Chris Batterman Cháirez
Biographic Data
| ID | 229217 |
|---|---|
| NAME | Chris Batterman Cháirez |
| GIVEN NAMES | Chris Batterman |
| FAMILY NAME | Cháirez |
| SIGNATURE | CHÁIREZ C B |
| AFFILIATIONS | University of Chicago |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
So Let's Bang on Some Pots: Sound, Intimacy, and the Public Life of Affect in Brazil's Panelaços
This article examines the sonic forms of protest that spread throughout Brazil beginning in March 2020 in response to then President Bolsonaro's mishandling of the coronavirus pandemic. I take the panelaços as a site from which to probe the efficacy of sound in sedimenting and congealing incipient political and social subjectivities, especially in contexts of anonymity, isolation, and social distance. Drawing from ethnographic work among panelaço…
Brazil on the World Stage: Carlos Gomes'sColombo, the First Republic, and Brazil's Cosmopolitan Desires
In 1892, in the shadow of the tumultuous fall of the Brazilian monarchy and the rise of the First Republic just three years earlier, composer Carlos Gomes premiered his new piece Colombo in Rio de Janeiro. Intended for the 1893 Columbian World Exposition in Chicago, Colombo hagiographically narrates the story of Christopher Columbus and his supposed heroic journey of discovery to the “New World”. However, the piece’s disastrous reception in Rio l…
No prominent works on this page.
Brazil on the World Stage: Carlos Gomes'sColombo, the First Republic, and Brazil's Cosmopolitan Desires
In 1892, in the shadow of the tumultuous fall of the Brazilian monarchy and the rise of the First Republic just three years earlier, composer Carlos Gomes premiered his new piece Colombo in Rio de Janeiro. Intended for the 1893 Columbian World Exposition in Chicago, Colombo hagiographically narrates the story of Christopher Columbus and his supposed heroic journey of discovery to the “New World”. However, the piece’s disastrous reception in Rio l…
So Let's Bang on Some Pots: Sound, Intimacy, and the Public Life of Affect in Brazil's Panelaços
This article examines the sonic forms of protest that spread throughout Brazil beginning in March 2020 in response to then President Bolsonaro's mishandling of the coronavirus pandemic. I take the panelaços as a site from which to probe the efficacy of sound in sedimenting and congealing incipient political and social subjectivities, especially in contexts of anonymity, isolation, and social distance. Drawing from ethnographic work among panelaço…
Art (2 works) · History (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Acoustics (1 works) · Affect (linguistics) (1 works) · Archaeology (1 works) · Art history (1 works) · Communication (1 works)