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Nathan D Hesselink

Biographic Data

ID2321778
NAMENathan D Hesselink
GIVEN NAMESNathan D
FAMILY NAMEHesselink
SIGNATUREHESSELINK N D
AFFILIATIONSUniversity of British Columbia
VERIFIEDNo
TOTAL WORKS1
TOTAL CITATIONS2
AUTHOR COUNT1
EDITOR COUNT0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2013
H-INDEX1
  • "Radiohead's "Pyramid Song

    Open Access•Nathan Hesselink, Nathan D Hesselink•ARTICLE•Music Theory Online•2013•Cited by: 2•References: 27

    This article demonstrates how the confluence of ambiguity and rhythm in a pop/rock song creates a powerful force for audience participation. Focusing on Radiohead's "Pyramid Song" (2001) as a case study, I document in detail the myriad ways listening audiences have made sense of its meter and how this knowledge has informed their interpretations of compositional intent. I conclude with further thoughts on the roles and possibilities of ambiguity …

  • "Radiohead's "Pyramid Song

    Open Access•Nathan Hesselink, Nathan D Hesselink•ARTICLE•Music Theory Online•2013•Cited by: 2•References: 27

    This article demonstrates how the confluence of ambiguity and rhythm in a pop/rock song creates a powerful force for audience participation. Focusing on Radiohead's "Pyramid Song" (2001) as a case study, I document in detail the myriad ways listening audiences have made sense of its meter and how this knowledge has informed their interpretations of compositional intent. I conclude with further thoughts on the roles and possibilities of ambiguity …

  • "Radiohead's "Pyramid Song

    Open Access•Nathan Hesselink, Nathan D Hesselink•ARTICLE•Music Theory Online•2013•Cited by: 2•References: 27

    This article demonstrates how the confluence of ambiguity and rhythm in a pop/rock song creates a powerful force for audience participation. Focusing on Radiohead's "Pyramid Song" (2001) as a case study, I document in detail the myriad ways listening audiences have made sense of its meter and how this knowledge has informed their interpretations of compositional intent. I conclude with further thoughts on the roles and possibilities of ambiguity …

Active listening (1 works) · Aesthetics (1 works) · Ambiguity (1 works) · Art (1 works) · Communication (1 works) · Linguistics (1 works) · Mathematics (1 works) · Music History and Culture (1 works) · Music Technology and Sound Studies (1 works) · Neuroscience and Music Perception (1 works)

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