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Colin Martindale

Dados Biográficos

ID231264
NOMEColin Martindale
PRENOMESColin
SOBRENOMEMartindale
ASSINATURAMARTINDALE C
AFILIAÇÕESUniversity of Maine
VERIFICADONão
TOTAL DE OBRAS31
TOTAL DE CITAÇÕES216
TOTAL COMO AUTOR31
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1970
ANO MAIS RECENTE DE PUBLICAÇÃO2005
ÍNDICE H4
  • The link between composition and balance in masterworks vs. paintings of lower artistic quality

    Open Access•Oshin Vartanian, Colin Martindale et al.•ARTICLE•British Journal of Psychology•2005•Referências: 12

    In painting, composition is commonly defined as the two‐dimensional arrangement of elements within the canvas. Each element is considered to have a perceptual weight. The arrangement of these weighted elements determines how balanced a painting is. It has been suggested that due to superior composition, masterworks may be more balanced than works of lower artistic quality. We tested this hypothesis by instructing our participants to rate masterwo…

  • Oscillations and analogies

    Colin Martindale•ARTICLE•American Psychologist•2001

  • Oscillations and analogies

    Colin Martindale•ARTICLE•American Psychologist•2001

    Thomas Young is arguably one of the greatest geniuses who ever lived, but most people have never heard of him, though he was renowned in his own era. He did important work in a large variety of scientific disciplines, but that was his downfall. Given the specialization of the present era, physicists do not appreciate how important his work in linguistics was, linguists do not appreciate the importance of his work in psychology, and so on. Despite…

  • Creative trends in the content of beatles lyrics

    Alan N West, Alan West et al.•ARTICLE•Popular Music & Society•1996•Citada por: 2•Referências: 4

    (1996). Creative trends in the content of beatles lyrics. Popular Music and Society: Vol. 20, No. 4, pp. 103-125

  • I.A. Richards revisited

    Open Access•Colin Martindale, Audrey Dailey•ARTICLE•Poetics•1995•Citada por: 4•Referências: 5

  • Fame more fickle than fortune

    Open Access•Colin Martindale•ARTICLE•Poetics•1995•Citada por: 5•Referências: 19

  • The Clockwork Muse

    Remi Clignet, Colin Martindale•ARTICLE•Contemporary Sociology A Journal…•1991

  • Metaphorical equivalence of elements and temperaments

    Anne E Martindale, Colin Martindale•ARTICLE•Journal of Personality and Social…•1988•Referências: 5

  • The Signs of All Times

    J D Lewis‐william, J D Lewis-Williams et al.•ARTICLE•Current Anthropology•1988•Citada por: 177•Referências: 19

  • Historical evolution of content and style in nineteenth- and twentieth-century American short stories

    Open Access•Colin Martindale, Anne E Martindale•ARTICLE•Poetics•1988•Referências: 13

  • Reply to McWhinnie

    Colin Martindale•ARTICLE•Leonardo•1987

  • On Hedonic Selection, Random Variation, and the Direction of Cultural Evolution

    Colin Martindale, David Rindos•ARTICLE•Current Anthropology•1986•Citada por: 1

  • Aesthetic evolution

    Open Access•Colin Martindale•ARTICLE•Poetics•1986•Citada por: 3•Referências: 34

  • The Evolution of Italian Painting

    Colin Martindale•ARTICLE•Leonardo•1986•Citada por: 3

    The reported study tests the theory that the phenomenon of habituation pressures successive artists within any style to increase the impact value or arousal potential of their works. In most media, this is best accomplished by increases in the collative aspects of artworks (e.g. novelty, complexity, incongruity). These increases are achieved by movement toward more primary process cognition by successive artists during the inspirational stage of …

  • Stylistic Evolution in European Music

    Colin Martindale, Anne Uemura•ARTICLE•Leonardo•1983•Citada por: 2

    An evolutionary theory of change in the arts is described. Successive artists hypothetically must increase the arousal potential or impact value of their art works in order to counter habituation or boredom in the audience. Within any style, this is done by engaging in deeper regression (alteration in consciousness). This leads to increases in primary process content in the works of art produced. When this method becomes too difficult, stylistic …

  • Cognition and consciousness

    Colin Martindale•BOOK•Cognition and consciousness•1981

  • Preface

    Open Access•Colin Martindale•ARTICLE•Poetics•1978

  • A Quantitative Analysis of Diachronic Patterns in Some Narratives of Poe

    Open Access•Colin Martindale•ARTICLE•Semiotica•1978•Citada por: 1

  • Sit with statisticians and commit a social science

    Open Access•Colin Martindale•ARTICLE•Poetics•1978•Citada por: 2•Referências: 1

  • The evolution of English poetry

    Open Access•Colin Martindale•ARTICLE•Poetics•1978•Citada por: 4•Referências: 6

  • Bridging Levels of Systemic Organization [and Comments and Reply]

    Robert A Rubinstein, C D Laughlin et al.•ARTICLE•Current Anthropology•1977•Citada por: 6

    The recent discussion relating the split-brain phenomenon in man to cognitive-behavioral correlates of interest to anthropologists (CURRENT ANTHROPOLOGY 17 [1-3]) raises a wider issue of profound importance to the growing field of neuro-anthropology. This is the question of how to bridge levels of systemic organization. This paper provides a solution to the problem via a consideration of the constraints placed on this process by one neuroanthropo…

  • The Grammar of the Tic in Gilles de La Tourette's Syndrome

    Open Access•Colin Martindale•ARTICLE•Language and Speech•1976•Referências: 3

    Psychodynamic theorists would predict that the verbal tics characterizing Gilles de la Tourette's syndrome should exhibit primitive syntax but complex semantics, while neurological considerations lead to an opposite expectation. A phrase structure grammar describing the tics and finite state grammars describing both the tics and the strings of tics observed in a patient suffering from the disease are presented. Zero- and one-limited grammars fail…

  • Romantic Progression

    Morse Peckham, Colin Martindale•ARTICLE•American Literature•1976

  • Structural balance and the rules of narrative in les liaisons dangereuses

    Open Access•Colin Martindale•ARTICLE•Poetics•1976•Referências: 7

  • More on Split-Brain Research and Anthropology

    Colin Martindale, J Anthony Paredes et al.•ARTICLE•Current Anthropology•1976

Próximo
  • The Signs of All Times

    J D Lewis‐william, J D Lewis-Williams et al.•ARTICLE•Current Anthropology•1988•Citada por: 177•Referências: 19

  • Bridging Levels of Systemic Organization [and Comments and Reply]

    Robert A Rubinstein, C D Laughlin et al.•ARTICLE•Current Anthropology•1977•Citada por: 6

    The recent discussion relating the split-brain phenomenon in man to cognitive-behavioral correlates of interest to anthropologists (CURRENT ANTHROPOLOGY 17 [1-3]) raises a wider issue of profound importance to the growing field of neuro-anthropology. This is the question of how to bridge levels of systemic organization. This paper provides a solution to the problem via a consideration of the constraints placed on this process by one neuroanthropo…

  • Fame more fickle than fortune

    Open Access•Colin Martindale•ARTICLE•Poetics•1995•Citada por: 5•Referências: 19

  • I.A. Richards revisited

    Open Access•Colin Martindale, Audrey Dailey•ARTICLE•Poetics•1995•Citada por: 4•Referências: 5

  • The evolution of English poetry

    Open Access•Colin Martindale•ARTICLE•Poetics•1978•Citada por: 4•Referências: 6

  • An experimental simulation of literary change

    Colin Martindale•ARTICLE•Journal of Personality and Social…•1973•Citada por: 4

  • Aesthetic evolution

    Open Access•Colin Martindale•ARTICLE•Poetics•1986•Citada por: 3•Referências: 34

  • The Evolution of Italian Painting

    Colin Martindale•ARTICLE•Leonardo•1986•Citada por: 3

    The reported study tests the theory that the phenomenon of habituation pressures successive artists within any style to increase the impact value or arousal potential of their works. In most media, this is best accomplished by increases in the collative aspects of artworks (e.g. novelty, complexity, incongruity). These increases are achieved by movement toward more primary process cognition by successive artists during the inspirational stage of …

  • Creative trends in the content of beatles lyrics

    Alan N West, Alan West et al.•ARTICLE•Popular Music & Society•1996•Citada por: 2•Referências: 4

    (1996). Creative trends in the content of beatles lyrics. Popular Music and Society: Vol. 20, No. 4, pp. 103-125

  • Stylistic Evolution in European Music

    Colin Martindale, Anne Uemura•ARTICLE•Leonardo•1983•Citada por: 2

    An evolutionary theory of change in the arts is described. Successive artists hypothetically must increase the arousal potential or impact value of their art works in order to counter habituation or boredom in the audience. Within any style, this is done by engaging in deeper regression (alteration in consciousness). This leads to increases in primary process content in the works of art produced. When this method becomes too difficult, stylistic …

  • Sit with statisticians and commit a social science

    Open Access•Colin Martindale•ARTICLE•Poetics•1978•Citada por: 2•Referências: 1

  • On Hedonic Selection, Random Variation, and the Direction of Cultural Evolution

    Colin Martindale, David Rindos•ARTICLE•Current Anthropology•1986•Citada por: 1

  • A Quantitative Analysis of Diachronic Patterns in Some Narratives of Poe

    Open Access•Colin Martindale•ARTICLE•Semiotica•1978•Citada por: 1

  • Transformation and Transfusion of Vitality in the Narratives of Poe

    Open Access•Colin Martindale•ARTICLE•Semiotica•1973•Citada por: 1

  • Approximation to natural language, grammaticalness, and poeticality

    Open Access•Colin Martindale•ARTICLE•Poetics•1973•Citada por: 1•Referências: 6

  • A note on an eighteenth century anticipation of Freud's theory of dreams

    Open Access•Colin Martindale•ARTICLE•Journal of the History of the…•1970

  • Degeneration, disinhibition, and genius

    Open Access•Colin Martindale•ARTICLE•Journal of the History of the…•1971•Referências: 4

  • Father's Absence, Psychopathology, and Poetic Eminence

    Open Access•Colin Martindale•ARTICLE•Psychological Reports•1972

    Ratings of degree of psychopathology and of probability of cross-sexual identification were made on temporally stratified samples of 42 eminent English and French poets. 55% of Ss had life histories indicating some possibility of cross-sexual identification; of these, 30% came from father-absent homes. 48% exhibited some symptoms of psychopathology; of these, 15% were rated as psychotic. Psychopathology and cross-sexual identification were highly…

  • An experimental simulation of literary change

    Colin Martindale•ARTICLE•Journal of Personality and Social…•1973•Citada por: 4

  • Transformation and Transfusion of Vitality in the Narratives of Poe

    Open Access•Colin Martindale•ARTICLE•Semiotica•1973•Citada por: 1

  • Approximation to natural language, grammaticalness, and poeticality

    Open Access•Colin Martindale•ARTICLE•Poetics•1973•Citada por: 1•Referências: 6

  • The Grammar of the Tic in Gilles de La Tourette's Syndrome

    Open Access•Colin Martindale•ARTICLE•Language and Speech•1976•Referências: 3

    Psychodynamic theorists would predict that the verbal tics characterizing Gilles de la Tourette's syndrome should exhibit primitive syntax but complex semantics, while neurological considerations lead to an opposite expectation. A phrase structure grammar describing the tics and finite state grammars describing both the tics and the strings of tics observed in a patient suffering from the disease are presented. Zero- and one-limited grammars fail…

  • Romantic Progression

    Morse Peckham, Colin Martindale•ARTICLE•American Literature•1976

  • Structural balance and the rules of narrative in les liaisons dangereuses

    Open Access•Colin Martindale•ARTICLE•Poetics•1976•Referências: 7

  • More on Split-Brain Research and Anthropology

    Colin Martindale, J Anthony Paredes et al.•ARTICLE•Current Anthropology•1976

  • Bridging Levels of Systemic Organization [and Comments and Reply]

    Robert A Rubinstein, C D Laughlin et al.•ARTICLE•Current Anthropology•1977•Citada por: 6

    The recent discussion relating the split-brain phenomenon in man to cognitive-behavioral correlates of interest to anthropologists (CURRENT ANTHROPOLOGY 17 [1-3]) raises a wider issue of profound importance to the growing field of neuro-anthropology. This is the question of how to bridge levels of systemic organization. This paper provides a solution to the problem via a consideration of the constraints placed on this process by one neuroanthropo…

  • Preface

    Open Access•Colin Martindale•ARTICLE•Poetics•1978

  • A Quantitative Analysis of Diachronic Patterns in Some Narratives of Poe

    Open Access•Colin Martindale•ARTICLE•Semiotica•1978•Citada por: 1

  • Sit with statisticians and commit a social science

    Open Access•Colin Martindale•ARTICLE•Poetics•1978•Citada por: 2•Referências: 1

  • The evolution of English poetry

    Open Access•Colin Martindale•ARTICLE•Poetics•1978•Citada por: 4•Referências: 6

  • Cognition and consciousness

    Colin Martindale•BOOK•Cognition and consciousness•1981

  • Stylistic Evolution in European Music

    Colin Martindale, Anne Uemura•ARTICLE•Leonardo•1983•Citada por: 2

    An evolutionary theory of change in the arts is described. Successive artists hypothetically must increase the arousal potential or impact value of their art works in order to counter habituation or boredom in the audience. Within any style, this is done by engaging in deeper regression (alteration in consciousness). This leads to increases in primary process content in the works of art produced. When this method becomes too difficult, stylistic …

  • On Hedonic Selection, Random Variation, and the Direction of Cultural Evolution

    Colin Martindale, David Rindos•ARTICLE•Current Anthropology•1986•Citada por: 1

  • Aesthetic evolution

    Open Access•Colin Martindale•ARTICLE•Poetics•1986•Citada por: 3•Referências: 34

  • The Evolution of Italian Painting

    Colin Martindale•ARTICLE•Leonardo•1986•Citada por: 3

    The reported study tests the theory that the phenomenon of habituation pressures successive artists within any style to increase the impact value or arousal potential of their works. In most media, this is best accomplished by increases in the collative aspects of artworks (e.g. novelty, complexity, incongruity). These increases are achieved by movement toward more primary process cognition by successive artists during the inspirational stage of …

  • Reply to McWhinnie

    Colin Martindale•ARTICLE•Leonardo•1987

  • Metaphorical equivalence of elements and temperaments

    Anne E Martindale, Colin Martindale•ARTICLE•Journal of Personality and Social…•1988•Referências: 5

  • The Signs of All Times

    J D Lewis‐william, J D Lewis-Williams et al.•ARTICLE•Current Anthropology•1988•Citada por: 177•Referências: 19

  • Historical evolution of content and style in nineteenth- and twentieth-century American short stories

    Open Access•Colin Martindale, Anne E Martindale•ARTICLE•Poetics•1988•Referências: 13

  • The Clockwork Muse

    Remi Clignet, Colin Martindale•ARTICLE•Contemporary Sociology A Journal…•1991

Psychology (21 obras) · Philosophy (18 obras) · Art (14 obras) · Sociology (12 obras) · Computer Science (10 obras) · Epistemology (10 obras) · Literature (10 obras) · Linguistics (9 obras) · History (8 obras) · Psychoanalysis (8 obras)

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