Ben Burbridge
Biographic Data
| ID | 2287017 |
|---|---|
| NAME | Ben Burbridge |
| GIVEN NAMES | Ben |
| FAMILY NAME | Burbridge |
| SIGNATURE | BEN BURBRIDGE |
| AFFILIATIONS | University of Sussex |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
What We Don’t Talk About When We Talk About Photography and Participation
This conversation takes the work of artist Anthony Luvera as the basis for a broader analysis of participatory photography in the context of contemporary art. Where existing literature typically focuses on the ethics of participatory production – considering the amount of “agency” afforded to participants in any particular project – the discussion focuses instead on relationships between funders, facilitators, artists, audiences and participants …
Art photography at the 'End of Temporality
This article examines a strain of contemporary art photography marked by its resemblance to earlier scientific motion studies as indicative of a wider 'scientific turn' in recent photographic art. Focusing on Sarah Pickering's series Explosions (2008), Denis Darzacq's The Fall (2006), Ori Gersht's Blow Up (2007) and Martin Klimas' Flower Vases (2008), it addresses the conditions that have allowed for forms and methodologies associable with earlie…
What We Don’t Talk About When We Talk About Photography and Participation
This conversation takes the work of artist Anthony Luvera as the basis for a broader analysis of participatory photography in the context of contemporary art. Where existing literature typically focuses on the ethics of participatory production – considering the amount of “agency” afforded to participants in any particular project – the discussion focuses instead on relationships between funders, facilitators, artists, audiences and participants …
Art photography at the 'End of Temporality
This article examines a strain of contemporary art photography marked by its resemblance to earlier scientific motion studies as indicative of a wider 'scientific turn' in recent photographic art. Focusing on Sarah Pickering's series Explosions (2008), Denis Darzacq's The Fall (2006), Ori Gersht's Blow Up (2007) and Martin Klimas' Flower Vases (2008), it addresses the conditions that have allowed for forms and methodologies associable with earlie…
What We Don’t Talk About When We Talk About Photography and Participation
This conversation takes the work of artist Anthony Luvera as the basis for a broader analysis of participatory photography in the context of contemporary art. Where existing literature typically focuses on the ethics of participatory production – considering the amount of “agency” afforded to participants in any particular project – the discussion focuses instead on relationships between funders, facilitators, artists, audiences and participants …
Aesthetics (2 works) · Art (2 works) · Photography (2 works) · Photography and Visual Culture (2 works) · Visual arts (2 works) · Agency (philosophy (1 work) · Ambiguity (1 work) · Art history (1 work) · Cinema and Media Studies (1 work) · Citizen journalism (1 work)