Nicholas Temperley
Biographic Data
| ID | 230950 |
|---|---|
| NAME | Nicholas Temperley |
| GIVEN NAMES | Nicholas |
| FAMILY NAME | Temperley |
| SIGNATURE | TEMPERLEY N |
| AFFILIATIONS | University of Illinois Urbana-Champaign |
| VERIFIED | No |
| TOTAL WORKS | 143 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 133 |
| EDITOR COUNT | 10 |
| FIRST PUBLICATION YEAR | 1955 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Victims of Compromise: The Elizabethan Psalm Tunes
The music of The Whole Book of Psalms (first printed in 1562) was not a product of English tradition, but a new congregational system brought home from Geneva. Psalm tunes in Edward VI’s time had been secular, iambic and based on dance rhythms; in so far as Thomas Sternhold’s metrical psalms were sung in church, they were chanted by choirs to Sarum tones. The tunes created for congregational use by the Marian exiles had to satisfy Calvin’s princi…
Musicians of Bath and Beyond: Edward Loder (1809-1865) and his Family
Musicians of Bath and Beyond: Edward Loder (1809-1865) and his Family illuminates three areas that have recently attracted much interest: the musical profession, music in the British provincesand colonies, and English Romantic opera. The Loder family was pre-eminent in Bath's musical world in the early nineteenth century. John David Loder (1788-1846) led the theatre orchestra there from1807, and later the Philharmonic orchestra and Ancient Concer…
All skillful praises sing’: How congregations sang the psalms in early modern England
The tunes of The Whole Book of Psalms would become the foundation of congregational singing in England. But when Thomas Sternhold published his first collection of paraphrases (circa 1548) he expected them to be sung in a private domestic context, and the few extant Edwardian settings do not differ in character from secular songs and dances of the time. There is no record of congregational singing until it was adopted by the Marian exiles under t…
Metrical Psalmody in Print and Practice: English 'Singing Psalms' and Scottish 'Psalm Buiks', c.1547-1640. By Timothy Duguid
Recent decades have seen a growing interest in the popular hymnody of the past. It was long ignored or disdained by scholars of both music and literature, having neither the intrinsic value and sophistication found in some elite poetry and music nor the romantic appeal of orally transmitted rural folksong. But the ‘new musicology’ has aroused interest in the part played by music in the life of a community. In the last thirty years there have been…
Old way of singing
Psalms, metrical (USA)
Bernarr Rainbow on Music: Memoirs and Selected Writings. By Bernarr Rainbow, with introductions by Gordon Cox and Charles Plummeridge
Bernarr Rainbow (1914–1998) was an important figure in English musical life, and it has been well worth while assembling this tribute to his work. It takes an unconventional form: two introductory assessments; an unfinished autobiographical memoir; a reprint of Rainbow's biography of John Curwen (which is still in print); and a miscellany of his shorter articles and reviews. Although the editors are naturally motivated by respect and warm feeling…
Romanticism and Music Culture in Britain, 1770-1840: Virtue and Virtuosity. By Gillen D'Arcy Wood
Journal Article Romanticism and Music Culture in Britain, 1770–1840: Virtue and Virtuosity. By Gillen D’Arcy Wood. Get access Romanticism and Music Culture in Britain, 1770–1840: Virtue and Virtuosity. By Gillen D’Arcy Wood. pp. xi + 293. ( Cambridge University Press, Cambridge, 2010, £50. ISBN 978-0-521-11733-3.) Nicholas Temperley Nicholas Temperley University of Illinois at Urbana-Champaign Search for other works by this author on: Oxford Acad…
Roman Catholic Church Music in England, 1791-1914: A Handmaid of the Liturgy? By T. E. Muir
‘Roman Catholic church music in nineteenth-century England is a neglected subject’ , begins Thomas Muir. This is undoubtedly true. Until fairly recent times almost all music of nineteenth-century England was neglected. As one who has played a part in reopening the subject I must confess that I have not paid enough attention to the music of the Catholic Church. For instance, in the Athlone (later Blackwell) History of Music, volume 5, covering the…
Overture
Great Britain
London (i), Religious institutions, Charities and proprietary chapels
Playford, John (ii)
London (i)
Loder, Edward
Macfarren, Sir George
Wesley, Charles (ii)
Pearsall, Robert Lucas
Psalms, metrical
Anglican Canticle
Wesley family
Fawcett, Joshua
Ballad
Camidge family
Walmisley, Thomas Attwood
John Field and the First Nocturne
JOHN FIELD AND THE FIRST NOCTURNE Get access NICHOLAS TEMPERLEY NICHOLAS TEMPERLEY Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume LVI, Issue 3-4, July 1975, Pages 335–340, https://doi.org/10.1093/ml/LVI.3-4.335 Published: 01 July 1975
MT and Musical Journalism, 1844
Mozart and the Flute
Journal Article MOZART AND THE FLUTE Get access NICHOLAS TEMPERLEY NICHOLAS TEMPERLEY Cambridge Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XXXVI, Issue 1, January 1955, Page 108, https://doi.org/10.1093/ml/XXXVI.1.108 Published: 01 January 1955
T. A. Walmisley's Secular Music
Handel and the Victorians
Mozart's Influence on English Music
Journal Article MOZART'S INFLUENCE ON ENGLISH MUSIC Get access NICHOLAS TEMPERLEY NICHOLAS TEMPERLEY Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 42, Issue 4, October 1961, Pages 307–318, https://doi.org/10.1093/ml/42.4.307 Published: 01 October 1961
Mendelssohn's Influence on English Music
Journal Article MENDELSSOHN'S INFLUENCE ON ENGLISH MUSIC Get access NICHOLAS TEMPERLEY NICHOLAS TEMPERLEY Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 43, Issue 3, July 1962, Pages 224–233, https://doi.org/10.1093/ml/43.3.224 Published: 01 July 1962
Personal Tempo and Subjective Accentuation
A Rondo by Field
Music Collectors
Master Pinto
Keyboard
Tempo and Repeats in the Early Nineteenth Century
Journal Article TEMPO AND REPEATS IN THE EARLY NINETEENTH CENTURY Get access NICHOLAS TEMPERLEY NICHOLAS TEMPERLEY Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 47, Issue 4, October 1966, Pages 323–336, https://doi.org/10.1093/ml/47.4.323 Published: 01 October 1966
John Field
JOHN FIELD Get access NICHOLAS TEMPERLEY NICHOLAS TEMPERLEY Clare CollegeCambridge Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XLVIII, Issue 1, January 1967, Pages 97–98, https://doi.org/10.1093/ml/XLVIII.1.97 Published: 01 January 1967
Raymond and Agnes’
‘RAYMOND AND AGNES’ Get access NICHOLAS TEMPERLEY NICHOLAS TEMPERLEY Department of Music, Yale of UniversityNew Haven, Connecticut Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XLVIII, Issue 2, April 1967, Pages 206–207, https://doi.org/10.1093/ml/XLVIII.2.206 Published: 01 April 1967
MT and Musical Journalism, 1844
Berlioz and the Slur
BERLIOZ AND THE SLUR NICHOLAS TEMPERLEY NICHOLAS TEMPERLEY Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume L, Issue 3, July 1969, Pages 388–392, https://doi.org/10.1093/ml/L.3.388 Published: 01 July 1969
American Taste
Schumann and Cipher
John Playford and the Metrical Psalms
Symphonie fantastique
The Music of the English Church
Kindred and Affinity in Hymn Tunes
Agnus Dei
Henry Hugo Pierson, 1815-73. 1
Ivanhoe
John Playford and the Stationers' Company
JOHN PLAYFORD AND THE STATIONERS' COMPANY Get access NICHOLAS TEMPERLEY NICHOLAS TEMPERLEY Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume LIV, Issue 2, April 1973, Pages 203–212, https://doi.org/10.1093/ml/LIV.2.203 Published: 01 April 1973
Art (85 works) · History and Developments in Astronomy (37 works) · History (34 works) · Computer Science (32 works) · Art history (21 works) · Musicology and Musical Analysis (21 works) · Literature (20 works) · Philosophy (17 works) · Reformation and Early Modern Christianity (11 works) · Visual arts (10 works)