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Grace Adeniyi Ogunyankin

Biographic Data

ID2322789
NAMEGrace Adeniyi Ogunyankin
GIVEN NAMESGrace Adeniyi
FAMILY NAMEOgunyankin
SIGNATUREOGUNYANKIN G A
AFFILIATIONSCarleton University
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS24
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2019
H-INDEX3
  • In/out of Nigeria

    Grace Adeniyi-Ogunyankin, Grace Adeniyi Ogunyankin•ARTICLE•Gender Place & Culture•2019•Cited by: 6•References: 16

    This article explores the murkiness of fieldwork and writing that often comes with simultaneous positioning as insider/outsider. I engage with two key themes: First, identity, legitimacy and representation and, second, the gray spaces between theory and reality. The first theme examines the contradictions of being perceived as both an insider and outsider; the complexities of identity and language while at ‘home’ in the field, and the challenges …

  • The City of Our Dream

    Open Access•Grace Adeniyi-Ogunyankin, Grace Adeniyi Ogunyankin•ARTICLE•International Journal of Urban…•2019•Cited by: 9•References: 22

    Ibadan, Nigeria, has been an outlier in the ranking of world-class cities. But in the past seven years, amidst the circulating Africa Rising narrative, Ibadan has embarked on what I call an Afropolitan Imagineering project of owambe urbanism. Afropolitan Imagineering refers to the production of new images/narratives of Africa and Africans as world-class and cosmopolitan. Owambe urbanism is a spatio-temporal neoliberal project concerning destinati…

  • A “Scented Declaration of Progress”

    Open Access•Grace Adeniyi-Ogunyankin, Grace Adeniyi Ogunyankin•ARTICLE•Antipode•2018•Cited by: 7•References: 24

    Branded as “Africa's first luxury perfume”, the Scent of Africa perfume is a “scented declaration of progress”. Particularly fascinating is the commercial advertisement for the perfume, which I argue to be an “Afropolitan Imagineering” project that is intended to signal Africa's rise and its new association with global cosmopolitanism. At first glance, the Scent of Africa perfume advertisement seems to point to the ways in which Imagineering proj…

  • (Un)African women

    Sylvia Bawa, Grace Adeniyi-Ogunyankin et al.•ARTICLE•African Identities•2018•Cited by: 2•References: 23

    The concrete and abstract geographies of difference on the African continent not only arise from environmental, socio-cultural and religious factors but also from the historical and differential impacts and experiences of colonization and its legacies. In this paper, we use the web series, An African City, as a reference point, to examine the troubling nature of binary depictions of a colonial/traditional Africa and a new/modern/global Africa. Re…

  • The City of Our Dream

    Open Access•Grace Adeniyi-Ogunyankin, Grace Adeniyi Ogunyankin•ARTICLE•International Journal of Urban…•2019•Cited by: 9•References: 22

    Ibadan, Nigeria, has been an outlier in the ranking of world-class cities. But in the past seven years, amidst the circulating Africa Rising narrative, Ibadan has embarked on what I call an Afropolitan Imagineering project of owambe urbanism. Afropolitan Imagineering refers to the production of new images/narratives of Africa and Africans as world-class and cosmopolitan. Owambe urbanism is a spatio-temporal neoliberal project concerning destinati…

  • A “Scented Declaration of Progress”

    Open Access•Grace Adeniyi-Ogunyankin, Grace Adeniyi Ogunyankin•ARTICLE•Antipode•2018•Cited by: 7•References: 24

    Branded as “Africa's first luxury perfume”, the Scent of Africa perfume is a “scented declaration of progress”. Particularly fascinating is the commercial advertisement for the perfume, which I argue to be an “Afropolitan Imagineering” project that is intended to signal Africa's rise and its new association with global cosmopolitanism. At first glance, the Scent of Africa perfume advertisement seems to point to the ways in which Imagineering proj…

  • In/out of Nigeria

    Grace Adeniyi-Ogunyankin, Grace Adeniyi Ogunyankin•ARTICLE•Gender Place & Culture•2019•Cited by: 6•References: 16

    This article explores the murkiness of fieldwork and writing that often comes with simultaneous positioning as insider/outsider. I engage with two key themes: First, identity, legitimacy and representation and, second, the gray spaces between theory and reality. The first theme examines the contradictions of being perceived as both an insider and outsider; the complexities of identity and language while at ‘home’ in the field, and the challenges …

  • (Un)African women

    Sylvia Bawa, Grace Adeniyi-Ogunyankin et al.•ARTICLE•African Identities•2018•Cited by: 2•References: 23

    The concrete and abstract geographies of difference on the African continent not only arise from environmental, socio-cultural and religious factors but also from the historical and differential impacts and experiences of colonization and its legacies. In this paper, we use the web series, An African City, as a reference point, to examine the troubling nature of binary depictions of a colonial/traditional Africa and a new/modern/global Africa. Re…

  • A “Scented Declaration of Progress”

    Open Access•Grace Adeniyi-Ogunyankin, Grace Adeniyi Ogunyankin•ARTICLE•Antipode•2018•Cited by: 7•References: 24

    Branded as “Africa's first luxury perfume”, the Scent of Africa perfume is a “scented declaration of progress”. Particularly fascinating is the commercial advertisement for the perfume, which I argue to be an “Afropolitan Imagineering” project that is intended to signal Africa's rise and its new association with global cosmopolitanism. At first glance, the Scent of Africa perfume advertisement seems to point to the ways in which Imagineering proj…

  • (Un)African women

    Sylvia Bawa, Grace Adeniyi-Ogunyankin et al.•ARTICLE•African Identities•2018•Cited by: 2•References: 23

    The concrete and abstract geographies of difference on the African continent not only arise from environmental, socio-cultural and religious factors but also from the historical and differential impacts and experiences of colonization and its legacies. In this paper, we use the web series, An African City, as a reference point, to examine the troubling nature of binary depictions of a colonial/traditional Africa and a new/modern/global Africa. Re…

  • In/out of Nigeria

    Grace Adeniyi-Ogunyankin, Grace Adeniyi Ogunyankin•ARTICLE•Gender Place & Culture•2019•Cited by: 6•References: 16

    This article explores the murkiness of fieldwork and writing that often comes with simultaneous positioning as insider/outsider. I engage with two key themes: First, identity, legitimacy and representation and, second, the gray spaces between theory and reality. The first theme examines the contradictions of being perceived as both an insider and outsider; the complexities of identity and language while at ‘home’ in the field, and the challenges …

  • The City of Our Dream

    Open Access•Grace Adeniyi-Ogunyankin, Grace Adeniyi Ogunyankin•ARTICLE•International Journal of Urban…•2019•Cited by: 9•References: 22

    Ibadan, Nigeria, has been an outlier in the ranking of world-class cities. But in the past seven years, amidst the circulating Africa Rising narrative, Ibadan has embarked on what I call an Afropolitan Imagineering project of owambe urbanism. Afropolitan Imagineering refers to the production of new images/narratives of Africa and Africans as world-class and cosmopolitan. Owambe urbanism is a spatio-temporal neoliberal project concerning destinati…

Gender Studies (4 works) · Law (4 works) · Political science (4 works) · Sociology (4 works) · Aesthetics (3 works) · Anthropological Studies and Insights (2 works) · Art (2 works) · Colonialism (2 works) · Epistemology (2 works) · Gender Studies (2 works)

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