Joanna Gardner‐huggett
Biographic Data
| ID | 2322331 |
|---|---|
| NAME | Joanna Gardner‐huggett |
| GIVEN NAMES | Joanna |
| FAMILY NAME | Gardner‐huggett |
| SIGNATURE | HUGGETT J G |
| AFFILIATIONS | Corner House |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
Mobilizing Tactics
Book Review| March 01 2013 Mobilizing Tactics Sensible Politics: The Visual Culture of Nongovernmental Activism Edited by Meg McLagan and Yates McKee Zone Books, 2012664 pp./$36.95 (hb) Joanna Gardner-Huggett Joanna Gardner-Huggett JOANNA GARDNER-HUGGETT teaches twentieth-century art history and gender studies at DePaul University. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (2013) 40 (5): 32. https://doi.…
Artemisia Challenges the Elders: How a Women Artists' Cooperative Created a Community for Feminism and Art Made by Women
Joanna Gardner-Huggett, Artemisia Challenges the Elders: How a Women Artists' Cooperative Created a Community for Feminism and Art Made by Women, Frontiers: A Journal of Women Studies, Vol. 33, No. 2, Special Issue: Feminist Art and Social Movements: Beyond NY/LA (2012), pp. 55-75
Redefining Self-Representation: Julia Thecla'sFull Moon(1945)
Countering previous psycho‐biographical readings of Julia Thecla’s (1896–1973) Full Moon (1945), and the politics of self‐representation and female self‐portraits more broadly, it is argued here that Thecla’s embrace of Surrealist strategies employed in this painting, such as female masquerade, are a means to address the intersecting and interdependent realms of both public and private that contributed to her identity as a professional artist, as…
Myfanwy Evans: "Axis" and a Voice for the British Avant-Garde
Artemisia Challenges the Elders: How a Women Artists' Cooperative Created a Community for Feminism and Art Made by Women
Joanna Gardner-Huggett, Artemisia Challenges the Elders: How a Women Artists' Cooperative Created a Community for Feminism and Art Made by Women, Frontiers: A Journal of Women Studies, Vol. 33, No. 2, Special Issue: Feminist Art and Social Movements: Beyond NY/LA (2012), pp. 55-75
Myfanwy Evans: "Axis" and a Voice for the British Avant-Garde
Redefining Self-Representation: Julia Thecla'sFull Moon(1945)
Countering previous psycho‐biographical readings of Julia Thecla’s (1896–1973) Full Moon (1945), and the politics of self‐representation and female self‐portraits more broadly, it is argued here that Thecla’s embrace of Surrealist strategies employed in this painting, such as female masquerade, are a means to address the intersecting and interdependent realms of both public and private that contributed to her identity as a professional artist, as…
Artemisia Challenges the Elders: How a Women Artists' Cooperative Created a Community for Feminism and Art Made by Women
Joanna Gardner-Huggett, Artemisia Challenges the Elders: How a Women Artists' Cooperative Created a Community for Feminism and Art Made by Women, Frontiers: A Journal of Women Studies, Vol. 33, No. 2, Special Issue: Feminist Art and Social Movements: Beyond NY/LA (2012), pp. 55-75
Mobilizing Tactics
Book Review| March 01 2013 Mobilizing Tactics Sensible Politics: The Visual Culture of Nongovernmental Activism Edited by Meg McLagan and Yates McKee Zone Books, 2012664 pp./$36.95 (hb) Joanna Gardner-Huggett Joanna Gardner-Huggett JOANNA GARDNER-HUGGETT teaches twentieth-century art history and gender studies at DePaul University. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (2013) 40 (5): 32. https://doi.…
Art (3 works) · Art history (2 works) · Art, Politics, and Modernism (2 works) · Historical Gender and Feminism Studies (2 works) · Sociology (2 works) · Aesthetics (1 works) · Archaeology (1 works) · Avant garde (1 works) · Citation (1 works) · Computer Science (1 works)