Maite Urcaregui
Biographic Data
| ID | 2309404 |
|---|---|
| NAME | Maite Urcaregui |
| GIVEN NAMES | Maite |
| FAMILY NAME | Urcaregui |
| SIGNATURE | URCAREGUI M |
| AFFILIATIONS | San Jose State University |
| ORCID | 0000-0003-1056-1349 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Citizenship in Suspension
This article examines how Japanese American cartoonists have historically been at the vanguard of comic art, creating arguably some of the earliest American long-form graphic narratives to critique dominant ways of seeing citizenship. The author begins by briefly tracing the emergence of American comics in the late nineteenth and early twentieth centuries alongside the legal histories that have shaped American citizenship, in particular laws rest…
Composing Crip Corporealities, or Decomposing Comics, in Dumb and Dancing After TEN
The article extends understandings of embodiment in comics studies by exploring feminist, queer, and crip affinities and aesthetics in graphic medicine. It analyzes two works of graphic medicine, Georgia Webber’s Dumb: Living Without a Voice (2018) and Vivian Chong and Webber’s Dancing After TEN (2020), that explore the authors’ experiences of voicelessness and blindness respectively. The article employs Robert McRuer’s concept of “decomposition,…
Just Keep Swimming
By bringing queer ecologies to bear on the blue humanities, this essay promotes a queer hydropoetic investigation that attends to the forms, aesthetics, and politics of pools. Pools are sites of aquatic enjoyment, sport, and revelation that have long been understudied within the blue humanities. We ask whether the promises and failures of swimming in these geographies can provide a queer heuristic in which submersion, immersion, and staying afloa…
No prominent works on this page.
Composing Crip Corporealities, or Decomposing Comics, in Dumb and Dancing After TEN
The article extends understandings of embodiment in comics studies by exploring feminist, queer, and crip affinities and aesthetics in graphic medicine. It analyzes two works of graphic medicine, Georgia Webber’s Dumb: Living Without a Voice (2018) and Vivian Chong and Webber’s Dancing After TEN (2020), that explore the authors’ experiences of voicelessness and blindness respectively. The article employs Robert McRuer’s concept of “decomposition,…
Just Keep Swimming
By bringing queer ecologies to bear on the blue humanities, this essay promotes a queer hydropoetic investigation that attends to the forms, aesthetics, and politics of pools. Pools are sites of aquatic enjoyment, sport, and revelation that have long been understudied within the blue humanities. We ask whether the promises and failures of swimming in these geographies can provide a queer heuristic in which submersion, immersion, and staying afloa…
Citizenship in Suspension
This article examines how Japanese American cartoonists have historically been at the vanguard of comic art, creating arguably some of the earliest American long-form graphic narratives to critique dominant ways of seeing citizenship. The author begins by briefly tracing the emergence of American comics in the late nineteenth and early twentieth centuries alongside the legal histories that have shaped American citizenship, in particular laws rest…
Aesthetics (2 works) · Art (2 works) · Comic strip (2 works) · Comics (2 works) · Comics and Graphic Narratives (2 works) · Queer (2 works) · Sociology (2 works) · Asian American and Pacific Histories (1 work) · Cinema and Media Studies (1 work) · Citizenship (1 work)