Stein, Everybody's Autobiography At the beginning of Act II of Trovarsi, the play that Pirandello wrote for Marta Abba in 1932, there occurs an extraordinary episode. Donata, the heroine, is shown examining the bite-marks that her lover Elj gave her when he rescued her in the high seas after their boat capsized. His claim, which is supported by her doctor, is that they…

  • Dante and the Medieval Other World

    Peter Armour, John C Barnes et al.•ARTICLE•Italian Studies•1992

  • Dante and the Medieval Other World

    Peter Armour, John C Barnes et al.•ARTICLE•Italian Studies•1992

  • Italian Feminist Thought, a Reader

    Ann Hallamore Caesar, Stephen Kemp•REVIEW•British Journal of Sociology•1993

    Part 1 Italian feminist groups - a survey of positions: Rivolta Femminile Movimento Femminista Romana Pratica dell'inconscio Libreria delle Donne di Milano Centri Culturali Delle Donne Centro Culturale Viginia Woolf de Roma Lesbofemminismo Diotima Donnawomanfemme. Part 2 Changing the context - ways and means of sexualizing politics: history of two laws women at home - salaries for housewives women at work - trade unions keeping silent/speaking ou…

  • Genoa and the Genoese 958–1528

    Julian W Gardner, Julian Gardner et al.•ARTICLE•Italian Studies•1998

  • Women Readers and the Novel in Nineteenth-Century Italy

    Ann Hallamore Caesar•ARTICLE•Italian Studies•2001

    In the second half of the nineteenth century the growing interest shown by painters and their patrons in a more intimist subject matter found expression both in the representation of new themes and settings and in the re-elaboration of established subjects. Included among the second group were paintings of female readers. In religious art there had long been an association between women and books: for example, scenes of the Annunciation often dep…

  • About town

    Open Access•Ann Hallamore Caesar•ARTICLE•Modern Italy•2002

    The period after Italian Unification saw a marked increase in the volume of publications, magazines and books intended specifically for a female readership which was made up of girls and married women. It also saw the rise of the professional woman writer and journalist. Drawing on two of the most popular genres, the novel (in particular the domestic novel) and conduct literature, this article examines their representations of the city and urban …

  • Maggie Günsberg (1948–2004)

    Ann Hallamore Caesar, Robert Hastings et al.•ARTICLE•Italian Studies•2005

  • Bagatelle, Bamboccerie , and Bordellerie

    Ann Hallamore Caesar•ARTICLE•Italian Studies•2005

    The essay explores the critical response to the arrival of the eighteenth-century novel in Italy. Although contemporary works of fiction such as Richardson's Pamela and Fielding's Tom Jones were widely available in English and in translation, and gave rise to a number of popular stage adaptations, critics continued to draw on the epic and late-Renaissance literary theory in their discussions of the genre until at least the middle of the century. …

  • Maggie Günsberg (1948–2004)

    Ann Hallamore Caesar, Robert Hastings•ARTICLE•Italian Studies•2005

  • Bagatelle, Bamboccerie , and Bordellerie

    Ann Hallamore Caesar•ARTICLE•Italian Studies•2005

  • Home and happiness in Neera's fiction

    Ann Hallamore Caesar•ARTICLE•The Italianist•2010

    Ma, nel XIX secolo, la formazione di una societa civile passa anche e forse soprattutto per le stanze della vita domestica

  • Home and happiness in Neera's fiction

    Ann Hallamore Caesar•ARTICLE•Italian Studies•2011

    Ma, nel XIX secolo, la formazione di una società civile passa anche e forse soprattutto per le stanze della vita domestica

  • Theatre and the Rise of the Italian Novel

    Ann Hallamore Caesar•ARTICLE•Italian Studies•2012

    The essay discusses the rich and complex relationship that was played out publicly in eighteenth-century Venice between a well-established theatre and a newly emerging indigenous novel. Two of the key figures, Pietro Chiari and Antonio Piazza, had a foot in both camps; their ‘theatre novels’, far from having story lines purloined from plays, were thinly disguised or undisguised narratives about the off-stage rivalries and relationships between th…

  • Gender, Narrative and Dissonance in the Modern Italian Novel

    Ann Hallamore Caesar•ARTICLE•Journal of Modern Italian Studies•2016

Art (16 works) · History (10 works) · History (9 works) · Literature (9 works) · Sociology (8 works) · Renaissance and Early Modern Studies (6 works) · Gender Studies (5 works) · Italian Fascism and Post-war Society (5 works) · Aesthetics (4 works) · Italian Literature and Culture (4 works)

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