P Khalil Saucier
Biographic Data
| ID | 228425 |
|---|---|
| NAME | P Khalil Saucier |
| GIVEN NAMES | P Khalil |
| FAMILY NAME | Saucier |
| SIGNATURE | SAUCIER P K |
| AFFILIATIONS | Rhode Island College |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 12 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
On the drag of the ship(ped)
Upgrade and Upstage: Injunctions Against Stephanie Rawlings-Blake, “Black Feminism,” and Hip Hop Studies at the Ledge (A Response to Forster): Upgrade and Upstage
The Racial Gestalt of Hannah Arendt's Thought
Necessarily Black: Cape Verdean Youth, Hip-Hop Culture, and a Critique of Identity
Hip Hop Studies in Black: Hip Hop Studies in Black
“Don’t Let Me Be Misunderstood”: Nina Simone’s Africana Womanism
This study sought to move beyond superficial appreciation of Nina Simone’s lyrics to identify and contextualize emergent constructs. A qualitative ethnographic content analysis of 44 songs was conducted in order to reach a deeper understanding of the messages in her lyrics. The findings revealed that Nina Simone did not only entertain, rather she helped raise her listeners’ consciousness of various sociopolitical issues (e.g., anti-Black oppressi…
Ex Aqua: The Mediterranean Basin, Africans on the Move, and the Politics of Policing
Within the annals of black studies, analyses of state power begin with a well-trod premise that policing is not a response to criminal behaviour; nor is it an extension of a criminal justice apparatus whose operations can be accounted for by political economy alone. Rather, the police power is foremost a cultural phenomenon irreducible to materialist conceptions of social control in a capitalist world system. More to the point, policing is a meth…
Keeping It Real in the Global South: Hip-Hop Comes to Sri Lanka
This article attempts to understand how hip-hop, as a uniquely black American articulation of marginalization and resistance, becomes a complex symbol of global belonging and post-colonial resistance in Sri Lanka. Sri Lankan hip-hop artists have established distinctive rap cultures, borrowing from their own local culture, as well as from US hip hop cultural practices in general. From more locally popular hip hop artists like Krishan, to internati…
Ex Aqua: The Mediterranean Basin, Africans on the Move, and the Politics of Policing
Within the annals of black studies, analyses of state power begin with a well-trod premise that policing is not a response to criminal behaviour; nor is it an extension of a criminal justice apparatus whose operations can be accounted for by political economy alone. Rather, the police power is foremost a cultural phenomenon irreducible to materialist conceptions of social control in a capitalist world system. More to the point, policing is a meth…
Keeping It Real in the Global South: Hip-Hop Comes to Sri Lanka
This article attempts to understand how hip-hop, as a uniquely black American articulation of marginalization and resistance, becomes a complex symbol of global belonging and post-colonial resistance in Sri Lanka. Sri Lankan hip-hop artists have established distinctive rap cultures, borrowing from their own local culture, as well as from US hip hop cultural practices in general. From more locally popular hip hop artists like Krishan, to internati…
Hip Hop Studies in Black: Hip Hop Studies in Black
“Don’t Let Me Be Misunderstood”: Nina Simone’s Africana Womanism
This study sought to move beyond superficial appreciation of Nina Simone’s lyrics to identify and contextualize emergent constructs. A qualitative ethnographic content analysis of 44 songs was conducted in order to reach a deeper understanding of the messages in her lyrics. The findings revealed that Nina Simone did not only entertain, rather she helped raise her listeners’ consciousness of various sociopolitical issues (e.g., anti-Black oppressi…
Ex Aqua: The Mediterranean Basin, Africans on the Move, and the Politics of Policing
Within the annals of black studies, analyses of state power begin with a well-trod premise that policing is not a response to criminal behaviour; nor is it an extension of a criminal justice apparatus whose operations can be accounted for by political economy alone. Rather, the police power is foremost a cultural phenomenon irreducible to materialist conceptions of social control in a capitalist world system. More to the point, policing is a meth…
Keeping It Real in the Global South: Hip-Hop Comes to Sri Lanka
This article attempts to understand how hip-hop, as a uniquely black American articulation of marginalization and resistance, becomes a complex symbol of global belonging and post-colonial resistance in Sri Lanka. Sri Lankan hip-hop artists have established distinctive rap cultures, borrowing from their own local culture, as well as from US hip hop cultural practices in general. From more locally popular hip hop artists like Krishan, to internati…
Upgrade and Upstage: Injunctions Against Stephanie Rawlings-Blake, “Black Feminism,” and Hip Hop Studies at the Ledge (A Response to Forster): Upgrade and Upstage
The Racial Gestalt of Hannah Arendt's Thought
Necessarily Black: Cape Verdean Youth, Hip-Hop Culture, and a Critique of Identity
On the drag of the ship(ped)
Sociology (5 works) · Music History and Culture (4 works) · Gender Studies (3 works) · Political science (3 works) · Politics (3 works) · Race, History, and American Society (3 works) · Art (2 works) · Computer Science (2 works) · Latin American and Latino Studies (2 works) · Law (2 works)