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Kavita Daiya

Biographic Data

ID228679
NAMEKavita Daiya
GIVEN NAMESKavita
FAMILY NAMEDaiya
SIGNATUREDAIYA K
AFFILIATIONSGeorge Washington University
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS8
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2018
H-INDEX2
  • South Asia in Graphic Narratives

    Kavita Daiya•ARTICLE•South Asian Review•2018•Cited by: 1•References: 4

  • Visual culture and violence

    Kavita Daiya•ARTICLE•South Asian History and Culture•2011•References: 8

    The 1947 Partition of India has recently re-emerged as a thematic concern of many South Asian films about nationalism in popular and parallel cinema. These films invoke the 1947 Partition in both productive and troubling ways: they connect it to the contemplation of the role of religion in the contemporary nation-state, and of the impact of religious ethnicity, terrorism and gender on the experience of citizenship in both India and Pakistan. Rece…

  • Home and the nation

    Kavita Daiya•ARTICLE•Journal of Postcolonial Writing•2008•Cited by: 3•References: 15

    This article engages with interdisciplinary theoretical approaches to globalization and migration, and argues for their rethinking through postcolonial literature. It contends that the representation of migrant women and refugees in Nadine Gordimer's and Amitav Ghosh's fiction shows that we need to re‐examine not only the dominant, popular ideologies of the nation as "home" and citizenship as "belonging" but also the relations between violence, c…

  • Guest Editors' Column

    Kavita Daiya, Amardeep Singh•ARTICLE•South Asian Review•2007

  • Provincializing America

    Kavita Daiya•ARTICLE•South Asian Review•2005•Cited by: 2

  • Honourable Resolutions”

    Open Access•Kavita Daiya•ARTICLE•Alternatives Global Local Political•2002•Cited by: 2

    Khushwant Singh's 1956 novel Train to Pakistan features crucial moment in which Hukum Ghand, the magistrate sent to maintain law and order in the village of Mano Majra in 1947, reflects critically on the dominant image that emblematized Indian independence internationally: What were the people in Delhi doing? Making fine speeches in the assembly! Loud-speakers magnifying their egos; lovely-looking foreign women in the visitors' galleries in breat…

  • Home and the nation

    Kavita Daiya•ARTICLE•Journal of Postcolonial Writing•2008•Cited by: 3•References: 15

    This article engages with interdisciplinary theoretical approaches to globalization and migration, and argues for their rethinking through postcolonial literature. It contends that the representation of migrant women and refugees in Nadine Gordimer's and Amitav Ghosh's fiction shows that we need to re‐examine not only the dominant, popular ideologies of the nation as "home" and citizenship as "belonging" but also the relations between violence, c…

  • Provincializing America

    Kavita Daiya•ARTICLE•South Asian Review•2005•Cited by: 2

  • Honourable Resolutions”

    Open Access•Kavita Daiya•ARTICLE•Alternatives Global Local Political•2002•Cited by: 2

    Khushwant Singh's 1956 novel Train to Pakistan features crucial moment in which Hukum Ghand, the magistrate sent to maintain law and order in the village of Mano Majra in 1947, reflects critically on the dominant image that emblematized Indian independence internationally: What were the people in Delhi doing? Making fine speeches in the assembly! Loud-speakers magnifying their egos; lovely-looking foreign women in the visitors' galleries in breat…

  • South Asia in Graphic Narratives

    Kavita Daiya•ARTICLE•South Asian Review•2018•Cited by: 1•References: 4

  • Honourable Resolutions”

    Open Access•Kavita Daiya•ARTICLE•Alternatives Global Local Political•2002•Cited by: 2

    Khushwant Singh's 1956 novel Train to Pakistan features crucial moment in which Hukum Ghand, the magistrate sent to maintain law and order in the village of Mano Majra in 1947, reflects critically on the dominant image that emblematized Indian independence internationally: What were the people in Delhi doing? Making fine speeches in the assembly! Loud-speakers magnifying their egos; lovely-looking foreign women in the visitors' galleries in breat…

  • Provincializing America

    Kavita Daiya•ARTICLE•South Asian Review•2005•Cited by: 2

  • Guest Editors' Column

    Kavita Daiya, Amardeep Singh•ARTICLE•South Asian Review•2007

  • Home and the nation

    Kavita Daiya•ARTICLE•Journal of Postcolonial Writing•2008•Cited by: 3•References: 15

    This article engages with interdisciplinary theoretical approaches to globalization and migration, and argues for their rethinking through postcolonial literature. It contends that the representation of migrant women and refugees in Nadine Gordimer's and Amitav Ghosh's fiction shows that we need to re‐examine not only the dominant, popular ideologies of the nation as "home" and citizenship as "belonging" but also the relations between violence, c…

  • Visual culture and violence

    Kavita Daiya•ARTICLE•South Asian History and Culture•2011•References: 8

    The 1947 Partition of India has recently re-emerged as a thematic concern of many South Asian films about nationalism in popular and parallel cinema. These films invoke the 1947 Partition in both productive and troubling ways: they connect it to the contemplation of the role of religion in the contemporary nation-state, and of the impact of religious ethnicity, terrorism and gender on the experience of citizenship in both India and Pakistan. Rece…

  • South Asia in Graphic Narratives

    Kavita Daiya•ARTICLE•South Asian Review•2018•Cited by: 1•References: 4

Gender Studies (4 works) · Political science (4 works) · Sociology (4 works) · Anthropology (3 works) · Computer Science (3 works) · Gender Studies (3 works) · South Asian Studies and Diaspora (3 works) · Art (2 works) · Citizenship (2 works) · Ethnic group (2 works)

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