Paul Gottschling
Biographic Data
| ID | 228449 |
|---|---|
| NAME | Paul Gottschling |
| GIVEN NAMES | Paul |
| FAMILY NAME | Gottschling |
| SIGNATURE | GOTTSCHLING P |
| AFFILIATIONS | University of Manchester |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 2 |
Architectural scripts: Construction Procurement Within the User Worlds of Building Events
The concept of the 'building event' has been central within recent geographies of architecture, marshalled against the assumption that buildings are stable or textual. Buildings, in these studies, emerge out of contingent relations among various configurations of human and non-human actors. Yet it is possible, other studies suggest, that this focus on the 'building' as the centre of the 'building event' has overlooked long-standing historical pro…
Where design competitions matter: Architectural artefacts and discursive events
Recent ethnographies among professional architects have given us a novel version of the argument against architectural autonomy: architects work in a condition of entanglement not only with clients and markets, but also with the very objects through which architectural conception takes place. There is a tension between this view and one that surfaces within management scholarship on design competitions. In these studies, the design competition is…
Making architecture compete: Open-ended accumulation meets objectification and singularisation in the UK construction industry
Sociologists over the last two decades have taken inspiration from actor-network theory to suggest that competition, like ‘the market’, takes place through a dynamic of detaching objects from one set of relations and reattaching them within another: objectification and singularisation. Yet there has been little theorisation of how competition differs between situations. To approach this question, we can ask how competition, as a process of object…
Architectural scripts: Construction Procurement Within the User Worlds of Building Events
The concept of the 'building event' has been central within recent geographies of architecture, marshalled against the assumption that buildings are stable or textual. Buildings, in these studies, emerge out of contingent relations among various configurations of human and non-human actors. Yet it is possible, other studies suggest, that this focus on the 'building' as the centre of the 'building event' has overlooked long-standing historical pro…
Where design competitions matter: Architectural artefacts and discursive events
Recent ethnographies among professional architects have given us a novel version of the argument against architectural autonomy: architects work in a condition of entanglement not only with clients and markets, but also with the very objects through which architectural conception takes place. There is a tension between this view and one that surfaces within management scholarship on design competitions. In these studies, the design competition is…
Making architecture compete: Open-ended accumulation meets objectification and singularisation in the UK construction industry
Sociologists over the last two decades have taken inspiration from actor-network theory to suggest that competition, like ‘the market’, takes place through a dynamic of detaching objects from one set of relations and reattaching them within another: objectification and singularisation. Yet there has been little theorisation of how competition differs between situations. To approach this question, we can ask how competition, as a process of object…
Making architecture compete: Open-ended accumulation meets objectification and singularisation in the UK construction industry
Sociologists over the last two decades have taken inspiration from actor-network theory to suggest that competition, like ‘the market’, takes place through a dynamic of detaching objects from one set of relations and reattaching them within another: objectification and singularisation. Yet there has been little theorisation of how competition differs between situations. To approach this question, we can ask how competition, as a process of object…
Architectural scripts: Construction Procurement Within the User Worlds of Building Events
The concept of the 'building event' has been central within recent geographies of architecture, marshalled against the assumption that buildings are stable or textual. Buildings, in these studies, emerge out of contingent relations among various configurations of human and non-human actors. Yet it is possible, other studies suggest, that this focus on the 'building' as the centre of the 'building event' has overlooked long-standing historical pro…
Where design competitions matter: Architectural artefacts and discursive events
Recent ethnographies among professional architects have given us a novel version of the argument against architectural autonomy: architects work in a condition of entanglement not only with clients and markets, but also with the very objects through which architectural conception takes place. There is a tension between this view and one that surfaces within management scholarship on design competitions. In these studies, the design competition is…
Architecture (3 works) · Sociology (3 works) · Aesthetics (2 works) · Architectural engineering (2 works) · Art (2 works) · Competition (biology (2 works) · Engineering (2 works) · Epistemology (2 works) · Management and Organizational Studies (2 works) · Visual arts (2 works)