Paul Théberge
Biographic Data
| ID | 227925 |
|---|---|
| NAME | Paul Théberge |
| GIVEN NAMES | Paul |
| FAMILY NAME | Théberge |
| SIGNATURE | THÉBERGE P |
| AFFILIATIONS | York University |
| ORCID | 0009-0006-1796-9741 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 39 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1991 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 2 |
Love and Business
Taylor Swift has lived half her life at the centre of a music industry maelstrom: wildly successful, she built her career at a time when the record industry was just emerging from a decade-long struggle with technological change and industrial and economic upheaval. In this context, Swift stands out as a peculiar anomaly: she can move product (selling millions of physical CDs in a post-CD era), make daily use of social media like Instagram and, s…
The Project Ahead
Arguing that past attempts at introducing popular music into the curriculum have taken place primarily at the level of the individual course, the author argues that a more extensive and integrated approach to developing academic programs in popular music is now needed. The model for such a program must be both multidisciplinary and interdisciplinary in character and must include the full participation of departments and faculties of music. Consid…
Exploring the creative process
Exploring the creative process: hypermedia tools for understanding contemporary composition / “Creation and perception of a contemporary musical work: The Angel of Death by Roger Reynolds”, Stephen McAdams and Marc Battier (eds.). Paris: Ircam-Centre Pompidou, 2005; 1 Audio CD + 1 CD-ROM (PC/Mac). / “De Voi(rex) à Apocalypsis, fragments d’une genèse: exploration multimédia du travail de composition de Philippe Leroux” , Nicolas Donin, Samuel Gold…
Everyday Fandom
With the rise of the Internet, fans have engaged in a variety of online discussions related to their interests: newsgroups in the “alt.music” and “alt.fan” categories are full of groups devoted to specific music genres and individual stars. But what is of interest in this context is the transformation of those other, more-or-less organized, “official” fan clubs, where the tensions between fandom and organized consumption are most evident. In this…
The Network Studio
In recent years, various forces within and outside the music industry - record producers, hardware and software suppliers, and Internet service providers - have created techniques and tools that allow recording studios in remote locations to be networked in ever more complex and intimate ways. The effort behind the creation of the ‘network studio’ is, in part, the result of an overall progression in the historical development of the tools, archit…
Any Sound You Can Imagine
Any sound you can imagine
Musicians' magazines in the 1980s
The Network Studio
In recent years, various forces within and outside the music industry - record producers, hardware and software suppliers, and Internet service providers - have created techniques and tools that allow recording studios in remote locations to be networked in ever more complex and intimate ways. The effort behind the creation of the ‘network studio’ is, in part, the result of an overall progression in the historical development of the tools, archit…
Everyday Fandom
With the rise of the Internet, fans have engaged in a variety of online discussions related to their interests: newsgroups in the “alt.music” and “alt.fan” categories are full of groups devoted to specific music genres and individual stars. But what is of interest in this context is the transformation of those other, more-or-less organized, “official” fan clubs, where the tensions between fandom and organized consumption are most evident. In this…
Love and Business
Taylor Swift has lived half her life at the centre of a music industry maelstrom: wildly successful, she built her career at a time when the record industry was just emerging from a decade-long struggle with technological change and industrial and economic upheaval. In this context, Swift stands out as a peculiar anomaly: she can move product (selling millions of physical CDs in a post-CD era), make daily use of social media like Instagram and, s…
Musicians' magazines in the 1980s
Any sound you can imagine
Any Sound You Can Imagine
The Network Studio
In recent years, various forces within and outside the music industry - record producers, hardware and software suppliers, and Internet service providers - have created techniques and tools that allow recording studios in remote locations to be networked in ever more complex and intimate ways. The effort behind the creation of the ‘network studio’ is, in part, the result of an overall progression in the historical development of the tools, archit…
Everyday Fandom
With the rise of the Internet, fans have engaged in a variety of online discussions related to their interests: newsgroups in the “alt.music” and “alt.fan” categories are full of groups devoted to specific music genres and individual stars. But what is of interest in this context is the transformation of those other, more-or-less organized, “official” fan clubs, where the tensions between fandom and organized consumption are most evident. In this…
Exploring the creative process
Exploring the creative process: hypermedia tools for understanding contemporary composition / “Creation and perception of a contemporary musical work: The Angel of Death by Roger Reynolds”, Stephen McAdams and Marc Battier (eds.). Paris: Ircam-Centre Pompidou, 2005; 1 Audio CD + 1 CD-ROM (PC/Mac). / “De Voi(rex) à Apocalypsis, fragments d’une genèse: exploration multimédia du travail de composition de Philippe Leroux” , Nicolas Donin, Samuel Gold…
The Project Ahead
Arguing that past attempts at introducing popular music into the curriculum have taken place primarily at the level of the individual course, the author argues that a more extensive and integrated approach to developing academic programs in popular music is now needed. The model for such a program must be both multidisciplinary and interdisciplinary in character and must include the full participation of departments and faculties of music. Consid…
Love and Business
Taylor Swift has lived half her life at the centre of a music industry maelstrom: wildly successful, she built her career at a time when the record industry was just emerging from a decade-long struggle with technological change and industrial and economic upheaval. In this context, Swift stands out as a peculiar anomaly: she can move product (selling millions of physical CDs in a post-CD era), make daily use of social media like Instagram and, s…
Music History and Culture (6 works) · Sociology (5 works) · Art (4 works) · Business (4 works) · Computer Science (4 works) · Advertising (3 works) · Media studies (3 works) · Visual arts (3 works) · World Wide Web (3 works) · Cinema and Media Studies (2 works)