Lindelwa Dalamba
Biographic Data
| ID | 233139 |
|---|---|
| NAME | Lindelwa Dalamba |
| GIVEN NAMES | Lindelwa |
| FAMILY NAME | Dalamba |
| SIGNATURE | DALAMBA L |
| AFFILIATIONS | University of the Witwatersrand |
| ORCID | 0000-0003-3601-6955 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Cultural solidarities
Continuing the investigation of networked cultural responses in the Global South construed as “cultural solidarities” that was embarked upon in the first special issue of this two-part series, “Cultural Solidarities: Apartheid and the anti-colonial commons of world literature,” Safundi Vol. 19, no.3, the introduction to this, its second volume, investigates how the cultural imagination animates transnational solidarities across a variety of media…
The Blue Notes
For the Blue Notes, an ensemble comprised of South African jazz musicians living in Britain, 1968 was pivotal. After 3 years on the margins of the London jazz scene, their debut album Very Urgent was released in May that year to positive acclaim. Very Urgent was understood as an important statement of the British jazz avant-garde movement that captured the spirit of 1968, infused with the Blue Notes’ musical South Africanisms. In this article, I …
Cultural solidarities
STOPS."Our claims across this series of interventions center on the contention that the conflictual experiences of decolonization in the mid-twentieth-century were to an exceptional extent addressed within a transnational cultural domain-one that to no small degree crosses contemporary debates on world literature. 1 While the global resonance of anti-apartheid expressive culture presents a paradigmatic example of this dynamic, we argue that the m…
Kwaito’s Promise
(2017). Kwaito’s Promise: Music and the Aesthetics of Freedom in South Africa. Muziki: Vol. 14, No. 2, pp. 129-133
Marabi Nights
Since his inaugural lecture at the former University of Natal in 1974, which was titled ‘Music and Society: the Forgotten Relationship’ and formed the introduction to a later book,1 Christopher Bal
Jyo nana wê! Coplan
Disempowering Music
Scholars of black South African popular music have established important connections between music and society. Lara Allen’s studies of pennywhistle-kwela, Christopher Ballantine’s research on marabi and African jazz/mbaqanga,and David Coplan’s social history of black city music, among others, have underwritten the new literature in South African musicology and cultural studies. Previous neglect of black popular culture has made oral testimony cr…
Cultural solidarities
Continuing the investigation of networked cultural responses in the Global South construed as “cultural solidarities” that was embarked upon in the first special issue of this two-part series, “Cultural Solidarities: Apartheid and the anti-colonial commons of world literature,” Safundi Vol. 19, no.3, the introduction to this, its second volume, investigates how the cultural imagination animates transnational solidarities across a variety of media…
The Blue Notes
For the Blue Notes, an ensemble comprised of South African jazz musicians living in Britain, 1968 was pivotal. After 3 years on the margins of the London jazz scene, their debut album Very Urgent was released in May that year to positive acclaim. Very Urgent was understood as an important statement of the British jazz avant-garde movement that captured the spirit of 1968, infused with the Blue Notes’ musical South Africanisms. In this article, I …
Disempowering Music
Scholars of black South African popular music have established important connections between music and society. Lara Allen’s studies of pennywhistle-kwela, Christopher Ballantine’s research on marabi and African jazz/mbaqanga,and David Coplan’s social history of black city music, among others, have underwritten the new literature in South African musicology and cultural studies. Previous neglect of black popular culture has made oral testimony cr…
Disempowering Music
Scholars of black South African popular music have established important connections between music and society. Lara Allen’s studies of pennywhistle-kwela, Christopher Ballantine’s research on marabi and African jazz/mbaqanga,and David Coplan’s social history of black city music, among others, have underwritten the new literature in South African musicology and cultural studies. Previous neglect of black popular culture has made oral testimony cr…
Marabi Nights
Since his inaugural lecture at the former University of Natal in 1974, which was titled ‘Music and Society: the Forgotten Relationship’ and formed the introduction to a later book,1 Christopher Bal
Jyo nana wê! Coplan
Kwaito’s Promise
(2017). Kwaito’s Promise: Music and the Aesthetics of Freedom in South Africa. Muziki: Vol. 14, No. 2, pp. 129-133
Cultural solidarities
STOPS."Our claims across this series of interventions center on the contention that the conflictual experiences of decolonization in the mid-twentieth-century were to an exceptional extent addressed within a transnational cultural domain-one that to no small degree crosses contemporary debates on world literature. 1 While the global resonance of anti-apartheid expressive culture presents a paradigmatic example of this dynamic, we argue that the m…
Cultural solidarities
Continuing the investigation of networked cultural responses in the Global South construed as “cultural solidarities” that was embarked upon in the first special issue of this two-part series, “Cultural Solidarities: Apartheid and the anti-colonial commons of world literature,” Safundi Vol. 19, no.3, the introduction to this, its second volume, investigates how the cultural imagination animates transnational solidarities across a variety of media…
The Blue Notes
For the Blue Notes, an ensemble comprised of South African jazz musicians living in Britain, 1968 was pivotal. After 3 years on the margins of the London jazz scene, their debut album Very Urgent was released in May that year to positive acclaim. Very Urgent was understood as an important statement of the British jazz avant-garde movement that captured the spirit of 1968, infused with the Blue Notes’ musical South Africanisms. In this article, I …
Art (5 works) · Sociology (5 works) · History (4 works) · Music History and Culture (4 works) · Political science (4 works) · South African History and Culture (4 works) · Aesthetics (3 works) · Diverse Musicological Studies (3 works) · Gender Studies (3 works) · History (3 works)