Mariagiulia Grassilli
Biographic Data
| ID | 228511 |
|---|---|
| NAME | Mariagiulia Grassilli |
| GIVEN NAMES | Mariagiulia |
| FAMILY NAME | Grassilli |
| SIGNATURE | GRASSILLI M |
| AFFILIATIONS | Schlumberger (Ireland) |
| ORCID | 0000-0002-6501-7028 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 9 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 2 |
Towards a Fifth Cinema
Following other advances in international film movements, namely Third and Fourth Cinema, we propose the concept of Fifth Cinema to refer to a composite of audio-visual outputs developed primarily by refugees and/or enabled with their interests and stories at heart. Although the experience of forcible displacement and expatriation varies greatly from one person to the next, Fifth Cinema exhibits certain similarities. It is a cinema that is nomadi…
Migrant Cinema
This paper explores the transnational industry of migrant cinema. It particularly addresses the production and ‘guerrilla film-making’ of this genre in Italy, whilst analysing the effects of cultural policies on productions and representation. After defining the genre of migrant cinema—or ‘accented cinema’, as Hamid Naficy terms it—by positioning it within the wider theoretical framework of Third Cinema, I concentrate on aspects of representation…
Anthropology and Cinema
This article is devoted to reevaluating the anthropological importance of the work of Lionel Rogosin, whose films, like those of Jean Rouch and Robert Flaherty before him, reflect a symbiosis between cinema and visual research. Focused on apartheid, civil rights, and displacement, his filmmaking activity includes such important titles as Come Back Africa [2004 2004 Come Back Africa. A Man Possessed . Johannesburg : STE Publishers . [Google Schola…
Towards a Fifth Cinema
Following other advances in international film movements, namely Third and Fourth Cinema, we propose the concept of Fifth Cinema to refer to a composite of audio-visual outputs developed primarily by refugees and/or enabled with their interests and stories at heart. Although the experience of forcible displacement and expatriation varies greatly from one person to the next, Fifth Cinema exhibits certain similarities. It is a cinema that is nomadi…
Migrant Cinema
This paper explores the transnational industry of migrant cinema. It particularly addresses the production and ‘guerrilla film-making’ of this genre in Italy, whilst analysing the effects of cultural policies on productions and representation. After defining the genre of migrant cinema—or ‘accented cinema’, as Hamid Naficy terms it—by positioning it within the wider theoretical framework of Third Cinema, I concentrate on aspects of representation…
Anthropology and Cinema
This article is devoted to reevaluating the anthropological importance of the work of Lionel Rogosin, whose films, like those of Jean Rouch and Robert Flaherty before him, reflect a symbiosis between cinema and visual research. Focused on apartheid, civil rights, and displacement, his filmmaking activity includes such important titles as Come Back Africa [2004 2004 Come Back Africa. A Man Possessed . Johannesburg : STE Publishers . [Google Schola…
Anthropology and Cinema
This article is devoted to reevaluating the anthropological importance of the work of Lionel Rogosin, whose films, like those of Jean Rouch and Robert Flaherty before him, reflect a symbiosis between cinema and visual research. Focused on apartheid, civil rights, and displacement, his filmmaking activity includes such important titles as Come Back Africa [2004 2004 Come Back Africa. A Man Possessed . Johannesburg : STE Publishers . [Google Schola…
Migrant Cinema
This paper explores the transnational industry of migrant cinema. It particularly addresses the production and ‘guerrilla film-making’ of this genre in Italy, whilst analysing the effects of cultural policies on productions and representation. After defining the genre of migrant cinema—or ‘accented cinema’, as Hamid Naficy terms it—by positioning it within the wider theoretical framework of Third Cinema, I concentrate on aspects of representation…
Towards a Fifth Cinema
Following other advances in international film movements, namely Third and Fourth Cinema, we propose the concept of Fifth Cinema to refer to a composite of audio-visual outputs developed primarily by refugees and/or enabled with their interests and stories at heart. Although the experience of forcible displacement and expatriation varies greatly from one person to the next, Fifth Cinema exhibits certain similarities. It is a cinema that is nomadi…
Art (3 works) · Media studies (3 works) · Movie theater (3 works) · Sociology (3 works) · Aesthetics (2 works) · Anthropology (2 works) · Cinema and Media Studies (2 works) · Italian Fascism and Post-war Society (2 works) · Law (2 works) · Political science (2 works)